Encore post: Bowled over

I'm sure you've heard by now this year's season at the Hollywood Bowl has been cancelled due to COVID-19. Not the band, the virus.

Four years ago I wrote this piece about the bowl. Having grown up in Los Angeles, it holds a special place in my heart for a few of the reasons you'll read about here. It makes me sad I won't be going there until at least next year.

But they made the right decision. Because when I go, the only thing I want to worry about is how good the seats are, not how fast the ambulance can get up the hill.

Anyway, I suggest you read this out on your porch or backyard patio, under the night sky just to set the mood.

Shhhh! The lights are going down, and the post is about to start. Please to enjoy.

I've played the Hollywood Bowl.

Ok, not exactly played. I've walked across the stage in front of an audience. My high school graduation was held at the Hollywood Bowl, and it might've been the most awesome part of high school except for the time I talked my Consumer Law and Economics teacher Mr. Blackman into thinking he'd lost my final term paper (if my kids are reading this, don't even think about it). He gave me an A, but I still feel bad about it.

Having grown up an L.A. kid, I've seen plenty of concerts at the Bowl, so many I can't remember them all.

I saw The Eagles take it easy. If you could read my mind you'd know I also saw Gordon Lightfoot. When school was out for summer I saw Alice Cooper.

I've seen Bruce Springsteen and Jackson Browne perform together (I know, I'm as shocked as you are) for Survival Sunday 4, an anti-nuke benefit concert.

It's getting to the point I remember Crosby Stills and Nash belting out Suite: Judy Blue Eyes. I can absolutely confirm the Go-Go's got the beat. I saw Laurie Andersen do whatever the hell it was she was doing. I've seen Steve Martin getting wild and crazy with Edie Brickell while fireworks were going off in the sky.

There have been many, many more, but you get my drift.

Not all my memories are happy ones. There was the night my pal David Weitz and I were driving in my 1965 Plymouth Fury. Highland Avenue was jammed because of the show at the Bowl, so we turned up into the surrounding hills to see if we could find a shortcut around it. Out of nowhere, a police car appeared behind us, lights flashing. The officers told us through the speakers to get out of the car slowly with our hands up. We were young, but we weren't stupid. We knew this was serious.

Once we were out of the car, hands up, they got out of their car with guns drawn and pointed right at us. They told me to open the trunk, which I did slowly and with my hands in sight at all times. They didn't find whatever they were looking for, and after checking our I.D.'s, they let us go. Apparently we fit the description of two guys who'd been robbing the hillside homes recently. I figured the description was brutally handsome and incredibly funny.

Anyway, the reason my mind's on the Bowl is because a week from tonight, I'll be there again, not on stage, but watching the first J.J. Abrams' Star Trek with the Los Angeles Philharmonic playing the score alongside the movie. It should be a great night.

If you've never been there, or it's been awhile, you owe it to yourself to go. It truly is one of the greatest venues, in one of the most beautiful settings, you'll ever see a show at.

Even if you don't get a diploma at the end of it.

Taking a stand

I've been a season subscriber to the Ahmanson Theater for many, many years. Before that, for over ten years I had fourth-row center season seats at the late, great Shubert Theater in Century City. I tried on the Pantages for a few seasons, and I took a couple seasons of the Geffen for a spin when I lived in Santa Monica.

There's a phenomenon I've noticed increasingly over the years, and while it happens in New York too, it seems particularly native to Los Angeles. After every performance, regardless of whether it merits it or not, the audience rewards the cast with a standing ovation. Instead of standing because a play has been filled with brilliant performances that moved you, or were cast with the perfect actors to play the roles, sometimes it feels like standing ovations have become the theater equivalent of participation trophies.

Now you might think you're way ahead of me here—and God knows it doesn't take much—in thinking I'm against the practice. The fact is I'm not.

Here's the thing: I was a theater arts major, and no one appreciates the blood, sweat and tears that go into getting a production off the ground more than I do. And while I realize not every play and performance is worthy of a standing ovation, I believe every performer is.

Actors aren't responsible for the material they're given. Their job is to commit to it, and bring the characters to life as best they can. For all the talk about what an easy job it is, it's incredibly difficult, and they don't always succeed. Remember the last time you tried to convince someone of something?

Admittedly sometimes it's gotten to the point where it feels like the seats are spring loaded. It'd be easy to think doing it for every play across the board cheapens the currency of genuine appreciation for the craft. But the thing about actors is they know in real time if something is working or not. They sense the room tone, they hear the feedback and they see the faces looking back at them. Yet even when it's going south, they're giving it their all.

If I'm being honest, and really, where's the percentage in that, I've given standing ovations to more productions that didn't deserve it than I care to admit. I also tip more than I should for mediocre service at restaurants, clean up for the housekeeper and rinse dishes before I put them in the dishwasher. I may have deeper issues, but that's not the point.

The truth is when the curtain comes down and the cast comes out, I want them to know I appreciate the effort they've made in the name of entertaining me.

That's what I stand for.

Goodbye Kobe

I was never a sports guy or the sports dad. Even though I was born and raised in L.A., I've only been to a handful of Dodger games and even fewer Laker games. But sports guy or not, I couldn't help but love Kobe Bryant.

His fierce competitiveness, his contributions to the city, his appreciation of the arts, and, as a dad, his love of his daughters were all qualities that I respected and resonated with me.

The last time I saw Kobe was a couple years ago at John Williams night at the Hollywood Bowl. Williams had composed the score for an animated film called Dear Basketball, based on a poem Kobe had written. He introduced him and brought him onstage to narrate his film live. When Kobe walked out, the roar was deafening. His celebrity transcended the court. He belonged to that audience. He belonged to the city.

Pete Andress, an art director partner of mine I worked with used to say we hang by a thread. We never know when it's going to be closing time, as Kobe's family and the other families of passengers who were on that helicopter know all too well today.

I've been unable to stop myself from crying about it all afternoon, and it goes way beyond just the sadness of a public figure passing. It feels like more than that. It feels like family.

Kobe was ours. And now he belongs to the ages. Rest in peace.

It Reins in Southern California

There are many things I look forward to each day. Seeing my family, working with people I like (you know who you are), driving along the coast as my commute. And of course, the five seconds before Jeopardy comes on the air.

That's when Eyewitness News airs the nightly Dallas Reins promo.

For those in the dark with low cloud cover, Dallas Reins is the channel 7 Los Angeles Eyewitness News meteorologist. He's been on the air here forever, and is as much an L.A. landmark as the Hollywood sign, Bowl or Boulevard.

The overly dramatic presentation Reins is known for consists of three essential elements: flat hand. Point. Fist. All wrapped up with a gravelly voice telling us to tune in.

I find it wildly entertaining. I believe he has honed the presentation for years, and like the pro he is, makes it look effortless.

The best entertainers and meteorologists do.

My compliments to the chef

The happy gentleman in the picture is Michel Richard, a French chef and former owner of Citrus, which was and will always be my favorite restaurant in L.A.

Citrus was novel for many reasons. Location was one. On the northwest corner just one block off Highland on Melrose, Citrus was at the end of an unassuming residential block. It had a closed in patio, with large umbrellas and a roof that could be drawn back, although it rarely was.

Instead of hiding the kitchen in the back of the house, Richard was one of the very first who chose to separate it from the dining area with a wall of glass, turning it into a gallery where diners could watch their food being prepared.

They could see the chefs at work. The attention to detail. The timing. The skill. And, vicariously, they could experience the pure joy of creation.

Citrus was also the home of my favorite restaurant dessert ever. Michel Richard's raspberry tart. Now, I'm not a fan of raspberries, and I'm not crazy about tart flavored items. But the way this dessert was made, the blend of flavors, the impossibly smooth texture, the thickness of the crust, the balance of flavors. It was perfection.

Citrus was around during the years I happened to be doing a lot of commercial production in Hollywood. And as any creative team will tell you, there's no lunch like a production company lunch. Or a post-production house. Or music production. If you had a good idea and a budget, you were wined and dined at the restaurant of your choice.

And since all the production companies and editorial houses were within five minutes of Citrus, the choice was easy.

I'm not saying I took advantage of that as often as possible. But I'm not saying I didn't.

Here's the thing. I can remember a lot of great meals I've had and restaurants I had them in: Jeremiah Tower's Stars in San Francisco. Emeril Lagasse's NOLA in New Orleans. Laurence McGuire's Lambert's in Austin. George Lang's Café Des Artistes in New York. Great meals and chefs to be sure.

But for me, none of them match the feeling of adventure, comfort, happiness, camaraderie and satisfaction of eating on the patio at Citrus.

Sadly, all good things come to an end. Citrus closed in 2001. Another incarnation opened at the Hollywood nightclub Social (cleverly called Citrus at Social- go figure). But the experience was never the same, and that version shuttered in December of 2009.

Michel Richard is no longer with us—he died of a stroke in August of 2016. But he did what every great chef aspires to.

He left me wanting more.

Storm watch

Years ago there was a funny commercial for a now defunct airline that satirized local news and their panicky Storm Watch weather segments by showing a storm cloud that looked like this one.

Now, making fun of consistently warm and sunny weather in the City of Angels isn't exactly a new idea. But it's always a sure bet. And an easy laugh.

The minute there's a mist (a real mist, not like Stephen King's The Mist - that would be another kind of "watch" altogether) or drizzle in L.A., news programs immediately shift gears and start competing frantically for ratings.

They don't waste any time breaking out their state-of-the-art, scientific, grotesquely expensive Doppler Radar. Mega Doppler Radar. Doppler Radar 2018. And Doppler Radar So Accurate It'll Make Your Head Explode.

As I write this, it's raining outside. Not a hard rain—light and steady. Just like my high school girlfriend. And in a curious case of life imitating wanna-be art, the news weather people—excuse me, meteorologists—are all on Storm Watch for real right now.

It's as if the city was populated entirely by relatives of the Wicked Witch of the West, and newscasters feel they have to get the word out before water hits any of them.

One of the best commentaries on L.A. weather and the way residents react to it was in Steve Martin's L.A. Story. Martin played a whacky weatherman (aren't they all?) who always tried to find entertaining ways to report weather in a city where the weather never changes.

Until one day, it took a terrible turn for the worse.

Random comment: even though it has nothing to do with rain or Storm Watch, the Prius key joke in La La Land is one of my favorite L.A. jokes. Ok, back on point.

Anyway, rain. L.A. You see where I'm going here. I was thinking I'd wrap up this post by writing my way into an end line like a hard rain's gonna fall. Or who'll stop the rain. Maybe rainy days and Mondays. Something like that.

Instead I've decided to abandon the whole Storm Watch/L.A. thing, and leave you with one of my favorite rain-related songs ever.

Dry humor? You're all wet? Nice day if it doesn't rain? How about a ripped from the headlines one like Stormy Daniels. No, I didn't think so. Oh well, I tried. Not hard, but I did try.

Please to enjoy Flight of the Conchords I'm Not Crying.

Bedside manner. Again

So here's how my night went.

I drove from my place of employment in Huntington Beach up to downtown Los Angeles to meet my great friend Sandy, who I've known forever, at the Water Grill for yet another one of our fabulous dinners we have from time to time.

I had every intention of posting a new article tonight when I got home, but after the day and the drive, like last night, bed is calling. And it's not taking no for an answer.

So I went into the archives, and found this sweet piece I'd written exactly five years ago To. The. Day. I know, right?

Since I've been revisiting older posts this week, I might continue the trend for the rest of the week. We'll see how it goes. In the meantime, I've got my jammies on, flipped the pillow to the cold side, set the T.V. on the sleep timer (still one of the greatest inventions since carpeting and air conditioning) and I'm ready to hit the hay.

Have a swell rest of your night, and please to enjoy this post. Again.

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Every once in a while - a great while - my faith in humanity is momentarily restored. This is one of those times.

A while ago I had seen this letter from an emergency room doctor to a man who's wife he'd treated. Sadly she later passed away, but she'd left such an impression that this doctor felt compelled to write his first letter ever to a family member. What strikes me is the time he took to write this letter, which is clearly carefully and deliberately worded, was probably longer than he gets to spend with most of his patients.

In an age of cost cutting, managed care, debates by monkeys in congress over healthcare and the traditional distance doctors keep from the personal lives of their patients, this letter is nothing short of remarkable.

I never want myself or any member of my family to have need of an ER doctor. But if it's unavoidable, I hope they get someone as compassionate as this.

What looks good?

As someone who's binged Breaking Bad ten times, seen every single show—not tour, show—that Bruce Springsteen's done in Los Angeles since '78, stays standing at the craps tables long after my legs and budget have given out, and drinks Coca-Cola with the same joy and frequency as Eric Northman necking (see what I did there?) on True Blood, there's a slim to none chance of anyone ever accusing me of doing things in moderation.

But even with my compulsion to over-enjoy things I like, there are places I firmly believe a little moderation is in order. Menus for example (Menus? In order? Thanks, I'll be here all week).

I think the number of items listed on a menu should be like the food itself: not too little, not too much. Just enough to satisfy. When I'm hungry, I don't want to sit down with a spiral-bound menu the size of the yellow pages and read through it. I want to see sections I like, find the item, get the order in and start scarfing.

Of course what makes a monster menu easier to navigate is the same thing that makes shopping on Amazon quicker: knowing what you want going in. If the menu's that big, they'll either have whatever I'm in the mood for or probably be able to whip it up.

At the restaurant, not Amazon.

For my dining dollar, the best menu in town is In-N-Out.

Simple, friendly, easy to navigate in a hurry, it's essentially the same as it was the day they opened in 1948.

They're a little sly about the fact they have more items than they list, but with the tiniest bit of detective work you'll find the additional dishes on their not-so-secret hidden menu.

What's great about the hidden menu is when I ask for something no one around me sees on the displayed menu, I feel like a real insider, a person in the know. It makes me feel special.

Okay, it's just a hamburger place, but I'll take my self-esteem where I can find it.

Where was I? Oh right. To the everyday diner, the regular In-N-Out menu is a quick glance and an easy decision, which is exactly the way menus should be at every restaurant. To be fair, I suppose there's a certain mood-setting that happens when you have to ponder the menu for a while. But if I'm at a restaurant, my mood is already set on hungry.

I'm not gonna lie, after all this talk of menus and food I'm starving. It's probably time to drag myself out and get something to eat.

Right after I finish Season 4, Episode 7 of Breaking Bad. Again.

Ugly sweater

I'm a cold weather kind of guy. Anything above seventy degrees, and I start sweating like I'm carrying a backpack filled with lead uphill through the rainforest.

I was in Austin this past weekend, visiting young Mr. Spielberg, and checking out how much return we're getting on that out-of-state tuition. We also had the pleasure of seeing my longtime friend and writer extraordinaire Cameron Day and his wife Debbie, and all going to watch Holland Taylor perform in ANN, which she's brought to the lucky theater goers of Austin for a few weeks.

When the show was over, we stepped out of the theater into the night, and it was just as exceptional as the days had been on this quick turnaround: low 70's, mild breeze, clear blue Texas skies. Since I wasn't going to be there long, I figured the weather would hold until I came home today.

Well, not so fast there Mr. Sweaty Face.

When I went outside this morning, it was ninety degrees and muggy. Really muggy. Steamy, salt-sweat in my eyes muggy. To add to the drenching, I had to carry not only my suitcase down two flights of Airbnb stairs, but also a large suitcase my son had packed up for me to bring home so he wouldn't have to do it in a couple weeks when summer break starts.

Always happy to help my boy, but by the time I got both of them downstairs I looked like I'd just stepped out from under a hot shower. I tried to wipe myself down, but that only lasted for a minute or two.

Wait, what's that? A gentle, cool breeze? Oh thank God. What?! What do you mean it's over?! Crap.

The topping on the cake was I was standing in front of the building, and my Lyft driver pulled up on the side street and waited for me there. So I had to take the two suitcases and drag (roll) them almost half a block to him. Alright, maybe it was a hundred yards. Ok, feet. But still, the end effect was the same. I was a walking puddle.

Having come from the mean streets of West L.A., north of Wilshire, I always loved going to cities that had what I like to call real seasons. Where the temperature changed, and you don't really know from one minute to the next what it'll be. To my point of view, that's the way nature intended it, not this continual perfect, dry weather year in and year out.

But after this morning in Austin, I've reconsidered my opinion and decided I love the predictable, pleasant, dry weather here just fine, and I'm never going to complain about the lack of seasons again.

Now if you'll excuse me, I have some serious laundry to do.

Eye in the sky

Sometimes I really love technology.

For example, today my daughter had a flight on Delta from Los Angeles to Nashville. I can already see you being judgmental from here, but just know it wasn't me who put her on Delta. I'm not that kind of parent. It's a school trip to a singing competition, and the choir director was responsible for booking the flight.

I'd have gone with Jet Blue or American, and my little princess definitely would've been sitting in the front of the plane because she's the best daughter in the world and deserves first class all the way.

I've scored enough dad points for one night.

The technology I love is the FlyDelta app. It let's me track where my baby is in real time with all the essential information: departure time, estimated arrival time, altitude, time in flight, time remaining and a map of where she is at any given moment.

Every airline has a similar app, but Delta's, unlike the airline itself, is fairly intuitive.

I like knowing when she lands. That way when she calls me an hour and a half later and says "I just landed." I have a card to play later on I can use as leverage for things like room cleaning, or laundry doing, or car borrowing (not that she'd ever do that, because she's as honest as the day is long - more dad points).

My son also flies back and forth a lot from his out-of-state university, and when he does I have my eyes on his airline flight app as well. My babies mean the world to me and I like knowing they've arrived safely.

To me, the airline apps that let me track flight status is technology at its peace of mind given', stress relievin', parentally reassurin', easy breathin' best.

I just hope I can find one to make sure she doesn't listen to country music when she gets back.

The last picture show

Next to where the original Farmer’s Market was, where The Grove stands now, used to be an icon of a cinematic, automatic, hydro-matic time gone by. The Gilmore Drive-In.

When I was in high school, some friends and I would ride our bikes over to the back of the drive-in, and watch the movies from behind the chain-link fence (which could be easily hopped) for free on the ginormous screen. I’m not saying they were R-rated, but I’m not saying they weren’t. Besides, what was the point of rating anything if the entire city could see it on a 7-story screen.

I always got the feeling that on the list of things the Gilmore Drive-In was about, movies were somewhere beneath community. Socializing was the point, and there were just as many people in their cars as out walking around talking to friends.

I suppose it was foolish to think property that valuable wouldn’t get developed. And the slow death rattle of drive-in’s having the life choked out of them by actual theaters made it all but inevitable the Gilmore would one day be a faded Technicolor memory.

Still, I remember being with friends, watching Clint Eastwood’s violent directorial debut Play Misty For Me.

Even on bikes, even without sound, even though it was cold. It was still magic.

String theory

Why are you looking at a picture of Stu Rosen (aka Dusty), Maxine the Crow, Stanley Spider and Scooter the Squirrel? It’s because I don’t want you looking at a picture of me in a black shirt, tights and a bright yellow scarf tied around my neck.

Even though I know how badly you want to see that.

One of the many odd jobs I’ve had was working for master puppeteer Tony Urbano. In the marionette world – and yes, there is a marionette world - there are a few giants. Bob Baker was one. Tony was another.

Even if you don't know his name, you've seen Tony's work in Men In Black (1 & 2), The Abyss and Team America: World Police.

Tony’s studio was a warehouse in a small industrial park in Van Nuys. I’d seen an ad for a job while I was at UCLA (all hour and a half), so I went and applied. I interviewed with Richard who ran the studio, and who’d later become a good friend of mine.

Cue the Twilight Zone theme.

In the part of the studio that opened to the parking lot via a garage door hung dozens of marionettes. Skeletons. Pianists. Crazy looking ones, whose eyes followed you as you walked around the room after closing.

Did that one just turn his head? I’ll swear he did.

Anyway, Tony did shows for corporate and children’s events. He had a road company of puppeteers, of which I was one, and an ingenious puppet stage he’d designed that, when folded, was about four feet by twenty feet and fit on the roof rack of the company station wagon.

I, along with one of the other puppeteers, danced dolls at events in Redlands, Topanga Mall, South Coast Plaza and Universal Studios. We did celebrity birthday parties, although I can’t remember which ones.

It was open puppetry, that is to say we danced them right out in the open and not from behind a curtain to hide us.

Tony was also the puppeteer on Dusty’s Treehouse (remember that picture?) a kids show that ran for ten years on KNXT-TV. It even won a Peabody Award. I got to work on the show many times, and was able to get my AFTRA card because of it.

Here’s one of my fond memories of Tony.

One day we were at the studio and some young kids were playing ball in the parking lot. The garage door was open, and the kids were looking at all the marionettes inside. Richard, Tony and I were in there. Tony was manipulating Maxine as he was going over a new script for Dusty’s Treehouse. One of the kids recognized the puppet, and yelled, “Where’s Dusty?” And without breaking stride, Tony shot the kid a look and in his bitchiest voice said, “Dusty’s dead.”

I felt sad for the kid, but Richard and I couldn’t stop laughing.

The other thing we used to do when Tony wasn’t around was have a little fun with the Piano Player puppet. His hands were sculpted as if he were playing the keyboard. So Richard would grab the strings, fly him around the room, then land him on the side of a plastic trash can. He’d have his hands on the side, and make his head look down in the trash can and make throwing up sounds. It was awesome.

Guess you had to be there.

Anyway, there comes a time in every boys life where he has to stop playing with dolls, so eventually I moved on. Fortunately I found my calling, such as it is, in advertising.

There's about the same amount of manipulation and string pulling.

But at least I don't have to wear the tights.

Cool it

I love air conditioning. Which may explain why I like colder climates, like San Francisco, Portland and Seattle.

I think it's because I have a very low sweat point. Anything over 60 degrees, and people are trying to throw pennies in me and make a wish.

Anything over 70 degrees and I look like a real-life version of Albert Brooks in Broadcast News.

So of course, being a Los Angeles native and still living in southern California doesn't present me with a lot of opportunities to appreciate the cool weather. Or wear nice wool jackets. Sure there's the occasional plummet to 58 degrees, but you never know when that's coming which makes it hard to plan for.

One dream vacation of mine would be to stay a few nights in the Ice Hotel in Sweden. It's built in winter, melts in the summer and rebuilt the following winter.

The very definition of a seasonal business.

They have cool rooms like the one here, and warm rooms, which are in more permanent structures on the property. But no one goes there for the warm room.

I started this post talking about how I love air conditioning. To me, one of the greatest sensations is walking inside from a hot day into a freezing casino...er...building. I also like sliding under the bedsheets, pulling up the blanket and going to sleep in an ice-cold room.

Admittedly, it's not the most energy efficient way to live. But what I do is run my electricity at about 125% capacity. They when they ask everyone to conserve energy and cut back 20%, I dial it down to 105%. It's what I like to call a win-win.

Anyway, it's 70 degrees outside, 62 inside and a half hour before midnight. So I'm heading off to bed.

Right after I turn it down to 57.

One of these is not like the other

People, jealous petty people, are fond of saying Los Angeles doesn't have seasons like real cities do. As someone born and raised here, I can tell you we most certainly do have seasons.

We have two. Construction, and Girl Scout Cookies.

If you've been to a market, home improvement store, mall or gentrified shopping district, you already know right now we're in the thick of Girl Scout Cookie season. And the cuteness is definitely in full bloom.

Tonight the wife and I had a dinner date. The kids were out at a rehearsal for a school show, so we took advantage of the alone time and went to a local place called the Deli News, which is neither a deli or a newsstand.

Anyway, in front of the restaurant was a GSC table being manned (womanned?) by two parents. In front of them, close to the curb so cars could see her, was one of their daughters - about eight years old - jumping up and down with the energy of a cheerleader on Red Bull and holding a stop-sign shaped sign that read "Please buy cookies!"

The wife and I exchanged a look, and we walked up to her. I said, "Excuse me, you know where I can get some thin mints around here?" She thought for a moment, then a big smile came over her face and, pointing at the table, she said, "Right over there!"

The wife and I went up to the table, and made the purchase you see in the picture. Now, I was willing to stop at the two boxes of Thin Mints. My needs are few, and two boxes meet them just fine. However, the wife had a hankerin' for something in the peanut butter family. And since Mr. Peanut wasn't available, she opted for the do-si-dos.

Here's something you don't know about me: I'm not a peanut butter guy. Never liked it, never will. For me, the only reason peanut butter exists is to get my dogs to take their pills. But if it makes the wife happy, I'm glad to pony up the fin.

Besides, you know what they say - happy wife, happy you won't get killed in your sleep over something you said three years ago.

The problem with Girl Scout Cookie season is once you buy from one cookie pusher, you're pretty much stocked up and have to say no to all the other ones. As they learn all to quickly, it's a first-come-first-sold world out there. But I hope they all sell out their entire cookie inventories, and get all the badges their little hearts desire. They've earned it.

I also hope they do it before construction season starts and makes it harder to get to those tables.

Moving experience

Here at international headquarters of Rotation and Balance, we've had quite a year so far. You may have noticed the postings have been happening at a feverish pace, and by that I mean more than one a month.

Also, with the staff additions (new refrigerator for the Corona Lights and a second-hand La-Z-Boy recliner), we've outgrown our current office space near the Port of Los Angeles, just east of the refinery.

C'mon, what did you think that smell was? (Don't say the writing).

Anyway, since this is the worldwide interwebs, and RNB is read by people as far away as Finland, Nigeria and Vladimir's hometown, the board of directors decided in a contentious 7 - 3 vote that headquarters needed a more international presence.

Randy Greenwood, former director of Arby's real estate operations has been brought on as our VP of International Real Estate Acquisitions. Welcome aboard Randy. Having been with Arby's for over 25 years, and having gone backpacking in Europe for three weeks with his high school sweetheart after graduation, we have the utmost confidence Randy will get us a space we can be proud of and continue to grow in.

Hopefully in a country without corporate income tax.

Anyway, his first few weeks have been spent negotiating for office space on the 148th floor of the Burj Khalifa, the world's tallest building located in Dubai. He tells me they shot one of the Mission Impossible films there, although he's not sure which one.

I'm not really certain the desert is where I want to be. I sweat if it goes over 60 degrees, and frankly unless I'm lying down in sheets I don't look very good in them. White is not a flattering color on me. It just isn't.

But my objections may be moot after all. Our accountants at H&R Block tell me that the revenue generated by this site is well over seven figures. All zeroes.

Which probably means we'll have to say goodbye to our Burj Khalifa office space, and keep our international headquarters right here in the states.

Not to worry. Randy has been working on some contingency plans, and says he's found a space that may suit us in a very desirable mall on the edge of town, just on the other side of the tracks.

We've already got the people from Fastsigns scheduled to come measure for the brand new Rotation and Balance sign. It should look great between the donut shop and massage parlor.

Paper trail

My pal Rich Siegel over at Round Seventeen put up a post today that got me thinking, nostalgically, about the non-advertising jobs I’ve had.

It’s a long list.

I won't take you through them all, although delivery boy for Leo's Flowers and driver for Bob Hope's best friend did have their post-worthy moments. Another time.

For today, under the heading of “What were you thinking?!” jobs, one of my first was a paperboy for the Los Angeles Herald Examiner. If that name isn't familiar, it's because the Herald doesn't exist anymore and hasn't for a long time. It was a great newspaper, from a bygone time when L.A. was a two paper town.

I’d get the papers tossed off the truck in bundles in front of my house. Then I'd have to fold and rubber band them, put them in the giant canvas bags that hung and swung from the towering handlebars of my Schwinn Stingray, and try not to lose my balance as I went wobbling on wheels down the street delivering them.

The only thing worse than the daily paper was the Sunday Herald. Thick, filled with crappy ads someone wrote (who would want that job?), hard to fold and heavy to throw, I figured out early on why Sunday mornings were a time for prayer.

In all modesty, I have to say I did develop into a pretty good pitcher, chucking those papers dead center on to the Welcome mats of subscribers homes I rode past. If major league baseball had been scouting paperboys, things might've been different.

Back then, the way I got paid was to go and get it. There were no credit payments, PayPal or online payments. At the end of each month, I’d go door-to-door, my receipt book in hand, and try to collect payment for the month of papers my subscribers had already received.

See if you can figure out how many ways this was a bad idea.

Child knocking on doors at dinnertime? Child carrying money on him? Child arguing with adults about getting paid? Adults swearing at child about paying for the paper? Suffice it to say that even though I was making some change, the end of the month was not something I looked forward to.

Like the papers, the job eventually folded (see what I did there?). But I learned a lot about myself, a great lesson on how I felt about starting the day early, working hard and getting the job done.

It's a lesson I remember each and every day. When I get in at 10.