Thriller

I was in Vegas this past weekend.

Usually when I'm there, I can be found in my natural habitat - the end of a crap table rolling the bones.

But this time it was a family weekend, the last one before young Mr. Spielberg heads off to one of the best film schools in the country, and the pricey tuition that implies (I was hoping to win part of his tuition playing craps, but was forced to move on to Plan B - working the rest of my life).

Anyway, to celebrate the start of his film career we decided to see a couple of shows. One of them was the Cirque du Soleil production of Michael Jackson ONE.

Now I always liked a lot of his music, but I never would've called myself a fan. But man, slap me twice and call me Sally, this show was spectacular. Music blaring, dancers gyrating, lasers flashing, it had all the flash and spectacle you'd expect from Jackson and Vegas.

It's a multi-media show, and during a lot of it you have no idea where to look because there's so much going on. Then suddenly, there's one heartbreaking clip that almost takes your breath away: young Michael, in the Jackson 5 days, singing I'll Be There. It's a lump in your throat, not a dry eye in the house moment that doesn't let go.

There was also the first time the world saw him break out his signature moonwalk move on the 25th Anniversary of Motown special. In case you'd forgotten what an electric performer he was.

For all the energy and precision the onstage dancers moved with - and it was considerable - it was an impossible job to ask them to keep up with the footage of Jackson dancing with the intensity and deliberateness he did. He simply moved in a way that can't be duplicated.

No doubt because of his personal life and predilections there are many reasons to dislike Michael Jackson. And one great production doesn't make any of them go away.

But for one incredibly entertaining night, for the first time, I was a fan.

Opening Night

Since the beginning of the year, both my kids have been in rehearsals for the annual production their school does as a fundraiser. It’s called Broadway Showcase, and they’ve been a part of the production for years.

I think it could also be called I didn’t think it was legal in this state to make kids work that hard.

In addition to their regular curriculum, they also have to go to rehearsals every day after school. At first, they got out at 9 p.m. But as it started getting closer to opening night, rehearsals let out at 10 p.m.

Then of course there was the President’s Day rehearsal which went on for about 10 hours. I’m sure show tunes are exactly how Washington and Lincoln wanted to be remembered.

There is also no cutting of the slack. When my kids drag their tired selves home at 10:30 or 11 from rehearsals, that’s when they have to open the books (iPad) and start on the hours of homework they’re still expected to turn in the next day.

But tonight and tomorrow night, it all pays off. The wife and I will be at the Theater for Performing Arts in La Mirada, watching our beautiful, talented kids sing and dance their hearts out to an appreciative, loving audience filled with classmates, parents and grandparents.

Safe to say it’s not a tough crowd. But they give it their all as if they were performing at the Majestic Theater on 53rd St.

History tells me that the second night will be better than the first because they’ll have gotten the nerves and the bugs out. And the second night is also closing night – it’s a short run. So there’s a looseness to the production that’s pretty entertaining.

Afterwards, they’ll have the wrap party. And then, while no one will be getting a Tony for their work, they’ll be getting something even more valuable when they get home.

Sleep.

A great Dame

Years ago, there was a Shubert Theater in Century City where the CAA mothership is now. The wife and I had been early season subscribers, and as a result for years enjoyed two fourth-row center seats to every production and concert that appeared there. And because we had such great seats, that we were never going to let go, we saw them all.

During the 2001 Shubert season, which included Mama Mia!, we also had tickets to another show: Dame Edna, the Royal Tour. At the time I had no idea who she was, but our seats were great and we were going.

Here are the things I remember. She brought two people out of the audience who hadn't had dinner, and had them sit at a table onstage. Then she brought out a phone and called Harry's Bar, which was downstairs from the theater, and ordered them dinner. When the dinner arrived, she served it to them, and they watched the rest of the show while eating dinner at their table on the side of the stage. Every once in awhile, she would ask them questions or talk to them.

It was a very interactive show, with Dame Edna talking to several people, including us, who were sitting up front. She asked one couple about their children, who weren't there, and who was taking care of them. Then she called their babysitter, and started quizzing her on how she was handling the children.

I realize I'm not even close to doing her justice describing what her show is like, but it's difficult to explain exactly what she does. Part satire, part improv, part slapstick, part social commentary, the only way to experience Dame Edna is to be one of her "possums," her affectionate name for her audience. This clip will give you a better idea than I can:

The character of Dame Edna is the creation of the brilliant Australian comedian Barry Humphries. He's almost 81 years old now, so this Farewell Tour may actually be just that. All the more reason if you can get a ticket, do it.

The other thing I distinctly remember is I have never laughed so hard in my life. I was crying, and my sides were literally aching. I instantly became a Dame Edna fan, and promised myself I'd see her every time she came to L.A. It's a promise I've made good on.

So a week from Friday, the wife and I are taking the kids to the Ahmanson, and we're going to see her Farewell Tour. I can't wait. I know it'll be a great evening start to finish, when she tosses her beloved gladiolas out to her possums.

And of course, I'm hoping the "farewell" part is the biggest joke of the evening.

In the midnight hour

There was a time, back in the day, when midnight shows were special. Not just the time slot, but the films themselves. It was the witching hour, a twilight time reserved for something you couldn't get during the day. Something that would scare you. Make you think. Make you laugh. Or, in the case of Pink Flamingos, completely gross you out.

Long before the word interactive applied to a screen, it applied to a bigger screen. The midnight showings of The Rocky Horror Picture Show were the first genuine interactive movie theater experience.

People would come to the theater dressed in costume, yell back lines at the screen and act out scenes in the aisles. During the wedding scene, the audience threw rice at the screen. When they proposed a toast, the audience threw toast. During the storm, they sprayed water in the theater.

If you've never seen the movie, it stars a very young Barry Bostwick and Susan Sarandon. Tim Curry, in the role that made him, plays Dr. Frank N. Furter. He's the one in fishnets.

Sadly, today the studios have turned the midnight show into a money-making time slot the night before the official opening of a movie. Any and every movie. It bumps up the box office, and lets them brag about it in bigger type Monday morning.

But if you can find a midnight show of Rocky Horror - and there are still a few - it's an interactive experience you'll never forget.

And if you don't know the Time Warp, it's just a jump to the left, and then a step to the r-i-i-i-i-ght.

Breaking Dad

This is a picture of Bryan Cranston as Walter White. It's also pretty much the same position I've been in for the last ten days, minus the stacks of cash and plastic storage containers full of 99.1% pure blue meth. For the record, I also had an open laptop in front of me.

The reason is that after several conversations with extremely insistent friends who wouldn't take no for an answer, and a Twitter feed that was on fire as the series finale approached, I finally jumped on the Breaking Bad train. And it was every bit the wild ride everyone promised it would be.

I'd heard of the show of course, but frankly - what with Homeland, Dexter, Person of Interest, Modern Family (which one of these is not like the other?) - I felt I already had enough tv show commitments.

Besides - FIRST WORLD PROBLEM ALERT! - recording everything in HD only leaves so much room on the DVR.

But once I saw the opening scene from the first episode, I was - pun intended - hooked.

Fortunately I wasn't working the last couple weeks so I had the time to devote to it. I sat in my chair, streaming seasons 1 through 5 on Netflix. Season 5 has 16 episodes, broken into two parts. Netflix has the first 8, and I had to pay to download the rest from iTunes. Money extremely well spent.

I would watch in the day, the night, late at night, middle of the night and early in the morning. My daughter said it should be called Breaking Dad because I was neglecting pretty much everything and everyone to get through this extraordinary show.

A little OCD sometimes? Perhaps. And check again to make sure that door's locked on your way out.

The beauty of it was no commercials, so instead of a full hour each episode was around 45 minutes give or take. I went through all 62 of them, many of them twice because I couldn't believe how great they were.

As far as series endings go, it was genius. Every loose end was tied up, every question answered. And it all made perfect sense and felt right. It was brilliant.

The downside is now, unsurprisingly, I'm experiencing severe withdrawal. Going through all 5 seasons in less than 10 days didn't give me nearly the fix I need. But thanks to iTunes, season 5 is on my laptop and I can revisit it whenever I want.

You should know you can't immerse yourself in the meth world for such a concentrated period of time without lingering after effects. For example, I now recognize every RV on the road as a mobile meth lab. I use the phrases "Tread lightly" "I am the danger" and "Say my name" almost daily. I'm suspicious of fried chicken restaurants.

And worst of all, I like a Badfinger song.

Don't ask: Sharing a hotel room

Remember when you were a kid how exciting it was to have a sleepover at a friend’s house, or have them sleep over at yours? The two of you would stay up way past lights out, smacking each other with the pillows, laughing, telling stories, trying to scare the bejesus out of each other.

I don't know if you've noticed, but as an adult most trips where you have to share a hotel room aren’t like that.

Wait, did I say have to? (laughs hysterically) I never have to. Sharing a hotel room is something I don’t do anymore. It's also the third installment of my wildly popular online series: Don’t Ask.

Just to refresh your memory, first was moving, second was picking people up at the airport. But thanks to a conversation with my friend Michelle, I was reminded about this no less essential life choice. Well, essential if you want your space, privacy, hairbrush, toothpaste, path to the bathroom and shower (don't get me started on the shower) un-invaded by anyone else.

For years I used to go with friends to Las Vegas. We'd split the cost of a hotel room (and by the way, what was the point of that? Vegas hotel rooms cost next to nothing), but then we'd have to actually share the room.

Here's the thing - when I travel, it's one of the few places where I have control over my own environment. I like things orderly. I hang clothes up. I don't let the bathroom counter become a wading pool. I set up my laptop a certain way when I'm working, and have a specific way to lock it down when I'm not.

Then there's also the Garbo factor. I want to be alone.

At this point, hotel rooms are a refuge, not quite a sanctuary, but close. Part of their appeal is I can shut everything out. That includes whomever I'm traveling with.

Listen, if we're traveling together, we'll have a great time. If you know anything about me, and you should by now, you already know I'm not the kind of person who denies myself when it comes to travel. We'll fly in the front of the plane. We'll eat in the best restaurants. We'll see the hit shows. And we'll have the best seats in the house when we see them.

But it's important you know the golden rule going in. If you can't afford your own hotel room, you can't afford to travel with me.

Holland & Tony

As some of you may know by now, I decided to take a trip to New York a few weekends ago. I hadn't been there in a number of years, and for a variety of reasons it felt great to be back.

Not the least of which was the main reason I went in the first place: to see my friend Holland Taylor in ANN, the play she wrote and stars in about former Texas governor Ann Richards.

You know that feeling when you have an expectation about a show and hope the reality lives up to it? And you know that other feeling, the one where it wildly exceeds your expectations?

The second one.

The play was beyond whatever it was I'd imagined it would be. With the turn of a phrase, or a subtle change of tone or expression, Holland would have me laughing hysterically one minute, then crying the next. It's a performance filled with subtle nuance only a talent of Holland's caliber and experience could pull off, in the writing and the performance. A tour de force - one you come out of with the immovable conviction that the actor you've just seen is the only one you could ever imagine in the role.

The other thought I had was what a remarkable woman Ann Richards was. Outspoken, straight-shooting, wicked sense of humor and a low threshold for fools made her entry into politics an even more intriguing choice. It's not hard to see why Holland was drawn to her given their many common traits.

Anyway, to the surprise of absolutely no one who's seen her in the show, Holland is now nominated for Best Leading Actress in this year's Tony Awards. I keep telling her she needs to start working on her acceptance speech, and she keeps shushing me.

But she really needs to start working on her acceptance speech.

I know what you're thinking: I'm going on and on because she's my friend. How can I possibly be objective? It's a valid question.

Well, here's the thing about a once-in-a-lifetime role and an unforgettable performance: everyone can agree on it.

What is glutton for punishment

I was just trying to think of something I could do to make people say, "I.Q. over 60? Please."

And I've come up with the answer (which may be the only answer I come up with - that'll be funny in a second). I've decided to do again what I've done so unsuccessfully before. I'm taking the contestant quiz to be on Jeopardy.

As you may recall, I posted here about how well it went the last time. But I'm older and wiser now. Well, at least older and fatter. And frankly I consider myself much better versed in European Capitals, Rivers Of The World and Renaissance Artists than I was last time.

The good news is in the test, I don't have to ring in with that impossible buzzer you see contestants wrestling with on the show .

Anyway, if you need me between now and tonight, you'll find me studying up on Civil War Generals, Architecture, "R"eal Words, and the ever popular Potpourri.

And of course I'll also be working on my interesting-yet-humorous-although-not-too-humorous 30-second story for when Alex briefly interviews me after the first commercial.

Wish me what is luck.