Gimme shelter, or not

Back in the mission accomplished, strategery, fool me once days of the George W. Bush presidency, everyone had a great time making fun of the way W mispronounced the word nuclear. It never mattered much to me. I say nuclear, you say nucular. Either way we're toast.

Lucy, our one-year old Sock Finder terrier absconded with a tasty argyle the other day and hid it, poorly, in her den which is under the dining room table. I had to go under there and retrieve it (who's the retriever now?), and in a flash (SWIDT?) it reminded me of the drop drills we did in elementary school.

We'd be sitting there, either doing school work or counting the minutes until we could get home and watch Engineer Bill or Sheriff John, and suddenly the teacher would yell "Drop!" We'd all hit the deck under our desks, as if that was going to prevent us from looking like one of Johnny Depp's ash trays on a Saturday night.

It's a lot like when a potential client is about to tour the agency, and the account guy yells "Look busy!" The difference is at the agency nothing changes.

Anyway, with enough nuclear bombs on submarines alone to take out the world, and the Stay-Puft dictator in North Korea shooting off his firecrackers towards Malibu, I started thinking about preparations I need to make in the event of the event.

There's this very informative website that tells how to prepare for a nuclear blast. And while there are a lot of helpful tips on it, I have a few of my own I think will come in handy should we get close to that edge.

First, get to Vegas.

For almost four decades, the U.S. Department of Energy did above-ground testing of over a thousand nuclear bombs at the Nevada Test Site just sixty-five miles northwest of Vegas.

And to no ones' surprise, Vegas did what they do best: turned the detonations into a tourist attraction.

It's where the saying, "It ain't the heat, it's the radiation." originated. My point is if they're going to drop the big one, shouldn't there be swimming pools and free drinks involved?

Who's with me?

Next, run up the credit cards.

The minute the news shows interrupt the season finale of The Bachelorette and start tossing up the Breaking News banner to report on on tensions getting higher between nuclear-armed third-world nations, and we're reaching a point of no return, reach for the credit cards.

A quick shopping spree is better than none at all, and you'll probably have a few days at least before the big boom. Those things you always wanted? Buy 'em. Enjoy 'em. Even if only for a little while.

Just because you're going to die soon in a flash of brilliant white light doesn't mean you have to do it with regrets. 82-inch flatscreen, hello?

Then, grab someone you've always wanted to kiss and plant one.

To some, the impending end of all life on earth might be the time to reflect on what your friends and family mean to you, and to tell them in a heartfelt final conversation so they can vaporize knowing how much you loved them.

Here's the thing: if they don't know by now, you really don't have time to explain it.

Instead, find someone you've always wanted to kiss, grab 'em and plant one on 'em. They'll be startled, maybe in shock to the point where they won't even know what to say. Which is when you say, "I'm so sorry. What I actually meant to do was this." Then plant another one.

Will they be mad? Maybe. Will they report you? Who cares. You can stay out of sight for a couple days until we're all gone.

Remember the part about no regrets?

Finally, remember to smile.

You don't want to look like those people from Pompeii when it's over. They were turned to stone and ash, and not a one of them looked happy about it. At least in the pictures.

If on the chance you wind up charred and not vaporized, you want to have a smile on your face when you go. It projects confidence, joy, a certain je ne sais quoi that says, "Even 500 kilotons of fissionable material can't harsh my buzz."

It lets them know you were having a party while you were here, and you're planning on a great time where you're going.

Years - and I mean a lot of years - from now, when they discover your preserved remains and see the smile, they'll wonder what you had to be so happy about at that particular moment. They'll do documentaries about you. Scholars will debate that look on your face. And if you're lucky, your remains might actually get to go on a national museum tour just like King Tut did.

And of course, on the off chance politicians somehow manage to head off the attack at the eleventh hour, you won't want to miss my next post about right ways to apologize and strategies for debt reduction.

The Long Ranger

I'm not usually one to go by what the critics say. I'm of the belief that whether it's music, movies, plays books or restaurants, a person should see it for themself then make up their own mind. One man's ceiling is another man's blockbuster and all that.

I found out last night this is not true in all cases. When it comes to The Lone Ranger - and you'll thank me for this - listen to the critics.

I can count on half a hand the number of movies I've ever walked out of. Even the crappiest movies have a great line or moment, a memorable effect to get you talking, a nuanced performance in the midst of the badness. An actor who's always great no matter how terrible the script is. The Lone Ranger has none of that.

I couldn't get out of the theater fast enough.

It's just a mess with an identity crisis. Does it want to be a drama with a touch of comedy, or a comedy with some drama? It's supposed to be a period piece, yet even the Indians in the tee-pees are saying things like "not so much."

You never really think about a consistent tone in a movie until there isn't one.

Also, when did it become necessary to explain the origins of every character's situation, how they got to be who they are. It seems like the first five hours of the film are letting us know everyone's backstory. Whatever happened to just hitting the road running - making the assumption the audience is already familiar with the character, which would be the point of making a film starring a character everyone knows, or giving them credit for having enough imagination to just jump in and hang on for the ride.

This is not a problem unique to this film. Tell me again how Superman got here, why he can fly and why bullets bounce off him. I didn't get it the first seven times.

Regardless of what you know about movies, I'm sure you know editors play an essential part in shaping a film. Apparently The Lone Ranger didn't have one. It seems like every single frame they shot is on the screen. It is the most unnecessarily long and unwieldy film I've almost ever seen all the way through.

I'm sure my show from last night hasn't let out yet.

I had a special interest in seeing this film. Thanks to his friend's aunt who worked on it, my son and his friend went to the shoot in Moab and actually worked as production assistants for a few very hot days. I love my son, but even love has its limits. Mine stops at sitting through all twenty hours of The Long Ranger.

I like both Armie Hammer and Johnny Depp. But Hammer was a monumental bore ("Who was that masked man?" "Who cares?") and has nothing at all to work with in the way of a script. Depp is essentially recycling Jack Sparrow, only this time it's a crow instead of a bandana. His eccentricities are forced, and his Injun-talk is really just another version of Sparrow's slurred speech.

It was unusual to hear the Lone Ranger's signature line "Hi-yo Silver away!" coming from the audience instead of the screen as they walked out the door. BAM! Thank you, I'll be here all week. Tip your waitress.

If you want a Lone Ranger story that's actually entertaining, try this one by Jay Thomas about Clayton Moore, who played him for years on the TV show a lot of us grew up with: