Michael Keaton had been a stand-up comedian, and a go-to guest star on sitcoms where he always stole whatever scene he was in. I know nobody remembers The Tony Randall Show where he played a judge, but Keaton had a recurring role where he'd always show up in Randall's courtroom. It was always great watching the old pro and the newcomer riff off each other.
But Keaton eventually reached the point that a lot of comedians do - the point where being funny just isn't enough (I feel their pain). They like to explore their darker side.
Robin Williams in Dead Poet's Society, One Hour Photo and Insomnia. Jim Carrey in The Truman Show, Eternal Sunshine of the Spotless Mind and 23. Bill Murray in The Razor's Edge and Lost In Translation. Steve Martin in Shopgirl and The Spanish Prisoner. Dane Cook in...oh, wait, I was talking about comedians.
Sometimes it works for them. Sometimes it doesn't. In Keaton's case it did. To this day, many people believe - myself included - that not only was he the first truly dark Batman on the big screen, he was the best.
Where Keaton made it big was his electric, manic performance as Billy Blazejowski in Ron Howard's Night Shift. If you don't know the story, take a look at this trailer (sorry for the poor quality) - it'll pretty much tell you everything you need to know. You'll also get a good idea of why Keaton was the breakout star of the film.
Keaton made something like $60 million dollars from the two Batman films he did, so now he can afford to pick and choose his projects. He's in the enviable position of only working when he wants to.
Which isn't nearly often enough for me.
