Everyone in the pool

You cannot win if you do not play.

As a former lottery winner—you heard me—I know the thrill of realizing you've won. And while my winnings were enough to get me into a new 1986 Toyota Supra, they weren't quite enough to make the kind of life-changing moves a bigger jackpot would've allowed.

I'm hoping that all changes tonight.

Tonight's Powerball drawing is up to $460 million as of this writing, and will probably go higher as it gets closer to it.

Now, as anyone who knows me will tell you, the very last thing I'd ever describe myself as is a team player. But for tonight at least, I'm going to be the best team player ever.

The group of mostly fabulous people I work with—you know who you are—and myself have a lottery pool going for tonight's drawing. It was a $4 buy in, and we managed to pony up enough to buy 63 tickets.

The team player part? I'm rooting for the team. In fact, I may be its biggest cheerleader.

As we all spend the afternoon sitting around contemplating what we'll do with our winnings, I'd like to say it's been great working with all of you. I know there are a few responsible, forward thinking individuals who will, in a fit of common sense and an eye towards the future, squirrel their winnings away in a low interest yielding account somewhere, while they continue to do God's work selling luxury automobiles to people with a FICO score of 750 or higher.

As for me, Harvard University School of Engineering has yet to create a device able to measure exactly how fast I'd be out of here.

So from me to the team, good luck to all of us.

And if for some reason we don't win, the MegaMillions drawing is Friday.

Start spreading the news

Even though you could probably guess, I'll say it anyway—I love New York. It's the best city in the world, and it vibrates with talent, creativity and possibilities.

As a theater arts major, the fact there's a city where I can go to a Broadway play or two every day is a little bit of heaven on earth for me. I'm always looking for reasons to hop a plane and go there. Fortunately, over the past few years, I've had a couple very good reasons to visit.

The first was to see my friend Holland Taylor perform at the Vivian Beaumont Theater at Lincoln Center in ANN, the play she wrote and starred in about former Texas governor Ann Richards. It was a master class in acting watching Holland literally inhabit the spirt of Ann Richards.

Now you say, "Oh sure, of course he'd say that. He knows her." Just to be clear, she received a Tony nomination for Best Performance By A Leading Actress In A Play for her performance, so apparently I wasn't alone in my thinking.

This past April, the family and I hopped a plane to NY to see Hamilton. We'd had the tickets for a year, and even though it was coming to Los Angeles, we wanted to see it on Broadway. It's one of those rare plays that transcends the massive hype around it—for all you've heard, it's even better than that.

This October, I have yet another reason to head east. I don't know if you know this, but there's this singer from New Jersey I like quite a bit. Come to find out he's doing an 8-week residency on Broadway at the Walter Kerr Theater. It will be a night of stories, music, with just him, the guitar and piano. It's a 946-seat theater, the smallest venue Bruce has played in 35 years. And I'm going to guess at that size, there are no bad seats.

For as hard as it is to get tickets to a regular Springsteen concert, I'm going to wish it was that easy come August 30th when they go on sale. I've already seen one estimate that said it'll sell out in 45 seconds.

While Bruce has never done a show this intimate, I imagine it will look and sound a little something along these lines, minus the farm:

I'm going to say my prayers, keep my fingers crossed, live right, and be nice to everyone I know in New York and just hope I can see this once-in-a-lifetime Springsteen show. I know, I can hear you saying, "Geez, hasn't he been to a billion Springsteen shows? When's it going to be enough?"

That's easy. Never.

Do I stay or do I go

I’ve always had great admiration for people who have more than one skill set they can make a living with. For example, my late, great friend George Roux was an art director, illustrator, commercial director and photographer. And he was equally adept at all of them. Damn him.

The problem is, the only thing I can really do is write. And depending on who you talk to, or if you've followed this blog for any length of time, even that's a little shaky.

Like so many of my colleagues, I occasionally entertain the idea of leaving advertising and moving on to a new challenge. Usually during status meetings, listening to account planners giving their insights or staff meetings where management tells everyone how great the new open office seating will be.

Don’t get me wrong: it’s not that copywriting hasn’t been good to me or isn’t challenging, but occasionally a restlessness sets in and I start thinking there might be something else that would be even more rewarding. It’s the same way I felt about my high school girlfriend.

Because there isn't much money in bingeing Breaking Bad, Better Call Saul, The Americans and House Of Cards, I started thinking about other things to do besides what I’m doing.

Here’s a partial list:

Crowd Estimator

I’ve always been good with numbers. I figure I could be that guy they cut to on the local news at concerts or sporting events. “Jeff, that looks like quite a gathering at the stadium tonight.” “That’s right Bill, I’d say there’s about 15,000 people here for the big show.” Then I’d get in the car and go home. Good gig.

Tire Store owner

I love tire stores. That new rubber smell, the S, T, H, V, ZR, W and Y speed ratings (note to Prius owners: S is all you need). What’s not to like about a job where you can toss around words like lug nuts and lateral run out (that's shimmy to you civilians). Not to mention the go-to jokes about being "under pressure" all the time. BAM! I’ll be here all week.

Fortune Cookie Writer

Here’s a gig that capitalizes on experience I already have—always a good thing. Play to my strength. Also, it’s one sentence at a time. That works well for me. Just a quick zinger, something uplifting, hopeful and funny in six or seven words. Besides, my wife used to be VP of Marketing for Panda Express. I already speak fortune cookie.

Ticket Taker

Whenever the discussion turns to creating jobs, this is one I always think of. Unnecessary and easy (did I use the high school girlfriend joke yet?), I’d be great at this. Movie theaters, Broadway theaters or even parking lots, I’d take the tickets with flair and a smile. There’s really not a lot of time for conversation since everyone’s in a hurry, which is fine by me. If you’ve ever been with me in an elevator, you know sometimes conversation is the last thing I want.

Couples picture taker

This one seems obvious, and yet you don't see a lot of them. Ok, you know when you're with your significant other at Disneyland, a concert, on vacation or at a restaurant, and you take either bad selfies or shots of the two of you individually? I'd be the guy wearing the resort uniform, just walking the grounds looking for people doing that and then saying, "I'll take that for you." One or two clicks, and I'm off to save the next vacation memory. I'd meet people, get exercise, learn about all sorts of photographic equipment and probably have a good tan at the end of it all.

You may have noticed the one alternative career choice not on the list is professional blogger. There are a couple of reasons for that.

First, I know for a fact there's no money in it. And second, have you read this blog lately?

Where's my parade?

I'm not gonna lie—I'm feeling a recognition shortage when it comes to appreciation for the many things I do for others. As you can imagine, being an only child makes this feeling of not being the center of the universe something I'm completely unfamiliar with.

Here's the most recent example of how I go out of my way to make life better for the people I love, as well as those around me.

Yesterday, I realized the family was double booked for Saturday night, August 12th. I know, right? We had tickets to both Straight No Chaser at the Greek Theater and to The Curious Incident Of The Dog In The Night Time at the Ahmanson Theater at the Music Center. A decision had to be made, and quickly.

Realizing immediately I couldn't change the concert date, but as an Ahmanson subscriber could exchange those tickets, I called the Music Center box office. I talked with Raphael, a subscriber concierge who spoke with a slightly affected accent and more than a hint of condescension in his voice.

Nevertheless, I persisted.

After finding some equal ground and achievable objectives we could agree on, Raphael then exchanged my four tickets for a week earlier, considerably better orchestra seats, much further up and dead center. Sure, he let me know it wasn't an even exchange and there was an additional fee required, but I didn't hesitate. I fired up the VISA card and paid it.

Giver, remember?

It wasn't easy or fun, took time out of my day and cost me money. But I did it for the same reason Walter White started his meth empire: for the family.

Maybe it's because I work in advertising, where recognition is a form of currency, awards are highly sought after (even if you don't go to Cannes to get them) and getting attention is the name of the game. Or maybe it's just being an only child and a glory hog.

Who's to say?

All I know is recognition or not, I'll keep going out of my way to take on the jobs that have to be done that no one else wants to do.

For example tonight, I'm setting the table for the family. Whether anyone notices or not.

Just another roll of the dice

If there's one thing I have a lot of experience at it's waiting for Springsteen tickets. I've been doing it a long time. I can even remember back to the days before the interwebs, when my friend Kim and I would line up at the now extinct Music Plus store in Westwood or the Marina, and wait in line fifteen hours with throngs of the faithful, swapping war stories and seating victories, and promising we'd all see each other at the show.

The difference between then and now is at Music Plus, you knew you were going to walk away with tickets.

This morning at 10 a.m. tickets went on sale for the March 19 show at the Los Angeles Sports Arena. I, like so many other of my Bruce tramp friends, was online the minute they did, credit card in hand. And from the very first click, Ticketmaster threw up a sign saying "No tickets available for this event." Poof, they're gone.

After hitting refresh a few times, I managed to get four tickets which the family and I will enjoy. They're not front-of-the-plane seats we've become accustomed to, but we're in the building, it's Bruce and that's all that matters.

I'm not going to give you the predictable whine about Ticketmaster. From the price gouging fees to selling directly to brokers, their evil ways have been documented time and again. My personal feeling is it doesn't matter. There's always a huge market and not much incentive for them to change.

I'm optimistic about some things, realistic about others.

The truth of the matter is I endure the wait, the frustration and the anxiety of it all every time and I'll keep doing it. Bruce tickets have always been like a box of chocolates. Fortunately, I've been in a position for many years to either afford alternative channels (brokers), or have friends with contacts wrangle some mighty fine seats for me.

But as I said, when it's Bruce, just being in the building is enough.

For thirty years, my aforementioned friend Kim has been with me at every Bruce on sale drama, and almost every show I've been to - including the very two Madison Square Garden reunion shows where his DVD Live In New York was recorded.

Over the last nineteen years, my friend Alan has traipsed up and down the California coast with me more than a couple times, and to Arizona, enduring some very sketchy hotels to follow Bruce.

And thirteen years ago, I met my red-headed woman Jessie at an agency we worked at together. Her office was plastered with Bruce posters and pictures, including one of her with him. When I was telling another person who worked there how much I like Bruce, she said, "I've got someone you have to meet." Jessie has been at all the shows with us. In fact, Jessie twisted my arm and had me get GA seats at a show in Pac Bell Park in San Francisco. We were on the rail, five feet away from Bruce - best seats ever.

I'm not exactly sure how many years I've known Chris, but he is a spectacular Bruce friend who always manages to find out everything we need to know long before anyone else does. He also manages to find the music before anyone else has heard it. Enough said.

I don't know if it's a religion or a cult, a compulsion or a necessity. Maybe it's all of them. I do know every single time, what I've gotten out of it has been more than worth everything I've had to go through to get there. And I've been there so many times I've lost count.

I'm grateful I have my Bruce tramp pals who're ready to go through it all with me unwaveringly each and every time.

Sure I wish it were easier to get good seats for the shows. But over the years all of us have been lucky enough to learn the same lesson over and over.

When it comes to the ticket train, faith will be rewarded.

Rate of exchange

If you've followed this blog at all - and really, don't you have better things to do - you know that I've written here about the pure extortion the Ahmanson Theater practices if you want to upgrade season tickets.

Yes, I understand this is a terribly first world problem to have.

Anyway, the wife and I were supposed to go see Backbeat there yesterday. But as so often happens, once we actually looked at our calendar, we had a divide and conquer day which would leave both us getting home around five and in a state of complete exhaustion.

Once we realized this, we also realized we'd better exchange the tickets. As Ahmanson season subscribers, we have that benefit as well as the convenience of doing it online, as opposed to having to drive up to the box office and do it in person.

Their website not only lets you see available dates and select seats, it shows you the view from those seats. I wound up with center orchestra seats that are 10 rows closer to the stage. And they only cost $10 each more to upgrade from where our season seats are.

In my other Ahmanson post, I mentioned we donated $600 once and didn't get an inch closer to the stage.

So here's how the math works out: for four shows, if we're able to upgrade at least 5 rows for an average of $10 a ticket, it would cost us $80. Much better, and much less than any donation we'd have to be robbed of before they'd consider moving us closer.

Getting good seats at the Ahmanson has always been filled with intrigue, double-crosses, jealousy and greed. After all, it is the theater.

And where I used to have two words for the Ahmanson management that made it so hard to improve our seats after being subscribers for over a decade, after discovering this little loophole in their rules about upgrading I only have one.

Bravo.

Wrongful Termination - Chapter 7

Billy’s eyes were as wide as manhole covers.

Being a city kid, he was naturally skeptical. The only real horses he’d ever seen were the ones the police rode in Times Square, and the swayback nags pulling tourists around Central Park in replica turn-of-the-century carriages.

Neither had impressed him.

So when he saw the first bronco break from the gate, all four legs in the air, gyrating wildly, it was all he could do to remember to breathe.

He watched in awe as the cowboy in the red checked shirt tried in vain to stay on the wildly spirited horse. His dad couldn’t help wondering why anyone would put themselves through that kind of beating. That thought never crossed Billy's mind. He just thought it was fun to watch.

Robert thought about his two hundred dollar investment, and was glad it had paid off. The seats weren’t exactly where the black man said they were, but they were awfully good just the same. He felt like he’d won the lottery.

Seeing the smile on his son’s face, he knew he had.

For the first time, he let himself think that maybe everything was going to be okay. Maybe the pain of growing up without a mother might take a leave of absence.

What he didn't know in that moment was the leave was temporary.

Wrongful Termination - Chapter 6

When their cab pulled up to the Garden, the first thing they saw when they got out was a ticket scalper. He was a tall, happy black man with a New York accent, wearing a crisp, Stetson cowboy hat and a red scarf.

“Rodeo tickets right here! Hundred dollars. Get your rodeo tickets here! See them white boys get thrown all around! Hundred dollars.”

“Where are the seats?” Robert asked.

“He’s funny Dad.”

“That’s right little man. I’m as funny as they come. I bet you don’t see a lot of funny men like me up where you live, ain’t that right boss?”

Billy just smiled up at him.

“The seats, where are they?”

“Mister, they so close, you can watch the bruises change colors on the cowboys' ass.”

Billy giggled. Robert took out his 100% tanned leather wallet Johnson & Johnson had given him for one of his job anniversaries, handed the man in the cowboy hat two hundred dollars and took the tickets.

“These better be great seats.”

“If they’re not, you can come back and make me live in Harlem.” He started laughing hysterically.

“Bye mister.” Billy smiled up at him and waved.

“Bye little man. Watch you don’t get any dust in your eyes.”

For a moment, Billy and the black man held a knowing stare.

Then Robert took his sons’ hand and they went inside.