Shuttle diplomacy

Regrets, I've had a few.

Six years ago I was freelancing at Saatchi. That's not the regret. I'd started there for what was originally a two or three week gig, and wound up being there about three or four months. That used to happen a lot because I could always be relied on to get the job done, and my freelance strategy was to just keep showing up until they told me not to. Like all freelancers, I liked when gigs went on longer than I was booked for, because if there's one thing I love it's a day rate that keeps on giving.

I happened to be freelancing at Saatchi at two different times during two memorable events. One was the day they found out Toyota was moving their headquarters to Plano, Texas. They found out about it the same way I did—they heard it on the news that morning. The agency was buzzing about it when I got there, and management held a hastily thrown together staff meeting to reassure everyone the move wouldn't happen overnight, everyone was safe and to not worry about it.

What the meeting actually did was reassure everyone management didn't have the slightest clue what was happening.

The other event was the landing of the Endeavour Space Shuttle at LAX before its drive to the California Space Center. This was a big deal for Saatchi and Toyota, because they'd sold a commercial—and ponied up some of that Toyota money they printed in the basement—where a Toyota Tundra was going to tow the shuttle a very short distance part of the way between LAX and downtown on its journey to its permanent exhibition space. This was to show that if you bought a Tundra, had a specially made hitch, connector, trailer and several NASA engineers and production assistants, you could also tow a space shuttle should the opportunity present itself. As it does.

The door to the roof of Saatchi's building was unlocked, so when the shuttle was coming into the airport on its final approach, everyone went up there to watch the landing.

Since Saatchi is in Torrance, not far from LAX, it was a great view of the NASA 747 carrying the shuttle piggyback, and the two fighter jets escorting it. Plus if you looked down, you could also see the entire shopping mall parking lot Saatchi sits in the corner of.

After seeing it land, I decided I desperately wanted to be one of the thousands lining the streets over the next few days as the orbiter was towed downtown.

I've had a few once-in-a-lifetime experiences in my time. I met and became friends with Groucho Marx. I snagged sixth row center tickets to see a certain gravel-voiced singer from Jersey in his broadway show. I had floor seats at SNL, hung out backstage and went to the after party as a guest of my friend Kevin who was one of the Not-Ready-For-Prime-Time players. I hung out with my friend Holland Taylor backstage at Lincoln Center after a Tony-nominated performance of her one woman show ANN. I played Barrel Of Monkeys with Helen Hunt at the VFW in Ponca City, Oklahoma when she was shooting Twister.

It's important in life (here comes the life advice, stop rolling your eyes) to recognize real once in a lifetime experiences when they happen. And I figured seeing the shuttle rolling down neighborhood streets was going to be one of them.

I watched the coverage on TV with my daughter, and kept telling her we should go see it in person because nothing like this was ever going to happen again. For reasons I don't remember now, I either wasn't able or decided not to go. In case you couldn't tell, that's the regret.

Today however, I was able to somewhat remedy that missed chance by going to the Science Center with the wife to see Endeavour for the first time since it arrived. I know it's been six years, but you know, life in progress. My daughter wound up seeing it years ago with her class on a field trip, and now it was my turn. Not to see it with her class, but you know what I mean.

Anyway, it was magnificent. I'm not gonna lie. I got choked up. It genuinely felt like I finally stopped denying myself something I really wanted, as well as a dream come true.

Just like my high school girlfriend.

The wife and I watched the Journey Into Space 3D IMAX film before walking into the Endeavour exhibit. And the idea that this, the most complicated machine ever built, that we've seen take off and land so many times over the years, has come here after having been in space orbiting around this little blue ball of a planet was almost too much to take in.

In a world that's felt like it's been crumbling since January of last year, and with ignorant, fearful men trying to convince the nation that science is something as evil as they are, looking up at Endeavour gave me a feeling I haven't had in a while: hope. It restored my faith that mankind's intelligence, ingenuity, curiosity and never ending need to keep exploring ever further might still prevail, and guide us all towards our better selves.

Just like the hope I had that Saatchi's roof door wasn't locked when it closed behind us.

Start spreading the news

Even though you could probably guess, I'll say it anyway—I love New York. It's the best city in the world, and it vibrates with talent, creativity and possibilities.

As a theater arts major, the fact there's a city where I can go to a Broadway play or two every day is a little bit of heaven on earth for me. I'm always looking for reasons to hop a plane and go there. Fortunately, over the past few years, I've had a couple very good reasons to visit.

The first was to see my friend Holland Taylor perform at the Vivian Beaumont Theater at Lincoln Center in ANN, the play she wrote and starred in about former Texas governor Ann Richards. It was a master class in acting watching Holland literally inhabit the spirt of Ann Richards.

Now you say, "Oh sure, of course he'd say that. He knows her." Just to be clear, she received a Tony nomination for Best Performance By A Leading Actress In A Play for her performance, so apparently I wasn't alone in my thinking.

This past April, the family and I hopped a plane to NY to see Hamilton. We'd had the tickets for a year, and even though it was coming to Los Angeles, we wanted to see it on Broadway. It's one of those rare plays that transcends the massive hype around it—for all you've heard, it's even better than that.

This October, I have yet another reason to head east. I don't know if you know this, but there's this singer from New Jersey I like quite a bit. Come to find out he's doing an 8-week residency on Broadway at the Walter Kerr Theater. It will be a night of stories, music, with just him, the guitar and piano. It's a 946-seat theater, the smallest venue Bruce has played in 35 years. And I'm going to guess at that size, there are no bad seats.

For as hard as it is to get tickets to a regular Springsteen concert, I'm going to wish it was that easy come August 30th when they go on sale. I've already seen one estimate that said it'll sell out in 45 seconds.

While Bruce has never done a show this intimate, I imagine it will look and sound a little something along these lines, minus the farm:

I'm going to say my prayers, keep my fingers crossed, live right, and be nice to everyone I know in New York and just hope I can see this once-in-a-lifetime Springsteen show. I know, I can hear you saying, "Geez, hasn't he been to a billion Springsteen shows? When's it going to be enough?"

That's easy. Never.

Ugly sweater

I'm a cold weather kind of guy. Anything above seventy degrees, and I start sweating like I'm carrying a backpack filled with lead uphill through the rainforest.

I was in Austin this past weekend, visiting young Mr. Spielberg, and checking out how much return we're getting on that out-of-state tuition. We also had the pleasure of seeing my longtime friend and writer extraordinaire Cameron Day and his wife Debbie, and all going to watch Holland Taylor perform in ANN, which she's brought to the lucky theater goers of Austin for a few weeks.

When the show was over, we stepped out of the theater into the night, and it was just as exceptional as the days had been on this quick turnaround: low 70's, mild breeze, clear blue Texas skies. Since I wasn't going to be there long, I figured the weather would hold until I came home today.

Well, not so fast there Mr. Sweaty Face.

When I went outside this morning, it was ninety degrees and muggy. Really muggy. Steamy, salt-sweat in my eyes muggy. To add to the drenching, I had to carry not only my suitcase down two flights of Airbnb stairs, but also a large suitcase my son had packed up for me to bring home so he wouldn't have to do it in a couple weeks when summer break starts.

Always happy to help my boy, but by the time I got both of them downstairs I looked like I'd just stepped out from under a hot shower. I tried to wipe myself down, but that only lasted for a minute or two.

Wait, what's that? A gentle, cool breeze? Oh thank God. What?! What do you mean it's over?! Crap.

The topping on the cake was I was standing in front of the building, and my Lyft driver pulled up on the side street and waited for me there. So I had to take the two suitcases and drag (roll) them almost half a block to him. Alright, maybe it was a hundred yards. Ok, feet. But still, the end effect was the same. I was a walking puddle.

Having come from the mean streets of West L.A., north of Wilshire, I always loved going to cities that had what I like to call real seasons. Where the temperature changed, and you don't really know from one minute to the next what it'll be. To my point of view, that's the way nature intended it, not this continual perfect, dry weather year in and year out.

But after this morning in Austin, I've reconsidered my opinion and decided I love the predictable, pleasant, dry weather here just fine, and I'm never going to complain about the lack of seasons again.

Now if you'll excuse me, I have some serious laundry to do.

Holland & Tony

As some of you may know by now, I decided to take a trip to New York a few weekends ago. I hadn't been there in a number of years, and for a variety of reasons it felt great to be back.

Not the least of which was the main reason I went in the first place: to see my friend Holland Taylor in ANN, the play she wrote and stars in about former Texas governor Ann Richards.

You know that feeling when you have an expectation about a show and hope the reality lives up to it? And you know that other feeling, the one where it wildly exceeds your expectations?

The second one.

The play was beyond whatever it was I'd imagined it would be. With the turn of a phrase, or a subtle change of tone or expression, Holland would have me laughing hysterically one minute, then crying the next. It's a performance filled with subtle nuance only a talent of Holland's caliber and experience could pull off, in the writing and the performance. A tour de force - one you come out of with the immovable conviction that the actor you've just seen is the only one you could ever imagine in the role.

The other thought I had was what a remarkable woman Ann Richards was. Outspoken, straight-shooting, wicked sense of humor and a low threshold for fools made her entry into politics an even more intriguing choice. It's not hard to see why Holland was drawn to her given their many common traits.

Anyway, to the surprise of absolutely no one who's seen her in the show, Holland is now nominated for Best Leading Actress in this year's Tony Awards. I keep telling her she needs to start working on her acceptance speech, and she keeps shushing me.

But she really needs to start working on her acceptance speech.

I know what you're thinking: I'm going on and on because she's my friend. How can I possibly be objective? It's a valid question.

Well, here's the thing about a once-in-a-lifetime role and an unforgettable performance: everyone can agree on it.

Theory of flight

I have a theory about flying. It's a simple one really, and it goes like this: no matter what the destination, there is no flight too short for first.

Elitist? Maybe. Expensive? Definitely. Worth it? Without a doubt.

This shouldn't come as a surprise to anyone who follows this blog (and if you do follow this blog, you really need to get out more). After all, I've posted before here about the rapid decline in respect for air travel as evidenced by the caliber of people who fly. And by that I mean people who fly coach.

I know how I sound. And, as is typical of first class passengers, I don't care.

We used to go see family in Carmel, CA. While my wife and kids would get all excited about the six hour road trip up there (by road trip they meant monotonous drive up interstate 5, with a stop at the McDonald's in Buttonwillow being the highlight of the trip), I on the other hand would make my airline reservations. I'd fly from L.A. to S.F., then take jet-service back down to Monterey.

The flight from San Francisco to Monterey is exactly 16 minutes. Know where I sat? In the front of the plane. I'd buy upgrade coupons from United in books of four, and I wasn't afraid to use them.

So when I went to New York a couple weekends ago to see my friend Holland Taylor in the Broadway show ANN, which she wrote and stars in, there was no question what part of the plane I was going to sit in.

Which is why you're looking at a picture of the left wing and engine as seen from seat 2A.

Holland Taylor is ANN

My friend Holland Taylor is starring on Broadway in a play she wrote about former Texas governor Ann Richards. If you're in New York, go see it. If you're not in New York, get there and see it.

Meanwhile, I'm going back to my own pet project: finding out where she gets the energy to do it all brilliantly, then bottling it.

Right after my nap.