Call for backup

They’re the unsung heroes of song. Backup singers.

Tonight I rewatched a spectacular documentary the wife and I had originally seen in the theater when it came out: 20 Feet From Stardom.

The film focuses on the careers of the great Darlene Love, Merry Clayton, Lisa Fischer, Judith Hill, Claudia Lennear, Tata Vega and The Waters Family. In their own words they tell us their stories of the unbelievable highs, crushing lows and relentless persistence it takes to have a career behind the spotlight. And just how hard it is to step out in front of it.

One of the many moving—although sadly not surprising—stories is how poorly Wall Of Sound producer Phil Spector treated Darlene Love and other women of color, taking advantage of them to further his own reputation.

He was a monster even before he shot anyone.

Throughout the film are interviews with Bruce Springsteen (who?), Sting, Mick Jagger and more explaining how their backup singers make or break their songs and shows. Often, the tunes you’re humming while you're walking to your car after the concert, and then sitting in the line of cars waiting to get out that's going to take at least an hour as you wonder why you didn't pony up for preferred parking and use the bathroom before you left the building, are the parts the backup singers were singing.

And then, there are the voices.

As you might imagine the film is chock full of music and songs, and the voices singing them are nothing short of magnificent. Every one of them deserving of a solo career as the headliner.

So no snappy end lines or funny twists of phrase today. Just a recommendation for a great film that deserves to be seen. About enormously talented people who deserve to be recognized.

Not quite all over now

I'm not gonna lie. Once I've spent all my money—and I have again and again (in case you didn't know) on Springsteen tickets—my concert budget is pretty much shot. And there are very few bands I'm willing to pony up a few day rates to see.

But the one band I'd be willing to do it for is The Rolling Stones.

I've always liked the Stones. Never been hardcore about them, but even though it's only rock and roll, I increasingly appreciate their stature, influence and longevity. I feel like they're a band I should see.

The original punk band, the Stones were always the bad boys in contrast to the squeaky clean (at least in the beginning) Beatles. And though they've achieved monumental success, and I expect have gotten plenty of satisfaction in every way possible at this point, they're still out there doing what they do, despite being decades past having to do anything they don't want to.

Jagger still parades around stage with his arms and legs jerking around wildly, like he's a marionette being worked by a drunk puppeteer or a 75-year old British grandmother on a bender. Keith Richards still has a sly, knowing smile at the fact he's alive, along with the most distinctive guitar in rock and roll. I don't know what the hell Ron Wood is doing, but he was the first kiss for this account executive I used to work with, so there's that. And Charlie Watts just makes all the jazz intricacies and nuances he hides in the beat seem so effortless.

I can't explain why I feel this sudden urgency to see them. Maybe it's because it doesn't take Jedi instincts to know at some point they're going to decide they've had enough and call it quits. And while I'd like to think time is on my side, deep down I know it's not.

From all accounts, at this point their show is more greatest hits than not. I'm okay with that. In the same way I saw Sinatra, Sammy Davis Jr. and Elvis, I'd just like to be able to say I saw The Stones live once.

What I'd really like is to score tickets to the small venue show they do before every arena show. Last time they were at the 20,000-seat Staples Center in Los Angeles, the night before they did an impromptu performance at the 350-seat Echoplex Club in Silverlake. Guess how fast they sold out?

Oh well. You can't always get what you want.