Place your credit card in the upright position

Surprisingly, thank God, there are still a few things you don’t know about me. One of them is I used to be deathly afraid of flying. So much so in fact, that years ago I couldn’t bring myself to get on a plane to New York to actually meet Bruce Springsteen and party with him at an SNL after party.

Long story. I’m not proud.

However I’m pleased to tell you—and if you're flying with me you'll be pleased to hear—that’s no longer the case, and hasn’t been for the last twenty-eight years. The way I conquered my fear of flying was simple: I wound up doing a whole lot of it.

When I lived in Santa Monica, I got a freelance gig at Foote Cone Belding in San Francisco. Since these were the before days when you actually had to be in the office, that meant I had to commute up there on Monday mornings and back down on Friday nights. I figured even though I’d be sweating like Albert Brooks in Broadcast News, I could probably white knuckle my way through a forty-eight minute flight twice a week.

Well imagine my surprise when my first week on the job I flew up to San Francisco, then separate round trips to Dallas and Atlanta for focus groups, then back to San Francisco to pick up my clothes at the hotel, back to Los Angeles for a friends birthday party then back up to the bay area.

It was immersion therapy—nine flights in one week.

In the nine months I commuted back and forth, sometimes two or three times a week, I got extremely comfortable with flying. I learned what the noises were. I chatted with pilots. I educated myself about different planes (Boeing 757, sports car of the Boeing fleet). And since I did most of my commuting to the bay and back on United, when the pilot made it available I also listened to channel nine, which was the communications between the plane and various flight controllers along the route.

My thinking was if they’re not worried, I’m not worried.

All this to say the other thing I figured out while I was logging all that airtime is where I like to sit on the plane so I’m the most comfortable and the least stressed.

Here’s a hint: it’s not in the back.

I’d buy books of upgrade coupons and, depending what sections the aircraft was divided into, fly in either first or business every time. One time I flew the eleven minute flight from San Francisco to Monterey and upgraded to first. My motto was, and still is, no trip to short for first.

I know how that sounds. But even though there's no upside in it, I have to face facts—I’m not a small person. And a wider seat—on the chair, not on me—makes flying much easier. Dare I say, enjoyable.

In yet another example of bad parenting, I've tried to pass this philosophy on to my kids, although it hasn’t stuck. Fortunately their current incomes dictates where they sit on the plane. So does mine, but then I figure that’s what credit cards are for.

If you happen to be flying somewhere with me and don't want to pony up for the front of the plane, I understand completely. Just know it'll be like that episode of Seinfeld, where Jerry is flying with Elaine but there’s only one open seat in first and he takes it.

Don’t worry. We’ll have plenty of time to talk after we land.

The opening monologue

If you’re anything like me—and really, there are far better, although not more handsome, role models—you’ve also watched Saturday Night Live for years. And in all that time, two things remain steadfastly true.

First is that the monologue and Weekend Update are the best parts of the show. And second, everything after Update is a comedy wasteland.

I have a few favorite monologues done by some people who I wouldn’t have thought I’d find myself liking. And because I’m a giver despite being an only child, I wanted to share them with you because we all need a good laugh right about now, amIrite?

I’ve never been a big Justin Timberlake fan, but I have to say he was pitch perfect in his monologue about how he wasn’t going to sing. You can literally feel the reaction of the girl he sings to in the audience. A little trivia: John Mulaney and Seth Meyers won an Emmy for the lyrics and the song.

A Swifty I’m not, but Taylor Swift cracked me up with her innocent sweetness as she delivers this razor-sharp take down of boys who’ve done her wrong.

SNL alumni Adam Sandler not only has a few surprise guests during his opening, but sings a great song about getting fired from the show and how it worked out for him.

For my money, the monologue is always better when a comedian is hosting. John Mulaney was a writer on SNL for years, and is now one of the premier stand-ups in the country. Here’s a little sample of the reason why.

Zach Galificanakis has his weirdness and Steven Wright one-liners on full display during his SNL stint. And he plays piano, so who says there are no surprises left?

Well well it's Adele

Some days, this whole "work from home" thang is extremely productive for me. From the minute I hit the keyboard in the morning until I close up shop at night, my fingers are flying fast and furious writing spellbinding, innovative, entertaining and motivating copy that sells the spectacular printers, scanners and projectors made by the global technology company I work for.

Afterwards, at the end of the day as the sun takes its bow and gives way to the coming night, a feeling of great satisfaction and accomplishment washes over me, and a smile slowly dials its way up to full brightness as I bask in the glow of a job very well done.

That's some days. Today wasn't one of them.

Instead, today was the other kind—the one where, despite my best efforts, my mind has a mind of its own and decides to be a few miles south of focused as we spiral down a YouTube rabbit hole for hours on end and see where it takes us.

Those days hit every creative person I know. And I think I speak for all of us when I say that when it happens, the best thing to do is just buckle up and go along for the ride.

For some reason, probably because she hosted Saturday Night Live last week, Adele was on my mind. There was a sketch on the show spoofing The Bachelor, and at the end of it Adele starts singing while she walks off the stage and into the audience. It was a great, unexpected moment—especially for the audience.

I'd never describe myself as an Adele fan, but every time I hear her sing I'm dumbstruck at how stunningly beautiful her voice is. And even moreso by how effortless she is in her performance. She doesn't need to go through wild gyrations, have two dozen backup dancers, recorded backup vocals or a blinding laser light show. All she needs to do is stand there, share her gift and belt out her songs in that voice I can't seem to get enough of.

Okay, so maybe I am an Adele fan.

The song in the video up top, When We Were Young, is one of my favorites and a great example of the kind of performance I'm talking about.

I'd also forgotten about it, but today in my YouTube travels I was reminded Adele is also a bawdy Englishwoman with a cheeky sense of humor. I rediscovered a video I'd seen a few years ago of her auditioning at an Adele impersonator contest in disguise. It's funny, poignant and generous of her as the women she's auditioning with are obviously die-hard fans and slowly realize who one of their competitors is.

But then again, once you hear that voice—Hello—it's hard not to.

Shuttle diplomacy

Regrets, I've had a few.

Six years ago I was freelancing at Saatchi. That's not the regret. I'd started there for what was originally a two or three week gig, and wound up being there about three or four months. That used to happen a lot because I could always be relied on to get the job done, and my freelance strategy was to just keep showing up until they told me not to. Like all freelancers, I liked when gigs went on longer than I was booked for, because if there's one thing I love it's a day rate that keeps on giving.

I happened to be freelancing at Saatchi at two different times during two memorable events. One was the day they found out Toyota was moving their headquarters to Plano, Texas. They found out about it the same way I did—they heard it on the news that morning. The agency was buzzing about it when I got there, and management held a hastily thrown together staff meeting to reassure everyone the move wouldn't happen overnight, everyone was safe and to not worry about it.

What the meeting actually did was reassure everyone management didn't have the slightest clue what was happening.

The other event was the landing of the Endeavour Space Shuttle at LAX before its drive to the California Space Center. This was a big deal for Saatchi and Toyota, because they'd sold a commercial—and ponied up some of that Toyota money they printed in the basement—where a Toyota Tundra was going to tow the shuttle a very short distance part of the way between LAX and downtown on its journey to its permanent exhibition space. This was to show that if you bought a Tundra, had a specially made hitch, connector, trailer and several NASA engineers and production assistants, you could also tow a space shuttle should the opportunity present itself. As it does.

The door to the roof of Saatchi's building was unlocked, so when the shuttle was coming into the airport on its final approach, everyone went up there to watch the landing.

Since Saatchi is in Torrance, not far from LAX, it was a great view of the NASA 747 carrying the shuttle piggyback, and the two fighter jets escorting it. Plus if you looked down, you could also see the entire shopping mall parking lot Saatchi sits in the corner of.

After seeing it land, I decided I desperately wanted to be one of the thousands lining the streets over the next few days as the orbiter was towed downtown.

I've had a few once-in-a-lifetime experiences in my time. I met and became friends with Groucho Marx. I snagged sixth row center tickets to see a certain gravel-voiced singer from Jersey in his broadway show. I had floor seats at SNL, hung out backstage and went to the after party as a guest of my friend Kevin who was one of the Not-Ready-For-Prime-Time players. I hung out with my friend Holland Taylor backstage at Lincoln Center after a Tony-nominated performance of her one woman show ANN. I played Barrel Of Monkeys with Helen Hunt at the VFW in Ponca City, Oklahoma when she was shooting Twister.

It's important in life (here comes the life advice, stop rolling your eyes) to recognize real once in a lifetime experiences when they happen. And I figured seeing the shuttle rolling down neighborhood streets was going to be one of them.

I watched the coverage on TV with my daughter, and kept telling her we should go see it in person because nothing like this was ever going to happen again. For reasons I don't remember now, I either wasn't able or decided not to go. In case you couldn't tell, that's the regret.

Today however, I was able to somewhat remedy that missed chance by going to the Science Center with the wife to see Endeavour for the first time since it arrived. I know it's been six years, but you know, life in progress. My daughter wound up seeing it years ago with her class on a field trip, and now it was my turn. Not to see it with her class, but you know what I mean.

Anyway, it was magnificent. I'm not gonna lie. I got choked up. It genuinely felt like I finally stopped denying myself something I really wanted, as well as a dream come true.

Just like my high school girlfriend.

The wife and I watched the Journey Into Space 3D IMAX film before walking into the Endeavour exhibit. And the idea that this, the most complicated machine ever built, that we've seen take off and land so many times over the years, has come here after having been in space orbiting around this little blue ball of a planet was almost too much to take in.

In a world that's felt like it's been crumbling since January of last year, and with ignorant, fearful men trying to convince the nation that science is something as evil as they are, looking up at Endeavour gave me a feeling I haven't had in a while: hope. It restored my faith that mankind's intelligence, ingenuity, curiosity and never ending need to keep exploring ever further might still prevail, and guide us all towards our better selves.

Just like the hope I had that Saatchi's roof door wasn't locked when it closed behind us.

Goodbye Garry

I had lunch with Garry Shandling in New York.

Years ago, the wife and I had gone back to visit our friend Kevin, who was living there and working on SNL at the time. We were going to meet him and his wife at the time for lunch at the now defunct Cafe Des Artistes. When we were confirming lunch, Kevin said, "I hope you don't mind, but I invited Shandling and one of his writers to join us."

We were good with it.

We all met at the restaurant, and there was an additional person at the table who I didn't know. Come to find out later he was the president of PETA, which Kevin's wife was very involved with.

Shandling sat next to my wife, and, either not knowing or not caring, spent most of the lunch talking to her and hitting on her. As you might imagine, it was hysterical.

I don't remember many of the lines, but at one point, obviously for the PETA president's benefit, he asked my wife, "I want to get a new haircut, but I'm nervous about how it'll look so I want to try it out on my dog first. Is that considered animal testing?"

A few weeks later, the wife and I were shopping on Montana Avenue in Santa Monica (where we lived at the time), and we wandered into this antique furniture store. We were looking at one of those two-person desks when Shandling walked in. We reminded him we'd all had lunch in New York, and had a nice conversation with him for about twenty minutes.

Here are a couple things he told us: he started out as a copywriter in New York, and ironically had written on Suntory Whiskey - an account I'd worked on at Wells Rich Greene early in my career (stops to laugh hysterically for using the word "career").

Early in 1998, I sat down and wrote two episodes of his influential and landmark Larry Sanders Show. I thought they were pretty good, and I asked Kevin if he'd read them and, if he liked them, would he mind passing them on to Garry.

Well, there's good news and bad news. The good news is Kevin liked the scripts. The bad news was it was right at the point when Garry was pulling the plug on the show. In comedy, timing is everything.

A couple years ago, the wife and I saw Shandling again at Kevin's birthday party. While it was a star-studded affair, we both felt a personal connection to him. We didn't know him well, but we'd been fortunate enough to spend time on the receiving end of his remarkable humor and unmistakable kindness.

I could go on about how revolutionary both It's Garry Shandling's Show and The Larry Sanders Show were, but you'll be hearing and reading a lot about that in the coming days. Besides, the work speaks for itself.

Sadly, and all too soon, as of this morning the world is a far less funny place. However, if you know anyone in heaven, you might want to let them know there's going to be a killer set tonight around 9pm at The Laff Stop on Cloud 9. Two drink minimum. Look for the brick wall and the mic.

You're in our hearts forever. Goodbye Garry. Rest in peace.