Goodbye Blaine

I got some sad news over the weekend. My friend Blaine Lifton died.

I met Blaine many years ago when he was on staff and I was freelancing at DJMC, a retail ad agency in downtown Los Angeles. My art director, the late, great Jim Benedict and I shared an office, and Blaine and his partner shared the office next to us. Thanks to Blaine, it was a great neighborhood to work in.

Blaine was always the person we’d bounce ideas off of. He understood humor as few did—not to mention the ins and outs of the highly-charged agency politics and relationships—and always had a positive energy that lifted everyone he came in contact with.

My permalancer situation ended after a couple years, and unfortunately I lost touch with Blaine. But in one of the very few good things about Facebook, we managed to reconnect years later and remained in touch.

When I went to New York to see Springsteen On Broadway (I know, I’m as surprised as you are), Blaine was the person I saw it with. First we had a long, catching up dinner at Juniors Deli in the theater district, and then we walked to the theater and saw the Boss.

For you fellow Bruce tramps, you’ll appreciate this fact: we sat in row E.

Afterwards, Blaine and I waited with the other fans outside for Bruce to walk from the Walter Kerr Theater stage door to his limo, and then just stood on the sidewalk for an hour talking about the show we’d just seen.

In the years since, Blaine tried a few times to hire me freelance at his New York agency Hyperbolus, but the timing and my availablilty just never worked out. Or maybe it was my day rate. Sometimes it's hard to tell.

Our mutual friend Gina and I spoke in November, and she let me know Blaine was battling colon cancer, and that it had been discovered very late stage. As chemo does, it wiped out his immune system. He caught covid, and passed away last Thursday.

There are certain people that are lights in our lives, and you pick up right where you left off even if it’s been years since you’ve seen them. And they continue to bring smiles to your face every time they visit your thoughts. Blaine is one of them.

God bless you friend. I'm grateful for our reunion and the all too little time we had. Peace on your journey.

Now I don't know how I feel, I don't know how I feel tonight

If I've fallen 'neath the wheel, if I've lost or I've gained sight

I don't even know why, I don't know why I made this call

Or if any of this matters anymore after all

But the stars are burnin’ bright like some mystery uncovered

I’ll keep movin’ through the dark with you in my heart, my blood brother

- Bruce Springsteen

The opening monologue

If you’re anything like me—and really, there are far better, although not more handsome, role models—you’ve also watched Saturday Night Live for years. And in all that time, two things remain steadfastly true.

First is that the monologue and Weekend Update are the best parts of the show. And second, everything after Update is a comedy wasteland.

I have a few favorite monologues done by some people who I wouldn’t have thought I’d find myself liking. And because I’m a giver despite being an only child, I wanted to share them with you because we all need a good laugh right about now, amIrite?

I’ve never been a big Justin Timberlake fan, but I have to say he was pitch perfect in his monologue about how he wasn’t going to sing. You can literally feel the reaction of the girl he sings to in the audience. A little trivia: John Mulaney and Seth Meyers won an Emmy for the lyrics and the song.

A Swifty I’m not, but Taylor Swift cracked me up with her innocent sweetness as she delivers this razor-sharp take down of boys who’ve done her wrong.

SNL alumni Adam Sandler not only has a few surprise guests during his opening, but sings a great song about getting fired from the show and how it worked out for him.

For my money, the monologue is always better when a comedian is hosting. John Mulaney was a writer on SNL for years, and is now one of the premier stand-ups in the country. Here’s a little sample of the reason why.

Zach Galificanakis has his weirdness and Steven Wright one-liners on full display during his SNL stint. And he plays piano, so who says there are no surprises left?

Goodbye Joe

Even though the year is still young, we’ve already lost some of the greats. Christopher Plummer. Cicely Tyson. Cloris Leachman. Hal Holbrook. And today we lost another, although famous in a different way.

Joe Allen died today.

Joe was a restauranteur whose Broadway restaurant in New York became the pre and post show place to dine. Civilians and celebrities alike came for the stellar menu, which changed daily, and the casual yet pampering service that just made you feel special.

Adorning the exposed brick walls were posters not of the hit plays New York audiences and tourists enjoyed, but the flops that opened and quickly closed—often on the same night.

When the wife and I were in NY a few years ago waiting to see Noel Coward's Present Laughter with Kevin Kline (who won the Tony for it), as usual we wanted to have our pre-show meal at Joe Allen’s. We didn’t have reservations, but we thought we’d give it a shot.

While we were waiting to speak to the host, it became obvious the person in front of us didn’t have reservations either. When he was told he couldn’t be seated he got quite irate and asked the host for his name.

The host said his name was Elizabeth Montgomery

The man left the restaurant, and when we walked up to the stand the first thing I said to him was, “Miss Montgomery I just want you to know we’re big fans of yours.” He gave me a wink and said, “Two? Right this way.”

For years there was a west coast Joe Allen’s on 3rd Street in Los Angeles. It was always one of my favorite restaurants for dates, meetings or just hanging out. I remember having lunch there on the patio with my friend Kevin Nealon years ago, and he started telling me about this sketch he and Dana Carvey had come up with about two Arnold-like bodybuilders named Hans and Franz.

So as you can imagine, I left the lunch feeling pretty pumped up.

Anyway, even at 87-years old, closing night came too soon for Joe. But we find some comfort knowing his restaurant will go on being a Broadway institution. And you can be sure my wife and I will always be there whenever we’re in town.

And on the lookout for Elizabeth Montgomery.

The long goodbye

Yesterday was a very good day. At twelve minutes before noon eastern, you could actually feel the country—nay, the world—breathe a sigh of relief we’d been holding in for over four years.

In case you’ve been living under a rock,—in which case there’s a better than average chance you might be a Trump cabinet member—the reason is because decency, compassion, intelligence, experience, diplomacy, scientists, grownups and words spelled correctly are once again calling the White House home.

There were also a lot of predictable songs being played, quoted and sung to celebrate the occasion—all taking aim at a certain orange-faced, tiny-handed, democracy-hating, Stay Puft, unstable genius who was leaving on a jet plane (at taxpayer’s expense) for the last time.

Ding Dong The Witch Is Dead.

Goodbye To You.

Na Na Na Na Hey Hey Goodbye.

Good Riddance. Not the Green Day song: I’m saying good riddance.

And I’m filing this one under better late than never, but almost all the social platforms that gave Cadet Bone Spurs a megaphone to spew his bile and idiocy finally decided to cut off his oxygen by banning him and his hate rhetoric. This isn’t to say he’ll be gone from the public eye entirely, what with that pesky impeachment trial and New York state indictments coming down the pike, but his exposure—at least to the public—has been greatly sidelined.

I’m sure his fragile ego and malignant narcissism are handling it just fine.

Anyway, like almost everyone in the world not wearing a red hat, I’ve had more than enough of him. I refuse to give him anymore mind space.

So as of today, I’m announcing my candidacy for….wait…that’s not it. Oh, right. I’m announcing I’m done posting memes, retweets, cartoons, articles and anything else talking about Trump, even if it’s how awful he is, to any of my social feeds.

Yeah I know. I’m sorry to see them go too.

But really, it’s just redundant. It’s like saying the sky is blue. The ocean is deep. Trump is a festering piece of shit.

Damn it! Old habits die hard. Sorry (not sorry).

Fear not, I’ll still be putting up political posts, maybe even about his grifter family members or android son-in-law. Just no more directly about him. Every time his name gets mentioned, it keeps him in the public conversation and a kitten dies. I don’t think any of us want that.

Besides, there’s a whole new administration to make fun of, although I’m sure for the most part it’ll be the good-hearted, good-natured kind.

And don’t you worry about me backsliding on my promise. It’s as solid as the new year’s resolution I made to lose weight.

For the last twenty years.

See you next year

As we wrap up another spin around the sun, I can't help but feel uncharacteristically optimistic about what the next decade has in store for us all.

First and foremost, I believe a return to sanity is coming in November, when the unstable genius is voted out of office (according to the actual count he wasn't voted in - don't get me started), and forced to wear even more orange as he's perp walked out of the White House to a solitary jail cell in upstate New York with neither a gold toilet or internet connection.

Before that happens, I'm hoping as the new decade begins Nancy Pelosi will hold the articles of impeachment from the senate until the traitor-in-chief gives his Hate Of The Union speech. But only because I think a meltdown of that magnitude on national television would be once in a lifetime, very entertaining, and probably something even the red caps and mint julep senator from South Carolina couldn't ignore.

On a more personal note, I'm grateful for many things that happened this past year, not the least of which are the friends I made at my last gig (you know who you are). I anticipate many of those relationships getting even closer now that they can flourish in much saner, more fun and healthier environments. Not that advertising agencies aren't healthy environments (pausing to make my eyes stop rolling).

Also grateful I don't have to see certain people every day anymore. Well, mainly that one guy.

I'm also planning on bringing some projects I've kept on the back burner to a full boil this year. A screenplay based on my favorite book. Another based on a sci-fi story from a famous author that I'm this close to getting the rights to. And a script for a show with one of my aforementioned friends, who is a far better, funnier and talented writer than I am (you know who you are). Oh are those your coattails? Yeah, I can hang on.

Crap, I just put it in writing. Does that mean I have to do it? I mean, no one's under oath here.

Anyway, if there's ever been a year where you could say, "There's nowhere to go but up" this is it. Here's wishing you and yours best year ever. I hope it's everything you want it to be.

Except that one guy.

My compliments to the chef

The happy gentleman in the picture is Michel Richard, a French chef and former owner of Citrus, which was and will always be my favorite restaurant in L.A.

Citrus was novel for many reasons. Location was one. On the northwest corner just one block off Highland on Melrose, Citrus was at the end of an unassuming residential block. It had a closed in patio, with large umbrellas and a roof that could be drawn back, although it rarely was.

Instead of hiding the kitchen in the back of the house, Richard was one of the very first who chose to separate it from the dining area with a wall of glass, turning it into a gallery where diners could watch their food being prepared.

They could see the chefs at work. The attention to detail. The timing. The skill. And, vicariously, they could experience the pure joy of creation.

Citrus was also the home of my favorite restaurant dessert ever. Michel Richard's raspberry tart. Now, I'm not a fan of raspberries, and I'm not crazy about tart flavored items. But the way this dessert was made, the blend of flavors, the impossibly smooth texture, the thickness of the crust, the balance of flavors. It was perfection.

Citrus was around during the years I happened to be doing a lot of commercial production in Hollywood. And as any creative team will tell you, there's no lunch like a production company lunch. Or a post-production house. Or music production. If you had a good idea and a budget, you were wined and dined at the restaurant of your choice.

And since all the production companies and editorial houses were within five minutes of Citrus, the choice was easy.

I'm not saying I took advantage of that as often as possible. But I'm not saying I didn't.

Here's the thing. I can remember a lot of great meals I've had and restaurants I had them in: Jeremiah Tower's Stars in San Francisco. Emeril Lagasse's NOLA in New Orleans. Laurence McGuire's Lambert's in Austin. George Lang's Café Des Artistes in New York. Great meals and chefs to be sure.

But for me, none of them match the feeling of adventure, comfort, happiness, camaraderie and satisfaction of eating on the patio at Citrus.

Sadly, all good things come to an end. Citrus closed in 2001. Another incarnation opened at the Hollywood nightclub Social (cleverly called Citrus at Social- go figure). But the experience was never the same, and that version shuttered in December of 2009.

Michel Richard is no longer with us—he died of a stroke in August of 2016. But he did what every great chef aspires to.

He left me wanting more.

The lost art

A long time ago, in a world and time that seems more quaint with each passing minute, people had this thing they used to do with each other. Can you guess what it was?

I'll give you a hint. It didn't involve phones, smart or otherwise. Or glowing screens. Not even fast typing with your thumbs. Give up? People used to talk to each other.

Uninterrupted, interested, interesting, engaging conversations. Even in disagreement, their tongues managed to stay civil. They were receptive to new ideas. And found joy in the camaraderie. Told you it was a quaint time.

The picture above is from a movie that wouldn't stand a chance of getting made today, unless it had commitments from Vin Diesel and Mark Wahlberg. But, you know, neither of them are known for being great talkers. So probably not even then.

The movie was called My Dinner With Andre. Made 37 years ago, it was directed by Louis Malle and starred Wallace Shawn and Andre Gregory. The entire film is the two of them sharing a conversation at Café des Artistes in Manhattan. They talk about their lives, their philosophies, the simple pleasures. There are no car crashes, no CGI monsters or superheroes and no phones ringing.

And it is wildly intelligent and entertaining.

What brought on this unexpected nostalgia for a time where a social network was a cocktail party at Tavern On The Green was a conversation I had with my writer friend Eric at work today. We weren't solving any of the world's problems. For that matter we weren't solving any work problems either (Shhhh!). We were just chatting it up about cars, family, movies, This Is Us and how the older our kids get the stupider they think we are.

I enjoyed it immensely. The exchange of viewpoints, the in-the-momentness of it all. Nobody was rushing to answer a call or get back to work.

It's a contradictory world we're living in, what with devices that promise connection yet deliver isolation. Yet without a two-year plan, roaming charges, eye strain or digital chimes we can make a human connection that's so much more entertaining and enjoyable.

As Wallace Shawn in another movie might say, "Inconceivable!"

Land of hope and dreams

Since the very first time my friend Jeff Haas played it for me, Bruce Springsteen’s Thunder Road has been my favorite song. And being the fan we all know I am, it won't surprise anyone when I say that if I’ve heard it once, I’ve heard it at least ten thousand times.

Except here’s the funny part: last Saturday night, I felt like I heard it for the first time.

I flew to New York last Friday for the weekend to see Springsteen On Broadway, Bruce’s new and first Broadway show, where he tells stories about his life, sings a set playlist of songs and reads from his autobiography, Born To Run.

I'm just thankful we didn’t get the understudy.

What I wasn’t prepared for was how intimate, raw, emotional, joyful, tearful and brutally honest the evening was. I can’t imagine any other artist being that open with their audience (not that I spend a lot of time thinking about other artists). But then again, that’s always been part of the attraction to Bruce. He's not hiding behind his songs, he's revealing our shared experiences and feelings through them.

In the show, Bruce tells the stories of his life—his family, his rockstar journey, pays tribute to his late friend, sax player and sidekick Big Man Clarence Clemons, unflinchingly declares his love for his wife Patti— punctuating and adding perspective to them with carefully chosen songs from his library of forty years. I’ve heard every one of these songs dozens of times in concert. Yet, set in the context of the show, as I said, it felt like the first time.

It’s a scripted show—a considerable change from the mix it up, multi-night gigs and audibles he calls during his arena shows.

And speaking of arena shows, the 950-seat Walter Kerr Theater is about as far as you can get from an arena.

Easily the smallest venue he’s played in thirty years, it’s difficult to imagine a more perfect place both acoustically, artistically, historically and spiritually for Bruce to tell his stories. Yes it's a Broadway theater, but it is every bit as much an essential character in this transcendent experience as the music is.

I don’t want to give away a lot about the show, because I have friends who will be seeing it soon. I will say this: be ready to laugh, cry, reflect, rejoice, pray (you heard me), be grateful and celebrate with 950 of your newest, closest friends.

There is a point in the show when Bruce talks about his music and the journey we’re all on, hoping he’s been a good traveling companion along the way.

Frankly, I never would have made the trip without him.

Start spreading the news

Even though you could probably guess, I'll say it anyway—I love New York. It's the best city in the world, and it vibrates with talent, creativity and possibilities.

As a theater arts major, the fact there's a city where I can go to a Broadway play or two every day is a little bit of heaven on earth for me. I'm always looking for reasons to hop a plane and go there. Fortunately, over the past few years, I've had a couple very good reasons to visit.

The first was to see my friend Holland Taylor perform at the Vivian Beaumont Theater at Lincoln Center in ANN, the play she wrote and starred in about former Texas governor Ann Richards. It was a master class in acting watching Holland literally inhabit the spirt of Ann Richards.

Now you say, "Oh sure, of course he'd say that. He knows her." Just to be clear, she received a Tony nomination for Best Performance By A Leading Actress In A Play for her performance, so apparently I wasn't alone in my thinking.

This past April, the family and I hopped a plane to NY to see Hamilton. We'd had the tickets for a year, and even though it was coming to Los Angeles, we wanted to see it on Broadway. It's one of those rare plays that transcends the massive hype around it—for all you've heard, it's even better than that.

This October, I have yet another reason to head east. I don't know if you know this, but there's this singer from New Jersey I like quite a bit. Come to find out he's doing an 8-week residency on Broadway at the Walter Kerr Theater. It will be a night of stories, music, with just him, the guitar and piano. It's a 946-seat theater, the smallest venue Bruce has played in 35 years. And I'm going to guess at that size, there are no bad seats.

For as hard as it is to get tickets to a regular Springsteen concert, I'm going to wish it was that easy come August 30th when they go on sale. I've already seen one estimate that said it'll sell out in 45 seconds.

While Bruce has never done a show this intimate, I imagine it will look and sound a little something along these lines, minus the farm:

I'm going to say my prayers, keep my fingers crossed, live right, and be nice to everyone I know in New York and just hope I can see this once-in-a-lifetime Springsteen show. I know, I can hear you saying, "Geez, hasn't he been to a billion Springsteen shows? When's it going to be enough?"

That's easy. Never.

A glowing recommendation

Summer's coming, and it's never too early to start planning that vacation.

Instead of dragging the kids to some boring, expected vacation destination with things to see and do, like Hawaii or New York, why not take them someplace they'll have memories of for a lifetime? Or a half-lifetime.

The Chornobyl Tour sounds like fun for the whole family. Just read all the glowing reviews.

Like me, I'll bet you have a lot of questions about it. I know what my first question would be, and I'm sure I know what yours is too. But—and this is the funny part—it's not the first question on the website's FAQs. That position belongs to this one about cost:

Even with the answer they give, they don't address the hidden costs. You know, things like replacement shoes, burn ointment, vomit bags—lots of vomit bags, toilet paper—lots of toilet paper, wigs and more. But I'm sure you find out about those soon enough. And as far as that top of mind question you were going to ask, don't worry, they do answer it somewhere around number 11 or 12.

Anyway, I think getting a taste of what the post-Apocalyptic landscape is like is a super idea, and especially timely now that the liar-in-chief is president and will probably nuke someplace just to distract us from the Russia story.

We'll be living in it before we know it.

Of course, Chornobyl is in Russia. So the good news is if we can wait just a bit, we'll be able to make reservations for the Precedential Suite in the new Chornobyl Trump Tower.

Don't worry about finding it. The sign is lit up around the clock.

The most important burrito of the day

One of the many benefits of being a freelancer, besides working at home in your underwear—and let's hope it's your underwear—and setting your own lunch break (mine is from noon to 4PM), is that the city is lousy with ad agencies you can choose to dial for dollars or actually work at.

It seems there are almost as many agencies as Starbucks. In fact, some of them are in Starbucks.

Anyway, when I have the luxury of deciding which ones I want to work for, there are several criteria I take into consideration before taking the gig.

First and most obvious is the caliber of the work. Is it smart, entertaining, memorable and effective. You know, like me.

Next, the caliber of people. Besides knowing what they're doing—which is far rarer than you think—are they people I want to work with, that I want with me in the trenches. I don't have to have drinks with them after work or share our deepest secrets, but I don't want to be stuck with people I can't stand for the length of the assignment.

Location, location, location. I've had offers from agencies in cities all over the place, for example New York, Detroit, San Francisco, San Diego and Bakersfield. Guess which one I said no to?

After all how many pickup trucks and country stations can a city boy take, amiright?

But it finally dawned on me there's another important factor to think about before making any employment decisions. Do they serve a breakfast burrito, and how good is it.

When I worked at Chiat, the breakfast burritos were exceptional. Dare I say even good enough to get me in to work early on occasion. Chiat has their own restaurant upstairs (note to all other agencies), so not only could I order a breakfast burrito, I could get it exactly the way I wanted it.

As an only child, having it the way I want it is something I just take for granted.

The agency I'm currently at serves breakfast to the employees once every couple weeks. Today was my lucky day—it happened to be breakfast burritos. They weren't bad, but they weren't custom either.

To make it easier, they color-coded the wrappers. The red was made with ham, the green with bacon and the black with no meat at all (that's just crazy talk).

They were cut in half like the picture, and there was hot sauce and sour cream in bowls next to them—that's about as customized as they got.

Still, since my agency's tsunami adjacent, I can look out the window at the ocean, or eat out on the patio and feel the breeze, and somehow it makes the burrito taste much better than it otherwise would.

What am I saying? Just that if you're serving a quality breakfast burrito, odds are you're going to attract a higher caliber of talent.

And if you have Taco Tuesdays, dammit, I'll sign on the line.

Room to spare

Here's a lesson I learned early on: no matter how nice my room is, the producers' is nicer.

Years ago, I was in New York on a food shoot for Taco Bell. As anyone in advertising—and by anyone I mean copywriters—will tell you, it's essential to the process to have a copywriter on a food shoot. After all, those bagels on the craft services table aren't going to eat themselves.

Our producer happened to book us at one of my very favorite places to stay in New York, the Essex House on Central Park South.

He met us in the lobby, and before he got us checked in he handed us all envelopes full of cash, which was our "per diem", money to be used towards food, incidental items and other miscellaneous expenses. I looked in the envelope, and it was filled to overflowing with hundred-dollar bills. It was the kind of envelopes you see in the movies.

"Mr. Kensington appreciates you keeping this between us."

I couldn't have spent all the money in my envelope even if the shoot was two weeks, and even though it was New York. But God knows I tried.

I got up to my room, and I was amazed. I actually thought I was in the wrong room. It wasn't a room at all, but an enormous suite overlooking Central Park. The only thing better than enjoying New York on someone else's dime is enjoying it in style.

The little red light on the phone started blinking, and it was a message for the team to meet in our producers' room before we headed out. When we got to his room, I'd fully intended on thanking him for the spacious accommodations he'd somehow managed to arrange given the budget we had. I'm not sure I ever got that thank you out. When he opened the door, all I could see was a long, long hallway that we had to walk down before we even came into the room itself. Come to find out that for as nice as our rooms were, he hadn't skimped on himself. He booked a penthouse. My room looked like the maid's quarters by comparison. Don't get me wrong—I was mighty happy I had it as good as I did, but did he really need this palace all to himself?

Did I mention three bedrooms?

Anyway, I always have and always will love the Essex House, despite the fact it's been bought and sold about twenty times since this all happened (It's currently a Marriott, in case any of my close personal friends happen to work on that account). I'm trying to figure out a way to afford it on an upcoming trip to the city. It's been years, but maybe I'll call and drop the producer's name. No matter how many owners they've had, hotels have a way of remembering parties who book as many big rooms as we did.

Of course this time, it'll be on my dime.

On second thought, the maid's quarters will be just fine.

Soir Bleu

I've written here before about my love for Edward Hopper-esque paintings. But as Marvin Gaye would be the first to tell you, there ain't nothin' like the real thing.

There are so many Hopper portraits of lonely, isolated people unable to connect with themselves or anyone else, staring out windows or alone in a crowd at diners, it's hard to zone in on any one in particular (although for me, Nighthawks will always be the benchmark).

I'm not sure why I'm so drawn (SWIDT?) to these pictures, but I am.

Years ago the wife and I saw a Hopper exhibit at the Whitney in New York. It's one of the best exhibitions I've ever been to, and definitely my favorite (yes I look at other things besides comic book art).

Anyway, for some reason I was in a Hopper mood today, started going through his paintings and came across this one I'd forgotten about: Soir Bleu. Or as we say in English, Blue Night.

I don't know what to love about it first. The devastatingly sad and defeated clown (worked with him), as far from comical and funny as he could be. The far eastern lamps, swaying ever so slightly in the breeze. The eclectic cast of characters dining with and around the clown, including the man behind the post who looks suspiciously like Vincent Van Gogh.

Here is one of my favorite descriptions of what Hopper is trying to convey:

Soir Bleu is a vivid and monumental work painted in 1914, almost four years after Hopper's last sojourn in Paris. Its grand scale is an indication of how strong an impression Parisian life had made on the young Hopper.

At home in his New York studio, he created this melancholy allegory from reminiscences partly literary, partly art historical, and certainly personal. The artificiality of Soir Bleu is inevitable and intentional.

Hopper, as dramatist, has assembled a cast of characters and traditional types that play out timeless roles of courtship, solicitation, and tragic self-isolation. One of these characters is described in a preliminary drawing with a note, the shadowy isolated figure of the procurer seated alone at left. Hopper has also included a classically attired clown in white, a military officer in formal uniform, a bearded intellectual in a beret, perhaps an artist, and a well-dressed bourgeois couple. Standing beyond the balustrade, as though presiding over this mixed company, is a haughty beauty in gaudy maquillage, her painted face demanding attention in the brilliant glow of oriental lanterns in the cool blue night.

In Soir Bleu, we witness Hopper's early attempt to create, rather than merely record, a sophisticated, anti-sentimental allegory of adult city life. Back in America many years later, he would stage the masterpiece Nighthawks (1942) with all the worldly reality he sought in Soir Bleu but was too young to make emotionally convincing. However, this major early painting gives a clear indication of Hopper's enormous ambition for his art.

Now I realize no one comes to this blog for a discussion about the meaning of art, its nuances or relevance to the current culture. In fact I'm not sure why anyone comes to this blog at all. My guess is it's a combination of typing errors and glitchy routers.

Nonetheless, occasionally I like to take a break from writing snarky posts, agency bashing and random rambling and appreciate the inspiring, creative genius of true masters like Hopper.

You might be concerned about the fact I'm attracted to paintings that leave me feeling melancholy, depressed and isolated. Don't be.

I work in advertising. I'm used to it.

Goodbye Garry

I had lunch with Garry Shandling in New York.

Years ago, the wife and I had gone back to visit our friend Kevin, who was living there and working on SNL at the time. We were going to meet him and his wife at the time for lunch at the now defunct Cafe Des Artistes. When we were confirming lunch, Kevin said, "I hope you don't mind, but I invited Shandling and one of his writers to join us."

We were good with it.

We all met at the restaurant, and there was an additional person at the table who I didn't know. Come to find out later he was the president of PETA, which Kevin's wife was very involved with.

Shandling sat next to my wife, and, either not knowing or not caring, spent most of the lunch talking to her and hitting on her. As you might imagine, it was hysterical.

I don't remember many of the lines, but at one point, obviously for the PETA president's benefit, he asked my wife, "I want to get a new haircut, but I'm nervous about how it'll look so I want to try it out on my dog first. Is that considered animal testing?"

A few weeks later, the wife and I were shopping on Montana Avenue in Santa Monica (where we lived at the time), and we wandered into this antique furniture store. We were looking at one of those two-person desks when Shandling walked in. We reminded him we'd all had lunch in New York, and had a nice conversation with him for about twenty minutes.

Here are a couple things he told us: he started out as a copywriter in New York, and ironically had written on Suntory Whiskey - an account I'd worked on at Wells Rich Greene early in my career (stops to laugh hysterically for using the word "career").

Early in 1998, I sat down and wrote two episodes of his influential and landmark Larry Sanders Show. I thought they were pretty good, and I asked Kevin if he'd read them and, if he liked them, would he mind passing them on to Garry.

Well, there's good news and bad news. The good news is Kevin liked the scripts. The bad news was it was right at the point when Garry was pulling the plug on the show. In comedy, timing is everything.

A couple years ago, the wife and I saw Shandling again at Kevin's birthday party. While it was a star-studded affair, we both felt a personal connection to him. We didn't know him well, but we'd been fortunate enough to spend time on the receiving end of his remarkable humor and unmistakable kindness.

I could go on about how revolutionary both It's Garry Shandling's Show and The Larry Sanders Show were, but you'll be hearing and reading a lot about that in the coming days. Besides, the work speaks for itself.

Sadly, and all too soon, as of this morning the world is a far less funny place. However, if you know anyone in heaven, you might want to let them know there's going to be a killer set tonight around 9pm at The Laff Stop on Cloud 9. Two drink minimum. Look for the brick wall and the mic.

You're in our hearts forever. Goodbye Garry. Rest in peace.

Brace for no impact

My good friend, former office wife and best-selling author Janice MacLeod had a way of putting what we do (what she used to do) in perspective, summing it up in six precise, well-chosen words.

We’re creating a legacy of garbage.

Besides agency holding companies, the digital team and the person who schedules the meetings, I don’t know of anyone who can’t wait for more advertising to burn their eyes. They say the average person is exposed to roughly anywhere between 500 and 7,000 advertising messages a day.

Whichever number is right, it’s too damn much.

No wonder advertising doesn’t have the impact it once did. If it ever really did. Sure there are quantitative and qualitative studies showing the effectiveness of any given message in any medium. Except digital. No one buys anything because of digital, no matter what the guy in the knit cap and ironic t-shirt says.

They can test the results as much as they want, but as an old friend used to say to me, "The only thing testing proves is that testing works."

There’s a lot of job justification that goes on in advertising. It’s the reason Powerpoint was invented. But every time I sit through a presentation where someone is telling me how effective the advertising has been, I’m reminded of William Goldman’s great line about Hollywood: No one knows anything.

Advertised cold bottled water during the heat wave and sales went up? Who could’ve seen that coming?

There are $6000 rebates on cars during December, and year end car sales set records? Must’ve been that exceptional retail car spot, you know, the one with the running footage and giant supers.

I could go into what I think of brand loyalty, but Bob Hoffman over at The Ad Contrarian said it perfectly. I suppose there’s an argument to be made that consumers wouldn’t know about these deals if advertising didn’t tell them. Fair enough, but like so much of retail advertising, the ads are just the messenger. The deal is the closer.

There are only a handful of ads with enough inherent greatness and lasting impact to make you want to talk about them reverentially. The go-to example is the Apple 1984 spot directed by Ridley Scott.

Seeing it thirty years later, it still stands up and stands out as one of the greatest commercials of all time. You can never underestimate the power of a great looking blonde with a sledgehammer.

If I was looking for a profession where I could create something lasting people loved, talked about and made them feel glad every time they saw or thought of it, I might not have chosen this one.

On the other hand, Michelangelo never got to stay in a penthouse at the Essex House for a shoot on the company dime. So I suppose it all evens out.

Flying with your eyes closed

I was at lunch with one old and one new friend yesterday, and one of the topics that came up was the ability to sleep on planes.

Yet another skill I can add to the list of ones I don't have, along with card counting, lion taming and crowd estimating.

It's an eclectic list.

I have nothing but admiration for people who can do it. It must be nice to fall asleep as the plane is taking off in L.A., and open your eyes just as you're landing in New York.

Of course then you don't get to pick out all the hidden nuclear missile silos in the middle of the country (Here's a hint: the big circles with no crops around them).

My wife is blessed, and not just by being married to me. She has the talent, skill and God-given ability to close her eyes and sleep no matter where she is. When we fly places, she's literally out before the plane pulls out of the gate. Me? I keep busy making sure the in-flight entertainment has Comedy Central and I have enough magazines to get me across country.

On some flights, I can manage to get as far as drowsy. But I just can't go all the way. Which reminds me of something my high school girlfriend used to tell me.

Anyway, kudos to those of you who can dream of clouds while your head's in them. I wish I could do it.

If we're ever flying together and I have the window seat, I'll try not to wake you when I have to crawl over you to get to the bathroom.

And if I do, I'll just say you were dreaming.

Flush with embarrassment

Years ago, I went to New York. I don’t remember the reason for the visit, but since when does anybody need a reason to go to New York?

What I do remember is getting to the city around 6:30 a.m. and going to the apartment of my friend Susan, who was from New York but who I’d worked with in L.A.

I think it's safe to say she wasn't amused when, unannounced, I was knocking at the door of her one-and-a-half room apartment, suitcase in hand, at sunrise because my hotel room wasn’t ready.

But in spite of the fact I’d inadvertently gotten to see her without her makeup on, something she was extremely unhappy about, she let me stay a few hours until my room was ready.

The room I was waiting for was at the now long gone Biltmore Hotel on 43rd and Madison. Not only was it one of NY’s architectural landmarks since it opened on New Year’s day in 1913, it also happened to be smack in the center of the NY advertising scene (the show Mad Men gets its name from Madison Avenue), and I’d just started my first job at an agency.

I was still in awe and wonder of the magic, creativity, nice people and fun of it all.

You know, just like I am now.

Anyway, I checked in and went up to my room. What dawned on me as I was in the elevator was that I hadn’t gone to the bathroom since I’d gotten off the plane at Kennedy. So when I got to the room, I dropped my suitcase on the floor, ran to the bathroom, closed the door and then proceeded to pee like a racehorse.

Now, at this point, you might be asking yourself why I bothered to close the bathroom door when I was the only one in the room. Good question, and it’s the one I’d be asking myself in a minute.

When I was done, I washed my hands, grabbed the crystal doorknob not unlike the one you see here, turned it and pulled the door open.

Except the door didn’t open. The doorknob, stem and all, came out of the door.

For a minute I thought it was funny, and the sound of my laughter was echoing off the tile walls. That went on for awhile until I realized I needed to get out of there.

I tried several times to put the doorknob back in, but it wouldn't catch. Did I mention this was July? It was hot and disgusting outside, and getting pretty warm inside.

Since I was on a higher floor, I couldn't yell out the window for help. So I wound up doing the only thing I could do. Banging the doorknob I was holding against the door, and screaming for help like a little girl.

It was not my finest moment.

After what felt like about fifteen minutes, I'd worked up a good sweat because of the heat and humidity. At least I had water and towels to wash off.

Finally hotel security came to the door and set me free. Then they called maintenance to come fix the doorknob.

I thanked him, turned on the air conditioning as high as it would go, then flopped on the bed and slept for three hours.

When I talked to my friend Susan later in the day and told her what had happened, she reacted exactly like any New Yorker would in July.

She said, "You have air conditioning?"

Guilty pleasures Part 8: Devil's Advocate

Continuing my wildly popular Guilty Pleasures series (if you missed any, you can catch up here, here, here, here, here, here and here), we turn up the heat with one of my favorite over-the-top Al Pacino performances - Devil's Advocate.

In this B-movie gem, Keanu Reeves plays a hot shot southern lawyer (do the words casting against type ring a bell?) who's never lost a case. When a big New York law firm recruits him, he can't resist even though his wife, Charlize Theron, is somewhat hesitant.

His new boss, John Milton (Pacino) is a master of the universe literally and figuratively, and is prone to making a lot of inside jokes about being able to relate to Keanu when he starts talking about how lousy his father was.That's because he may not be who he appears to be. DA DA DA!

Better than his courtroom speech in And Justice For All, louder than he was in Scent Of A Woman, Devil's Advocate has one of the best Pacino tearing it up speeches of his career. It comes towards the end of the film, where he finally reveals to Keanu who he really is. Here's a hint: It's similar to the relationship Darth Vader has to Luke, only Pacino is a lot more, shall we say, subterranean.

It goes a little something like this:

Throughout the film, Pacino gives his character a little reptilian quality by licking his lips quickly with his tongue. It's mighty clear how much fun he's having, even if he has to act his ass off against Keanu's monotone voice and limited expression.

I could tell you a lot more about the film, for example what happens to Pacino's law office partners who don't go along with him. Or how Keanu defends Craig T. Nelson against murdering his wife. The frosty exchange between Pacino and Keanu's mother in a New York elevator. Pacino's subway run in with gang members. There's also the part where Charlize is driven crazy because, well, you'll just have to see for yourself.

Hamming it up? Yes. Chewing the scenery? Definitely. A wild ride? Absolutely.

I'm going to take the high road here (just to see what it's like) and resist the temptation to say it's a devilishly good time. I'll just say it's definitely worth finding on cable, or renting on Netflix. You'll have just as much fun as Pacino's obviously having.

Halloween with the girls

I think Halloween is the most fun holiday of all. Not just because you get to dress up in any manner your heart desires. Or because you send perfectly innocent children to complete strangers' doors hoping candy is all they come back with.

I think it's fun because everyone's your friend on Halloween.

Years ago, the wife and I were in New York visiting my good friend Lisa Mehling. It was Halloween, and after dinner we found ourselves in the West Village on Christopher Street, the center point of the early gay movement in New York.

And if there's one thing we know about the gays - they do Halloween up right.

While we were walking around, I saw these three colorful characters walking up the street, laughing up a storm. I handed Lisa the camera and asked her to get a picture of me with them. I then turned to the three of them and said, "Hey girls, can I get a picture with you?" To which they replied, "Sure honey, get over here!"

I think my wife and Lisa were a little shocked by the fact that I even wanted the picture. But if you know anything about me, I'm ready for the party and I don't care who's throwing it.

So here's the picture of me with the girls on Halloween.

If it proves anything, I think it's that I clearly need to add more color to my wardrobe.

Parents, prepare for takeoff

Like her brother before her, tomorrow morning my daughter will be going with her eighth-grade class to New York, D.C. and a few other stops on the eastern seaboard.

The wife and I will be getting up at 3a.m. to take her to the school, where she'll board the bus to the airport with her friends as she gives us a cursory wave goodbye and heads off on her Big Apple adventure.

Of course we're happy for the time she's going to have, the things she's going to learn and close friends she'll be even closer to by trip's end. What we're not happy about is the fact she'll be away from us for a week. Three-thousand miles away from us.

It's every parent's dilemma: how to let them go without worrying about them the second they're out of your sight. The answer of course, as any parent can tell you, is you can't.

In a book about her daughter, author Joan Didion said, "Once you have children, you're never unafraid again." As a parent there is the continuous loop of white noise, playing at a very low level in the back of your brain always wondering if your kids are alright.

I know my daughter will be fine back east and have the time of her life.

I also know I won't be fine until she's back home.

UPDATE: This was originally written in June. My daughter went on the trip, had a great time and returned safely to me. When she came down the escalator at the airport, she ran into my arms and held me so tight I thought she'd never let go. For my money, best way for both of us to end her trip.