Song and dance

There's a joke I like to use whenever someone mentions they've injured their ankle, knee, foot or that they've had a hip replacement. My usual reply is, "So I guess the Riverdance audition is off." In case you're not familiar with Riverdance, here's why it's funny:

In reality—a place I rarely visit—these dancers are highly skilled, precision artists and athletes who have devoted the necessary time and practice into perfecting their joyous art.

This is not something we have in common.

I bring this up because my beautiful daughter is getting married in exactly a month. And while that means a festive celebration, a new family, a great son-in-law, a lifetime of happiness for my baby girl, and a canyon-like dip in my retirement savings, it also means something a bit more frightening to me: the father-daughter dance.

If you've ever been to a wedding, you're famiiar with the tradition. Either after the newlywed couple's first dance, or when I'm done delivering my brilliant, quotable, side-splittingly hilarious yet tearfully poignant toast (post to follow), there will be the father-daughter dance.

The first step (see what I did there?) was to choose the song. This is one of the few choices I actually get to make. I spent several nights watching and listening to father-daughter wedding dance songs on YouTube, crying my eyes out. Seriously, I was a mess. I know what you're thinking, but let's see you listen to this, or this, or this and this and see how you do tough guy.

After being overruled on Highway To Hell (you know the joke: The fact there’s a Stairway To Heaven and a Highway To Hell should tell you who’s expecting more traffic), I finally landed on a song with some history and meaning to me and my girly. I know you want to know what it is, but I'm not going to reveal it here. Like my hilarious toast to the couple—have I mentioned that before?—some things need to remain a surprise.

The actual dance is the really scary part. To make sure we're properly prepared, my daughter and I have decided to take some dance lessons at Arthur Murray Dance Studios. Ironically, there's one within walking distance from the house.

Walking I know how to do.

We had our first lesson yesterday, and it went quite well. Back step, side step, rock back, spin - yeah, I know the lingo. The instructors and personnel are lovely, supportive and encouraging. Obviously they're well aware of how nervous their students are. Especially the first time ones.

What I found to be the worst part of the experience was being surrounded by mirrors. Not the small, narrow full-length dressing mirrors you'd have in the corner of your bedroom.

Or the funhouse kind I like that make me look tall, thin and lanky (which coincidentally are the ones I have in my bedroom).

No, these dance studio mirrors were other ones. The ones that make me feel like reference material for Brendan Fraser.

I suppose the right way to think of the mirrors is as additional inspiration to get closer to dancing shape as the date sneaks up on me.

And although we've already got the song and the basic steps to the dance we're going to do, there are always additional little flairs and moves I'm thinking about adding at the last minute to spice it up a bit. You know, make it more memorable.

Not to tip my hand, or tap my toe, too much, but I'm thinking a little something like this:

The royal treatment

I said I wasn't going to do it, but I did it anyway. I watched the royal wedding of Harry and Meghan. And my macho self-esteem isn't afraid to admit it: I was completely swept away.

I laughed, I cried, I wanted that 1950 Rolls Royce Phantom IV.

I don't think I realized until I was viewing the ceremony how desperately I needed to see something positive and affirming, something that felt like a beginning and not the end. It was a long overdue (since January 20, 2017) counterpoint to the scandals, lies, shootings and injustices we're all inundated with on a daily basis.

There was something reassuring about British traditions that aren't being abandoned for their own sake, or to spite someone out of baseless prejudices. Traditions that've endured, despite the test of time, the horrors of war and the microscope of the occasional royal scandal.

The fact it was a biracial wedding, with a black, London-based gospel choir singing Stand By Me, and a black, Chicago bishop—Michael Curry—whose fiery and passionate sermon about the redemptive power of love made it one for the history books. Set against the stuffy yet tolerant British audience, reminded that diversity is something joyous to be embraced. Not for its own sake, but for the results it elicits.

The decency and rightness of it all. A country united and happy for them. Leadership that inspires love and admiration, even when there's strong political disagreement. A stark contrast to the hatred and divisiveness being peddled as the new normal here.

If you know anything about me, and really, you should know something about me by now, you know I usually think of weddings as a waste of a perfectly good Saturday.

But it sure was nice to feel that good and hopeful, at least for one day.

What Papa said

Who's up for a really passive aggressive blogpost? I knew you'd say that. Here we go.

I'm going to have to disagree with my pal Rich Siegel, wedding coordinator to the stars and proprietor of the infamous Round Seventeen blog. In one of his more recent posts, A Celebration of Birth, he makes a rather large, revealing statement near the end that sums up the difference between his approach to writing and mine.

I quote: "The thing is, I like to write."

The thing is, I do not.

Now, just so I don't sound ungrateful or unprofessional (and I may be too late already), let me clarify something right up front: I love writing for a living. You know, the kind that's creatively challenging, let's me dress like a fifteen-year old every day, surrounds me with wildly creative, funny people and pays the bills. When I say I don't like it, I'm talking more about the idea of sitting down to write as much as the actual act itself.

And of course, one man's essay is another man's agony. Rich likes it. I treat every assignment like I'm going to my execution.

I understand the best writers make it look easy. But by its nature, it's one of the most difficult of the arts.

In fact after juggling, crowd estimating and balloon animals, maybe the most difficult.

I suppose like most writers, if it came easier I'd enjoy it more. But that's Hemingway's point (I'm in no way comparing myself to Hemingway—my sentences are much longer). If you're going to reveal your true self in words, you have to be willing to go to the deepest, truest and most painful place.

I don't like going to those places. I prefer New York or Las Vegas.

If you've followed this blog for any amount of time—and really, you're never going to get those minutes back—then you know there are a few posts on here where, instead of going for the snarky laugh or easy shots, I've actually shined a light, dull though it may be, on my true self, my real life and my inner thoughts.

Not that anyone was asking for that. I know for a fact no one was paying for it.

The reason that kind of writing causes me nothing but anxiety and apprehension is because of this almost crippling fear I'll have nothing to say. In fact, a lot of people think I have over 900 posts to prove that.

My former office wife Janice MacLeod, who's written four maybe five books (who can keep count) including the fabulous Paris Letters, always told me two things. First, that venom was my best medium. I still don't believe that to be true, although that's just what someone whose best medium was venom would say. The other thing she said was just sit down, stare at the blank screen and eventually an idea for something to write about will come to me.

Again, 900 posts prove that may not always be the case.

My close, personal friend Cameron Young is always just completing or just starting a new screenplay. His enthusiasm for original ideas, story structure and writing is inspiring. Apparently not inspiring enough for me to put down the potato chips and the remote, stop bingeing Breaking Bad (again) and write a screenplay of my own. But, you know, inspiring nonetheless.

In spite of my unwavering resistance, all three of these talented, imaginative, disciplined writers are incorrigible encouragers, supporters and advocates of my writing. It is appreciated to a degree I'll never be fully able to express.

Certainly not in words.

I have another problem with opening up as a writer. And I say this with love—frankly, it's none of your business. As an only child, I've always felt the idea of sharing was just crazy talk. But I do recognize that sometimes it makes for good reading. So, you know, anything (almost) for my art.

What am I saying? That Hemingway was right. And if you think by reading my blog you somehow can glean the joy and sense of fulfillment from my words that writing brings me, I only have one thing to say.

You're reading the wrong blog.

Giving her away

Despite what it looks like from the picture, this isn't a post about the movie Father of the Bride. It's about what I learned at a wedding tonight about being one.

Someday my baby girl is going to get married, and I'll be the one who walks her down the aisle and gives her away. Well, I hope I'm walking. I could be rolling down the aisle in my wheelchair with my oxygen tank clanging behind me. I prefer to think that won't be the case.

Anyway, as my daughter will testify, I've been known to say some wildly inappropriate things sometimes (I know! I'm as shocked as you are). On the (frequent) occasions when that happens, my beautiful, brilliant daughter just rolls her eyes and says in a stern, reprimanding way, "Dad. So wrong." I'm sure I've embarrassed her more than enough in her life.

Tonight I learned that I will never do it on her wedding day.

The father of the bride this evening gave a speech before the father/daughter dance. He talked about how "dramatic" she was growing up. He mentioned all the things she'd wanted to be but never managed to accomplish. He went into some story about how one time she'd cut her eye on the zipper of a sweatshirt she was taking off and started screaming for a plastic surgeon. He told the groom he hoped he could deal with all the "drama" that follows her.

He stopped just short of saying, "Good luck. She's your problem now."

It was a genuinely cringe-worthy speech, and everyone at the reception was praying he'd stop talking. I imagine no one more so than his daughter. And eventually he did, thanked everyone for coming to the wedding, and had his dance with his daughter.

As I was listening, it became clear with every word he was focusing on all the wrong things.

He didn't say how grateful he was to have a daughter as loving, beautiful and smart as her. He neglected to say what a lovely young woman she'd grown up to be. He never mentioned that his heart was breaking because his little girl was getting married, and even though he'd always be the man in her heart, he wouldn't be the first one anymore. He left out that the happiest day of his life was when she was born. And he never told the groom he'd better treat her like a queen, or he'd have to answer to him.

In other words, he didn't say all the things I will.

Retiring the bit

When it comes to comedy, there's been no shortage of male/female teams.

Nicols and May. Stiller and Meara. Lucy and Desi. Sid and Imogene. Burns and Allen.

Each of them has a famous bit, a signature routine that always kills when they perform it.

My wife and I know the feeling.

We happen to have a few comedy stylings of our own. And while our teaming isn't nearly as famous as some of those others, hilarity still ensues when the occasion calls for it, and we decide to bring the funny. It's safe to say our most popular bit by far is "The Wedding Guests."

If you haven't caught our act at any nuptials lately, here's how it plays. When the requisite wedding videographer finally wanders over to us to record a comment for posterity about the bride and groom, or the DJ starts passing around the mic for a toast, we launch into it.

The premise is that we stumbled into the wedding by accident, get the bride and groom's name wrong, and then the wife corrects me.

Let's for arguments sake say the couple's real names are Bob and Susan. It would go a little something like this:

ME: We actually don't know anyone here. We were driving down (name of street the wedding venue is on) looking for the Boot Barn, when we heard this music coming out of here. So we came in, and it was great cause there was all this free food. But, as long as we're here, we'd like to give our best wishes and congratulations to Steven and Christina...

(The wife taps me on the shoulder, pulls me aside and whispers something in my ear)

ME:...I mean Bob and Susan, for a long, loving happy marriage.

And end scene.

It always gets a laugh from the crowd. And the fact that they've probably had a few champagne toasts before they get to us doesn't hurt. But still, funny is funny.

Well, it is right up until the couple thinks you've actually forgotten their real names. Then, not so funny. I have a sneaking suspicion that's what may have happened at our latest performance.

It's never happened before, and actually it never occurred to us that it could. But the last thing we'd ever want to do is add additional stress to what should otherwise be the best day of their lives.

We apologized right after in case they thought we really got it wrong. But let me apologize again. Here. Worldwide. (I don't know if the comedy will translate to the many countries who read this blog, but humor is the universal language. Right after money, prestige and oil).

Anyway, to avoid any future misunderstandings, the wife and I have made the decision to retire the bit. From now on, when we go to weddings and are asked to say a little something for or about the bride and groom, that's just what we'll do. And we'll use their correct names the first time out to make sure they know that we know exactly who they are.

Besides, if I'm going for laughs, I can always do the scene from The Graduate at the ceremony.