Goodbye Joe

Even though the year is still young, we’ve already lost some of the greats. Christopher Plummer. Cicely Tyson. Cloris Leachman. Hal Holbrook. And today we lost another, although famous in a different way.

Joe Allen died today.

Joe was a restauranteur whose Broadway restaurant in New York became the pre and post show place to dine. Civilians and celebrities alike came for the stellar menu, which changed daily, and the casual yet pampering service that just made you feel special.

Adorning the exposed brick walls were posters not of the hit plays New York audiences and tourists enjoyed, but the flops that opened and quickly closed—often on the same night.

When the wife and I were in NY a few years ago waiting to see Noel Coward's Present Laughter with Kevin Kline (who won the Tony for it), as usual we wanted to have our pre-show meal at Joe Allen’s. We didn’t have reservations, but we thought we’d give it a shot.

While we were waiting to speak to the host, it became obvious the person in front of us didn’t have reservations either. When he was told he couldn’t be seated he got quite irate and asked the host for his name.

The host said his name was Elizabeth Montgomery

The man left the restaurant, and when we walked up to the stand the first thing I said to him was, “Miss Montgomery I just want you to know we’re big fans of yours.” He gave me a wink and said, “Two? Right this way.”

For years there was a west coast Joe Allen’s on 3rd Street in Los Angeles. It was always one of my favorite restaurants for dates, meetings or just hanging out. I remember having lunch there on the patio with my friend Kevin Nealon years ago, and he started telling me about this sketch he and Dana Carvey had come up with about two Arnold-like bodybuilders named Hans and Franz.

So as you can imagine, I left the lunch feeling pretty pumped up.

Anyway, even at 87-years old, closing night came too soon for Joe. But we find some comfort knowing his restaurant will go on being a Broadway institution. And you can be sure my wife and I will always be there whenever we’re in town.

And on the lookout for Elizabeth Montgomery.

Taking a stand

I've been a season subscriber to the Ahmanson Theater for many, many years. Before that, for over ten years I had fourth-row center season seats at the late, great Shubert Theater in Century City. I tried on the Pantages for a few seasons, and I took a couple seasons of the Geffen for a spin when I lived in Santa Monica.

There's a phenomenon I've noticed increasingly over the years, and while it happens in New York too, it seems particularly native to Los Angeles. After every performance, regardless of whether it merits it or not, the audience rewards the cast with a standing ovation. Instead of standing because a play has been filled with brilliant performances that moved you, or were cast with the perfect actors to play the roles, sometimes it feels like standing ovations have become the theater equivalent of participation trophies.

Now you might think you're way ahead of me here—and God knows it doesn't take much—in thinking I'm against the practice. The fact is I'm not.

Here's the thing: I was a theater arts major, and no one appreciates the blood, sweat and tears that go into getting a production off the ground more than I do. And while I realize not every play and performance is worthy of a standing ovation, I believe every performer is.

Actors aren't responsible for the material they're given. Their job is to commit to it, and bring the characters to life as best they can. For all the talk about what an easy job it is, it's incredibly difficult, and they don't always succeed. Remember the last time you tried to convince someone of something?

Admittedly sometimes it's gotten to the point where it feels like the seats are spring loaded. It'd be easy to think doing it for every play across the board cheapens the currency of genuine appreciation for the craft. But the thing about actors is they know in real time if something is working or not. They sense the room tone, they hear the feedback and they see the faces looking back at them. Yet even when it's going south, they're giving it their all.

If I'm being honest, and really, where's the percentage in that, I've given standing ovations to more productions that didn't deserve it than I care to admit. I also tip more than I should for mediocre service at restaurants, clean up for the housekeeper and rinse dishes before I put them in the dishwasher. I may have deeper issues, but that's not the point.

The truth is when the curtain comes down and the cast comes out, I want them to know I appreciate the effort they've made in the name of entertaining me.

That's what I stand for.

Getting mugged

While my close friend and personal life coach Rich Siegel is busy over at Round Seventeen writing about issues of the day like Islamic clerics, Israel and Palestine, the Holocaust and the sorry state of advertising, I notice he has yet to tackle a vital subject that affects us all on a deeper, even more visceral level.

Of course I'm talking about celebrity mug shots.

It's always good, wholesome fun to have a laugh at someone else's expense. So let's start with one of the classics: Nick Nolte. Now the go-to choice would've been to contrast and compare a glamour boy shot of Nolte from the Rich Man Poor Man days with his now infamous Don King-esque, "Have you ever heard of conditioner?" hairstyle mug shot.

Instead, I chose an earlier mug shot of Nolte as a counterpoint to the one we all know and love. In fact, as you'll see, I've pretty much restricted all my choices to celebutards who have enjoyed the luxurious accommodations of an 8x6 holding cell more than once.

It's hard to know exactly what's more embarrassing about this early Tim Allen mug shot. The '70's stache? That he was busted in Kalamazoo (which coincidentally is the word magicians use when they forget "abracadabra"), or the fact people kept mistaking him for Geraldo Rivera?

Clearly his success from Home Improvement and voicing Buzz Lightyear is reflected in the more recent, more styled shot on the right. You can tell he's aware of the lighting, as well as his best angle. It could almost be the head shot his agent sends out for roles on shows like, you know, Oz or Prison Break.

Unfortunately for Tim, thanks to the interwebs these mug shots will be around to infinity and beyond. (See what I did there?)

                                        

Ladies and gentlemen, the man who's single-handedly putting the glamour back in anti-semitism, the one and only Mel Gibson.

This suitable-for-wallet-size mug shot on the left is from Mel's drunk driving episode a few years back on Pacific Coast Highway. Clearly, Mel still has plenty of alcohol in his bloodstream. You can see the sly smile, the sparkly eyes - the look that says "Hey, I know Jews run the business, but guess which ten-year old, independently financed film shot in a dead language grossed the most money in history?"

I'll give him this: it was a good film, even if I did know how it ended.

But see, you can't smack talk the people who run the business and still expect to have a career in it, as an older, paler and jowlier Mel knows judging by the photo on the right.

I suppose everybody's human and nobody's perfect. But sometimes stupidity just rules the day, and the mistakes we make have a way of sticking to our shoes.

Oh, and just in case you were wondering, I was going to post Lindsey Lohan's mug shots. But even on the internet, there just wasn't enough room.

Checking into St. Elsewhere

You might want to read this - stat! Before medical dramas on television were taken to new heights by ER, Grey's Anatomy, Doogie Howser and Chicago Hope, they had St. Elsewhere to show them how to do it.

Thanks to my wife, who introduced me to the show (and who in fact introduces me to most of the shows I become a fan of) I was a huge fan of St. Elsewhere. With it's stellar cast including a then unknown Denzel Washington, Mark Harmon, Ed Flanders, Norman Lloyd, David Morse, Ed Begley Jr., William Daniels and, as Dr. Fiscus, Howie Mandel to name a few, St. Elsewhere was to medical dramas what Hill Street Blues was to the cop show: groundbreaking.

For the first time, characters died. So did patients. Dream sequences were surreal, scary and violent. Topics that hadn't been taken on before like autism (one of the main characters had an autistic son), rape, AIDS and mental illness were intelligently written about and sensitively portrayed.

The show had a brisk and dark humor which made it all the more appealing. It was produced by John Masius and Bruce Paltrow, Gwyneth's dad.

I liked the show so much I did something I'd never done before: I wrote a letter to Brandon Tartikoff, then head of programming at NBC to tell him how much I enjoyed the show. In the letter, I asked him if it would be possible to visit the set, and to my ever-lasting surprise and gratitude, he said yes. He had his second in command, and eventual successor, Warren Littlefield call me and schedule the visit.

When I got to the set, Masius and Paltrow were my guides. They personally toured me around, showed me the script they were shooting that day and introduced me to a few of the actors.

While we were talking over coffee at the craft services table, Bruce Paltrow casually asked me how I knew Brandon Tartikoff. I said that I didn't - I'd just written a letter he liked. Paltrow laughed, and said it must've been some letter because Tartikoff had given them direct orders to treat me like I was his mother.

Next comes one of the biggest regrets of my life. I've never spoken about it before because it's just too embarrassing, but here it is.

In that same conversation, both Masius and Paltrow asked what I did, and I told them I was a copywriter. Then Paltrow asked if I'd ever written any television, and I told him I hadn't. He then asked me if I'd like to. Let's just say at the time I was much more enamored of advertising than I am now, and gave him an answer which I regret to this day. I'll regret it for all my days.

But enough about my bad choices.

The series ended on a controversial note. It turned out that the entire six seasons had been the imagination of the autistic character I talked about earlier. A lot of people thought it was a cop out, including me at the time. But as I watch the scene now, and the alternate reality it presents for the characters, and what it says about what's going on in the head of an autistic child, I like it.

For some reason only the first season is available on DVD. When they're all finally released, I'll curl up with the wife and we'll spend a weekend or two watching them all again to see the characters we love, and the moments we remember most.

The luckiest actor alive Part 1: Jonah Hill

Welcome to the first in a series of "luckiest actor alive" profiles, highlighting actors that ought to drop to their knees and thank God every day for studio executives who have even less taste than they have talent, and who for some inexplicable reason continue to give them work.

I decided to start with someone I think we can all agree on: Jonah Hill.

In what alternate universe is he funny? It's not because he's fat: there have been plenty of fat, funny guys. John Goodman. John Candy. Oliver Hardy. James Gandolfini (well, it was funny when he whacked Ralphie). Kevin James. Chris Farley. John Belushi.

I'm not going for the fat jokes. First, they're too easy. Second, I could stand to lose a few myself. And third, he's not fat anymore.

Well, he's not that fat.

He's still as grotesquely out of proportion as he was, only in a different way. Look at his upper torso. That tucked in shirt and jacket isn't fooling anyone. He's still plenty wide, only now he has thinner legs that presumably don't chafe nearly as much when he makes his midnight runs to the refrigerator (alright, maybe one fat joke).

Let's put it this way. I still wouldn't want to try to catching him when he flies over the bar and out of the coaster at Magic Mountain.

With the vibe he puts out, he needs to come out with a line of men's cologne.

Off-putting. By Jonah.

It wouldn't sell. No one wants to smell like a bad actor.

The good news is that people are already tired of how bad and unfunny he is. Even though there's less of him to see, a few more movies like Cyrus and Funny People and we'll be seeing a lot less of him.

Pretty soon he'll be doing more voice over work than on camera, just like his pal Seth Rogen.

Ooops. May have just spilled the beans on the next installment.