Goodbye Jeff

I am devastated and heartbroken. My friend and advertising icon Jeff Weakley passed away suddenly this weekend.

I don’t remember exactly where Jeff and I met, but it was over thirty years ago. We were both longtime freelance copywriters, and our paths crossed at many, many agencies during those years.

When I met him, my first thought was, “How does he get away wearing shorts and a t-shirt to a freelance gig?” I was always more conservative in my attire – at least at the beginning. If you’ve seen me in the last twenty years you know caring about what I wear to work was just a phase. And now that I work remote, it's not even a notion.

Jeff was an outstanding writer, and an even more outstanding human being. It was always the best surprise running into him at work, hearing his insights, and being on the receiving end of his wicked sharp wit.

Not to mention seeing the example he set, and trying to live up to it, for being the world’s best girl-dad.

Jeff also put the word “raconteur” into my vocabulary rotation. His earlier website and freelance biz was named Raconteur Advertising. The nav bar on the site was Jokes. Poems. Propaganda.

There wasn’t anything he couldn’t put his own personal, interesting spin on.

Jeff also wrote me the loveliest recommendation on LinkedIN. If you’re so inclined you can see it on my profile from Les Guessing, Jeff’s alter ego.

He was also one of those guys in advertising virtually everyone knew, and had more than a good word to say about.

Jeff was only sixty-four years old. He was just getting warmed up.

I'll miss hanging, laughing and working with him. And I can’t help thinking how much better this post would’ve been if he’d written it.

God bless you Jeff. Thank you for having me in your circle and making my life richer. Rest in peace.

Goodbye Blaine

I got some sad news over the weekend. My friend Blaine Lifton died.

I met Blaine many years ago when he was on staff and I was freelancing at DJMC, a retail ad agency in downtown Los Angeles. My art director, the late, great Jim Benedict and I shared an office, and Blaine and his partner shared the office next to us. Thanks to Blaine, it was a great neighborhood to work in.

Blaine was always the person we’d bounce ideas off of. He understood humor as few did—not to mention the ins and outs of the highly-charged agency politics and relationships—and always had a positive energy that lifted everyone he came in contact with.

My permalancer situation ended after a couple years, and unfortunately I lost touch with Blaine. But in one of the very few good things about Facebook, we managed to reconnect years later and remained in touch.

When I went to New York to see Springsteen On Broadway (I know, I’m as surprised as you are), Blaine was the person I saw it with. First we had a long, catching up dinner at Juniors Deli in the theater district, and then we walked to the theater and saw the Boss.

For you fellow Bruce tramps, you’ll appreciate this fact: we sat in row E.

Afterwards, Blaine and I waited with the other fans outside for Bruce to walk from the Walter Kerr Theater stage door to his limo, and then just stood on the sidewalk for an hour talking about the show we’d just seen.

In the years since, Blaine tried a few times to hire me freelance at his New York agency Hyperbolus, but the timing and my availablilty just never worked out. Or maybe it was my day rate. Sometimes it's hard to tell.

Our mutual friend Gina and I spoke in November, and she let me know Blaine was battling colon cancer, and that it had been discovered very late stage. As chemo does, it wiped out his immune system. He caught covid, and passed away last Thursday.

There are certain people that are lights in our lives, and you pick up right where you left off even if it’s been years since you’ve seen them. And they continue to bring smiles to your face every time they visit your thoughts. Blaine is one of them.

God bless you friend. I'm grateful for our reunion and the all too little time we had. Peace on your journey.

Now I don't know how I feel, I don't know how I feel tonight

If I've fallen 'neath the wheel, if I've lost or I've gained sight

I don't even know why, I don't know why I made this call

Or if any of this matters anymore after all

But the stars are burnin’ bright like some mystery uncovered

I’ll keep movin’ through the dark with you in my heart, my blood brother

- Bruce Springsteen

Agency side. Client side.

If you’ve followed this blog any amount of time, first let me say thank you and I understand your disappointment.

For those that have in fact been following, you may already be aware I've gone client side and am no longer on the agency side of the table. In case you're not familiar with my job-hopping journey (pausing to laugh for using the word journey), here's a quick little recap.

Near the end of 2019, I left—and by left I mean was laid off in a 12-person sweep—from my cushy, high-paid, high-powered, impressively titled, glamorous job introducing a new luxury car brand to a grateful nation from the tony beachside offices of a Korean owned advertising agency that shall go unnamed.

Innocean.

You might also know that afterwards, I enjoyed six bliss-filled, worry-free months of freelance, matinees, lunches with friends, bingeing Breaking Bad (again), cutting down the stack of books on my bedside table (not reading them, just cutting them down), playing with my dogs and spending daylight hours with the family.

But while I was living the good life and cashing the freelance checks, come to find out this nasty little virus was making its deadly way around the globe. And suddenly every headline in the trades was screaming about layoffs and furloughs, cutting freelance budgets and dwindling product inventory as infection rates were rising.

It was at that point I decided maybe the smart play would be to park myself somewhere for a while until this covid thing blew over. You know, one day just disappeared like a miracle. Fuck Trump.

Anyway I knew I wasn’t ready to go back to an agency. And even if I had been, they weren’t hiring.

Coincidentally about this time, a friend of a friend I used to work with who had gone to a tech company mostly known for their printers, scanners, projectors and sports personality spokesperson, told me they were looking for a writer. Long story short—if that’s even possible at this point—I went, I interviewed, I charmed, I brought the funny and I got the gig. I’m assuming my friend got the referral fee.

Normally this is where I'd make the joke (again) about not naming the company, then I'd name the company. Comedy gold. But when I signed on with this tech company, in the slew of onboarding paperwork there was something about mentioning them in social media or a blog, and what else I'd have to say if I dropped their name. I really should read these things more thoroughly. And while I usually like to gamble, my Jedi instincts are telling me not to do it today. But I've given you enough to go on—you can figure it out.

Alright, against my better judgement here's one more clue: their first product was the EP-101, and every product after was considered the son of the EP-101. What do you need, a roadmap?

Anyway, here's what I've learned since being on the client side: she’s a whole other country. It’s like the United States and England. You know you’re both speaking the same language, yet there are still different ways of saying the same thing that are unique to the territory.

Agency: “I know it’s 10am but we need it by noon.”
Client side: “We’re already past the deadline. I can only give you 5 more days.”

Agency: “I’m going shopping after lunch. I’ll be back later.”
Client side: “Lunch is from noon to 1PM. If you’re taking a late lunch please let your manager know.”

Agency: “This is pretty edgy. Let’s see what happens.”
Client side: “Can you make it duller? (not the stupidest thing ever said to me, but still deserving of a post all its own—coming soon)

Agency: “Where did you get those ripped jeans – they’re rad!”
Client side: “We’re pleased to announce jean Fridays!” Please see the employee manual for specifics.

Agency: The creative director will never go for that.
Client side: "Tell creative we're changing it to read like this."

There are things I miss about being in an agency creative department. The flexible hours, the money, dressing like a 17-year old, the money, being with sharp, funny, talented, creative people all day every day, the money, and the sense of all of us being in the foxhole together and working as a single entity—not unlike the borg in Star Trek. And of course, the money.

But client side at my company—look at me talking like a team player—does have its advantages. For one thing, my job isn't at the mercy of a creative director who had a client meeting go south. Or a client's spouse who thinks their nephew could do it better. It also helps that we're a financially solid global technology company that's done very well even in the time of covid. In fact, we were designated an essential company because many of our products are designed for home office use, and made the transition to working at that new Ikea desk under your bedroom window easier.

So the bottom line is I'm glad I made the change. And while I have the occasional feeling of buyer's remorse and the grass is always greener, I see myself here for a long time, doing some pretty nice work with our cool spokesperson and a group of genuinely nice people.

Right up until the next time someone tells me to make it duller.

With friends like these

Say what you will about advertising…no, really, say what you will. I’ll wait here. Okay, now that you’ve got it out of your system we’ll begin.

Advertising has lots of currencies depending on what time of day it is. Sometimes the currency is liquor. Occasionally it’s pizza. Once in awhile it’s the camaraderie that can only come from sitting in a dark, cold edit bay for 57 hours straight.

But the most valuable, most consistent currency in the biz is, always has been and always will be relationships.

There’s an old idiom (Who’re you calling an idiom? – BAM!) that tells you to be nice to people on the way up cause you’ll see the same ones on the way down.

Funny story. The other day I ran into someone where I’m working who I worked with at another agency. I haven’t seen this person in about three years, but he recognized me and greeted me like we were long lost war buddies, shaking my hand like it was an Arkansas water pump and asking how I was. He could not have been happier to see me.

I actually felt sorry for him, because - even though I'm not a doctor - I could tell immediately he was suffering from an serious case of amnesia. At that other agency, he was a creative director and I was a freelance copywriter. Many times I had occasion to present work to him, only to have it shot down in what I would consider an unnecessarily arrogant and rude manner.

Clearly, his amnesia has made him forget that when we worked together, he treated me like, oh, what’s the word…oh yes. Shit.

My guess, and I'm going out on a limb here, is that his newfound fondness for me is because he was unceremoniously fired from that other agency, and has been forced to take a sudden deep dive into the freelance pool. Waters which I've been swimming in for a long time.

But, and here's an example of how much I've grown and how mature I can be if I really try, I want to give him the same benefit of the doubt I hope anyone would give me. He may be a different person now than when we worked together. Perhaps he's grown as an individual and creative person. He might be more confident in his talents, and therefore has no reason to treat people the way he treated me in the past.

So I'm going to step up, put my big boy pants on, be the bigger man and let bygones be bygones.

I know you're waiting for the zinger put down at the end here. But not today. Today I'm about forgiveness and generosity to someone who treated me badly in the past.

Which is why I'm not telling him my day rate. It would only upset him.

Shuttle diplomacy

Regrets, I've had a few.

Six years ago I was freelancing at Saatchi. That's not the regret. I'd started there for what was originally a two or three week gig, and wound up being there about three or four months. That used to happen a lot because I could always be relied on to get the job done, and my freelance strategy was to just keep showing up until they told me not to. Like all freelancers, I liked when gigs went on longer than I was booked for, because if there's one thing I love it's a day rate that keeps on giving.

I happened to be freelancing at Saatchi at two different times during two memorable events. One was the day they found out Toyota was moving their headquarters to Plano, Texas. They found out about it the same way I did—they heard it on the news that morning. The agency was buzzing about it when I got there, and management held a hastily thrown together staff meeting to reassure everyone the move wouldn't happen overnight, everyone was safe and to not worry about it.

What the meeting actually did was reassure everyone management didn't have the slightest clue what was happening.

The other event was the landing of the Endeavour Space Shuttle at LAX before its drive to the California Space Center. This was a big deal for Saatchi and Toyota, because they'd sold a commercial—and ponied up some of that Toyota money they printed in the basement—where a Toyota Tundra was going to tow the shuttle a very short distance part of the way between LAX and downtown on its journey to its permanent exhibition space. This was to show that if you bought a Tundra, had a specially made hitch, connector, trailer and several NASA engineers and production assistants, you could also tow a space shuttle should the opportunity present itself. As it does.

The door to the roof of Saatchi's building was unlocked, so when the shuttle was coming into the airport on its final approach, everyone went up there to watch the landing.

Since Saatchi is in Torrance, not far from LAX, it was a great view of the NASA 747 carrying the shuttle piggyback, and the two fighter jets escorting it. Plus if you looked down, you could also see the entire shopping mall parking lot Saatchi sits in the corner of.

After seeing it land, I decided I desperately wanted to be one of the thousands lining the streets over the next few days as the orbiter was towed downtown.

I've had a few once-in-a-lifetime experiences in my time. I met and became friends with Groucho Marx. I snagged sixth row center tickets to see a certain gravel-voiced singer from Jersey in his broadway show. I had floor seats at SNL, hung out backstage and went to the after party as a guest of my friend Kevin who was one of the Not-Ready-For-Prime-Time players. I hung out with my friend Holland Taylor backstage at Lincoln Center after a Tony-nominated performance of her one woman show ANN. I played Barrel Of Monkeys with Helen Hunt at the VFW in Ponca City, Oklahoma when she was shooting Twister.

It's important in life (here comes the life advice, stop rolling your eyes) to recognize real once in a lifetime experiences when they happen. And I figured seeing the shuttle rolling down neighborhood streets was going to be one of them.

I watched the coverage on TV with my daughter, and kept telling her we should go see it in person because nothing like this was ever going to happen again. For reasons I don't remember now, I either wasn't able or decided not to go. In case you couldn't tell, that's the regret.

Today however, I was able to somewhat remedy that missed chance by going to the Science Center with the wife to see Endeavour for the first time since it arrived. I know it's been six years, but you know, life in progress. My daughter wound up seeing it years ago with her class on a field trip, and now it was my turn. Not to see it with her class, but you know what I mean.

Anyway, it was magnificent. I'm not gonna lie. I got choked up. It genuinely felt like I finally stopped denying myself something I really wanted, as well as a dream come true.

Just like my high school girlfriend.

The wife and I watched the Journey Into Space 3D IMAX film before walking into the Endeavour exhibit. And the idea that this, the most complicated machine ever built, that we've seen take off and land so many times over the years, has come here after having been in space orbiting around this little blue ball of a planet was almost too much to take in.

In a world that's felt like it's been crumbling since January of last year, and with ignorant, fearful men trying to convince the nation that science is something as evil as they are, looking up at Endeavour gave me a feeling I haven't had in a while: hope. It restored my faith that mankind's intelligence, ingenuity, curiosity and never ending need to keep exploring ever further might still prevail, and guide us all towards our better selves.

Just like the hope I had that Saatchi's roof door wasn't locked when it closed behind us.

Watered down

Like the lawn in a torrential downpour, or cocktails at the craps table in Las Vegas, ideas for Super Bowl spots from advertising agencies—like the people who create them—are often not what they start out to be.

For a lot of creatives, the Super Bowl spot is the Holy Grail, the pinnacle, the showcase where you can either make your mark and launch into a career arc filled with money, location shoots, media girls (another time) and a title too long to fit on the puny business cards you'll never carry.

Or it can be a spectacular flop seen by a billion people and sink you faster than the Quizno's Spongmonkeys—which by the way I think is awesome and one of my favorite commercials ever. Call me crazy, but I admire the bravery of it all. Just try not singing the tune after you've seen it.

I know, right?

Anyway, there are a few rules about the annual Super Bowl assignment that seem fairly universal no matter what agency you're at. First is the freelancer's spot never gets chosen, even if it does. No agency hands the biggest boondoggle and budget of the year to the freelancers to produce. And if their spot is picked, it's—take your pick: refined, evolved, massaged—just enough for them not to be able to claim it as their own.

Next, you would think that since the date of the Super Bowl is known over a year in advance, agencies would give themselves enough lead time to concept, sell and produce the spot they really want to make. Not so much. Virtually every agency starts working on their Super Bowl spot late in the game. Then it's a mad rush to meet the goal, with everyone hoping they don't fumble.

Ok, I'm done now.

Finally, just to prove God does have a sense of humor, it's almost always the team who couldn't care less about sports who has the winning spot. Then they have to go through the entire ordeal, pretending they're interested in the game and that they have a favorite team.

Sometimes, even though it's a score (sorry) to get your Super Bowl spot sold, it takes almost more than you can muster to get motivated to see it through.

But to quote Don Draper, "That's what the money's for."

Trick of the trade

Freelancing at ad agencies, or anyplace for that matter, there are commonplace, everyday things I, like most people, have to tend to.

Check email. Answer said email. Check bank balances. Go on Facebook, Twitter and Instgram and tell people I'm working on a social assignment (I kid because I love). Perhaps, hypothetically, respond to a request for other freelance.

The problem is to do those things, I have to go through the agency server to connect to the interwebs. And then, the agency has the password to my bank account, and can read that email I got from the Head Of The China Treasury, who has a charitable donation of $35,000,000 only I can be trusted with (it was easy - all they wanted was my bank account and social security number. The transfer will be here any day now).

Many people far less paranoid than I am just shrug their shoulders, use the servers and surrender a certain amount of privacy for a nice day rate.

So what's a guy who loves his day rate and his privacy to do? Glad you asked.

You pick up one of these little gizmos.

This is my own personal wi-fi hotspot. About the size of a credit card, half as thick as an iPad and password protected, I connect to it and suddenly I can do all my personal business from my computer without the prying eyes of the IT guy, who really should be more worried about getting me that mouse I asked for three weeks ago.

Now, I could've used my smartphone as a hotspot, but then I'd have had to change my plan. And since I've been on AT&T with unlimited data plan since my first iPhone, I wasn't going to do anything to jeopardize that deal.

This device, cleverly called My Go Phone, lets me buy either 2G, 5G or 8G of data a month. I chose the 8G - it's seventy-five tax deductible dollars a month and worth every penny.

So if you have a personal email, a financial matter, or—hypothetically—a job offer you'd like to discuss with me, feel free to email me. Thanks to this snappy bit of technology, it'll just be between us.

Until Mike in Digital Experience hacks it.

Ghostwriter

The wide and raging river of taglines, headlines, subheads, subject lines, pre-headers, bold lead-ins, body copy, banner ads, manifestos, landing pages, social media posts, positioning statements and concept write-ups seems to flow on endlessly no matter which ad agency I happen to find myself at.

This of course is an excellent situation for a freelancer, because when the river dries up so does the bank account.

But as any copywriter will tell you, occasionally you have to deal with a bout of what real writer’s who aren’t creating a legacy of garbage (Legacy Of Garbage ©Janice MacLeod) refer to as writer’s block. For whatever reason, sometimes the words that make America buy just aren’t there when you need them.

Which is fine if you’re writing a snarky little blog only nine people read, and then only when reruns of the Bachelorette aren’t on. But when you’re a hired gun up against a deadline, there are no excuses. If the words aren’t there you have to go out and find them.

Fortunately I know just where to look. To my son James.

They say the apple doesn’t fall far from the tree. But I don’t have an apple tree, because it attracts rats to the backyard and I have a black thumb and would probably kill it anyway. And who wants to eat apples that fall off a rat-infested tree into the dirt. There’s not enough Dawn and Brillo to get them clean enough for me to eat. Don't get me started on the worms.

I may have wandered off track here.

My son is a great writer. He's unburdened by strategy briefs, client concerns, nervous account people, award-whore creative directors, account planners whispering sweet nothing in his ear – and I do mean nothing. He just likes to make up fun lines. So on those rare occasions when I need to get a fresh, untarnished perspective because my brain has gone into vapor lock, I just give him a call and tell him what I need.

Give me some car headlines that talk about performance. Knock out a few lines for this video game. I need something for a hotel in half an hour.

He always delivers.

I'd like to think he gets his writing talent from my side of the family, but I think it's just who he is. Screenwriting major, hello? This is a kid who's not afraid of throwing it out there and seeing what happens.

So, to the agencies I work for now, and will in the future, rest assured that when it comes to writing copy for your prestigious clients, and even your lesser ones, I'm going to give it everything I've got. Including my first born.

Exit strategy

This is the good part of freelance. And the bad part.

This week, I wrap up four months at the agency I was booked at for five. Whole other post.

Anyway, what it means is it's time to start planning my exit strategy, something I've done many times before. It's never the same routine, but it does involve many of the same components.

I'll begin by sending out a few emails. Then I'll graduate to a little dialing for dollars, you know, the personal touch. And of course, a little social network networking is always a good thing. This is what it looks like to me as Friday rapidly approaches.

Once Friday is past, I know from experience my priorities will shift, and my first week off will begin to look a little different.

First order of business will be a long overdue lunch with my great friend Carrie. Then, as long as everyone's working and I'm not, perhaps a matinee or two are in order, just to stay current. Of course, we all know Breaking Bad isn't going to binge itself again, so I'll have to - yes, have to - devote a few hours to that. If there's nothing else to do, I may read Siegel's book again. Then there's always all those things I was going to do over the Christmas break that still need tending to.

The way it usually goes is when I'm finally ready to tackle those odd jobs that've been piling up around the house, I'll get booked for a gig and have to put them on the back burner. Again.

Here's the thing: I'm not one of those people who goes crazy when they're not working. I can not work with the best of them. I put the call out to the universe, and so far it's always answered with fun, lucrative, challenging gigs and a vast selection...er...large number...um....wide variety....ok, a few great people to work with at each agency.

Of course, once the call to the universe is out, I hope I don't have to answer it at least until I'm done with Season 5.

Pregnant pause

As a freelance copywriter, you go through different seasons.

The unemployed season. The four-agencies-want-you-at-the-same-time season. The let's-have-lunch season. The I-think-I've-used-too-many-hypens season.

One season I went through for a while was the copywriter-on-maternity-leave season.

It seemed every gig I booked was for exactly three months, filling in for someone who was out on maternity leave. It always made me happy. Ask anyone who knows me, they'll tell you I'm a romantic at heart.

When love is in the air, money is in the bank.

Anyway, my point is it's never too early to start planning ahead. I'd like to suggest to all the female copywriters thinking about bringing a bouncing bundle of joy into your lives that now is the time. There are so many benefits - for you I mean.

Your parents will stop asking when you're going to have a baby. You and your significant other can start planning the gender-neutral color scheme if you live west of Lincoln, or whether the room is going to be blue or pink if you live east of Lincoln. Your friends can start thinking about how much they're going to spend on your gift at the baby shower (insider tip: don't give the Diaper Genie, they already have one. It's called a trash can).

And you'll have a tax deduction you didn't have before.

In case you were wondering, suggesting you get started now has nothing to do with the fact my son's 2016/17 tuition is due end of August, beginning of September, coincidentally right about the time you'll be having your baby.

Take it from me, nothing in life is more rewarding than you having a baby.

That goes for both of us.

We're all freelancers

My friend, fellow blogger and dog-surfing instructor Rich Siegel – who runs Round Seventeen – put up a post today called Too Many Freelancers.

The gist of it is far too many of our staff brethren are packing it in for the seemingly greener, albeit much more competitive, grass of the freelance life, although not all of them are suited for it. Of course, he’s right.

But I’d like to offer another point of view. We’re all freelancers, whether we’re on staff or not.

It’s a quaint notion, a carryover from the Mad Men era, or a time you could work at IBM for forty-four years and have a nice pension at the end of it to see you through the rest of your days, that having a full-time gig at an ad agency somehow equals job security.

Ask the teams that work at Mitsubishi’s new agency every two years how secure their jobs are. The creative teams on Dell Computers can probably whip up a spreadsheet showing why that theory is wrong. Take a drive with the former creative director at Doner, Mazda’s old agency for thirteen years that created the Zoom Zoom campaign, and ask him how he feels about job security. The battlefield is littered with examples.

My point is we’re all just one agency review, one client loss, one new marketing director, one client’s wife’s opinion, one budget shift to digital, one creative director in a bad mood away from being shown the door.

Don’t get me wrong: I very much like the idea of job security. I also like the idea that I’m six-foot-two, a hundred eighty five pounds, totally ripped and get mistaken for Chris Hemsworth on a daily basis. But just because I like it don’t make it so.

The Round Seventeen post talks about Smiling and Dialing, Dry Spells and Making Nice, all daily chores freelancers are far too familiar with.

But they occur on the staff side as well.

Staffers get paranoid when it slows down, and try to look busy in case management is doing bed check. Not so much politically motivated as a survival strategy, staffers can be found making nice to people most in a position to turn the idea of job security into a reality. And day in and day out,the phone lines are always open to other agencies. Especially if an account's rumored to be shaky (SPOILER ALERT: They all are. Always).

So if you're on staff at an agency, thinking about making the leap to the freelance life, congratulations. You already did.

Don't ask: Watching your stuff

Continuing my ever popular Don't Ask series - the one that brought you such wildly popular and praised installments like Don't Ask: Moving, Don't Ask: Picking Up At The Airport, Don't Ask: Loaning You Money, Don't Ask: Sharing A Hotel Room, Don't Ask: Writing A Letter For You and the perennial Don't Ask: Sharing My Food, comes this timely post dealing with my latest irritation sweeping the nation: Complete strangers who ask me to watch their stuff.

When I work on a freelance gig that doesn't require me to be at the agency (the best kind), I like to get away from the distractions of home and use whatever Starbucks I happen to be near as my local branch office. Inevitably, as you'd expect in an establishment serving coffee in cups bigger than apartments I've had, people will eventually have to make a trip to the restroom.

For some reason, when that time arrives, I'm the guy they always turn to and say, "Excuse me, can you watch my stuff?"

I usually give them a non-committal kind of half-nod that can be taken for a yes, but that I can use for a no if their stuff goes missing and we wind up in court.

I think it's flattering people think I have an honest face (if that's what they think) and feel like they can trust me with their $3500 MacBook Pros, Swiss Army backpacks and iPhone 6's for as long as it takes them to pee. But the fact is with one house, two kids, two dogs, three cars and having to finance all of them, I have enough responsibility in my life without being a security guard for your stuff.

Plus the assumption I'm going to give chase to someone who's made off with your stuff is flattering, but misplaced. The most I'll do, and only because my sense of right and wrong is so finely honed, is try to get a plate number if they're in a getaway car.

It's an odd thing to me how unlike any place else, Starbucks and other coffee houses seem to work on the honor system. You don't leave your car running at the post office and ask the stranger walking by to watch it for a minute while you run in an mail a letter. Alright, maybe not a great analogy but you get my drift.

Anyway, it doesn't matter how nice you ask - I'm not getting shanked just because you couldn't hold it anymore.

Why not just do what I do? Get up, confidently walk to the restroom, quickly do your business and get back to your table. Make the assumption whoever's about to make off with your things doesn't know if you're watching them from the line or locked in the loo.

If your stuff is gone by the time you flush, don't blame me. I told you not to ask.

What am I getting into?

My final repost of the week, then it's back to all new articles I'm not sure you'll want to read the first time. Anyway, this classic from November 16, 2010 asks the question we should all be asking before we start anything.

Who among us hasn't asked themselves that ominous question? I for one have asked it any number of times in my life.

On my wedding day.

Signing escrow papers.

Buying a German sports car.

Buying a German Sheperd.

Having children (still asking).

I think the fact that I'm a freelancer just puts me in more situations where it becomes a reasonable question to ask.

For example, I find myself asking it right after I get the phone call or email inquiring about my availability. Again when I hear their reaction to my day rate. Yet again after I cave and let them negotiate my day rate down - usually in tandem with, "What the f&#% was I thinking?"

Regardless of the account, even if it's something I want to work on, when I hear what it is the question comes up again.

It's always top of mind when I hear who they want me to work with, whether I've worked with that person before or not.

And if the office is a hellish, brain-deadening, soul-killing commute to a foreign and frightening land, for example Orange County, I ask myself the question on the crawl in.

Then, just before I enter the brick building, designer warehouse, high-rise tower, faux-hip loft, converted fire station, hotel or craftsman house where the offices are located, I pause for a tentative moment outside, look at the doorway I'm about to go through, and ask it again.

But here's the thing: the question itself is a cruel tease. Because it can't be answered until you're actually there.

Of course by no means does that imply everyone won't try to answer it for you. But it's really one of those questions, like, "How much of this can I take?" "Is it worth the pain?" and "Is Super Shuttle hiring?", that only you can answer for yourself.

If I'm being honest with myself, and if you know anything about me you know that's something I hate doing, I have to say the answer I almost always arrive at is "something great".

I wonder if you asked yourself the question before you started reading this post.

It's okay. I don't need to know the answer.

Well shut my mouth

Tonight's repost from April 6, 2012 is a tale that's hush-hush, on the Q.T. and very confidential.

It's not brain surgery or rocket science, but some ad agencies would have you think it is.

I recently had to sign an NDA (a Non-Disclosure Agreement, sometimes called a confidentiality agreement) before this one firm would hire me for a freelance gig. It's become common practice the last few years. But here's my question: what exactly are they protecting?

If you work on a fast food account, you get asked to work on other fast food accounts. Same for cars. Same for airlines. Same for most categories. Like any profession (stops and laughs hysterically for using the word "profession"....okay, regaining composure...), leveraging your experience is what keeps you employed.

No one goes from one job to the next yakking about everything they did, saw, wrote and learned at the last one. You just assimilate it all into your own personal database.

Just like the borg, except without all that nasty face metal.

Agencies like to flatter themselves that what they do is so proprietary, their processes so innovative, that spilling the beans will cause them "irreparable damage and financial loss and hardship."

Here's the reality check: there are no beans to spill.

Every agency has a catchy name for their process. You say tomato, I say tom-ah-to. They're all doing the same things to win, keep and grow business. And the idea that your car client doesn't know what the other guys car client is up to is a sweet notion from a bygone era.

A copywriter friend of mine was fired from an agency because he had the unmitigated gall to post an ad he'd done on his website, along with all the other ads he's done. It's a common practice. But his agency blew a fuse, saying he was not only violating his confidentiality agreement but was trying to steal the business. Neither of which was true. To my way of thinking there are felonies and misdemeanors: if they were upset he didn't ask first, they should've reminded him to next time and moved on.

Here's the thing large agencies have in common with small ones: the level of paranoia, based on nothing, is genuinely frightening.

Does an account get stolen from time to time? Of course. Do employees get poached from one agency to another? Sure. But if either were genuinely happy where they were in the first place, it would be a lot harder to do.

The other thing about these agreements is there's usually a time period attached to them. Agencies don't want you to write on an account in the same category for 1, 2 or 3 years without getting signed permission from them.

Good luck with that.

In case you don't know, this is how I make my living. I can be writing on Taco Bell one day, and Del Taco the next. Or Land Rover and Chevy Tahoe. Southwest or Jet Blue. That's the nature of freelance.

Fortunately I know how to use the strikethough option before I sign one of these contracts.

Don't misunderstand what I'm saying. I believe your word and honor are all you have, and if you sign a contract you should abide by it.

But some contracts, like the one on the back of your ticket in the parking lot, just aren't worth the paper they're printed on.

I'd tell you which ones, but I'm not at liberty to say.

Due due

This is going to be a bitch and moan post. It'll be a big cup of whine, with a "do you hear the violins?" chaser.

You can't say you haven't been warned. So here we go.

Sure the freelance life looks pretty glamorous from the outside, but it's actually all knuckles and know-how.

Especially when it comes to getting paid.

Regardless of what you think from reading this blog - and don't lie to me - I'm actually pretty good at this writing thing.

I'm especially good at writing invoices. I do the work, then BAM! I Quick Draw McGraw an invoice faster than you can say "payable in 60 days."

Usually when I work for an agency as a temporary employee, as I do at most places (let's have a moment of silence for the endangered 1099), I'm on their employee pay schedule, which is usually twice a month. Occasionally, once a week. By the way, nothing but love for those shops.

But on the rare occasion when I'm 1099'd, I find the payment schedule is somewhat, what's the word, erratic.

The longest I ever had to wait to get paid was four and a half months. I won't name names - Disney - but it was an absurd amount of time to get what I imagine is less money than Bob Iger spends on valet parking in a week.

Still, it's nice to know occasionally even a global company like Disney needs my help to float them. Happy to oblige.

Here's the thing: I like the companies I work for. All I'm saying is I'd like them a lot more if they showed their appreciation by saying it with cash and paying on time.

Now if you'll excuse me, I have to go make a phone call. Right after I check the mailbox.

Drinking it all in

I don't think I have to tell you that over five years ago, I wrote a post about the many, many branch offices I work out of.

And by branch offices I mean Starbucks.

You may be a little cynical and think I'm bringing this up because it's a Saturday night, and I'm too lazy to think of anything new to write about. Well, no. Not entirely.

The reason I bring it up is because today I found myself working on a freelance gig at the Sunset Beach Starbucks for a few hours. And I noticed the customers who came in and out were very, how you say, beachy.

I've never worked at that office before. But I decided to widen my horizons a bit. I was tired of seeing the same people at the ones I usually work at. Plus it was a hot, sunny day and being near the water sounded like a good idea.

It made me realize even when I'm doing the same thing, there's a way to change it up. It's a lesson I could probably apply to a few other areas of my life.

I know, I should write fortune cookies or Hallmark cards - what can I say, that's what I thought.

I think I'm going to institute a new policy: every time I go work at a Starbucks, it's going to be a different one. God knows there isn't a shortage of them. I think seeing different kinds of people - how you say, clientele - helps the creative process along. That alone is reason enough to work there.

Well, that and a half-caf venti Carmel Macchiato.

A little bug

My first question is why does a post-it note need a push pin? These are the things you ponder when you're sick and have too much time to think.

Being sick sucks. I started feeling bad Sunday, with the symptoms getting gradually worse. Runny nose, clammy, aching. Classic signs of a cold/flu-y kind of thing coming on.

I thought the timing was interesting, because I was sick for about a week before my last gig started. And I'm starting a new gig next week. History repeating itself.

Monday was the big surprise morning though. I let loose with a vicious sneeze, so hard in fact that I blew a blood vessel and had a nosebleed that looked like the scene of the crime. Or a Dexter audition.

So that was fun.

In the past, I've had to have my nose cauterized for a vessel that wouldn't stop, so I thought maybe that was happening again. But I got to my Ear/Nose/Throat doctor, and he said it didn't have to be done this time.

I haven't had another one - sneeze or nosebleed - since Monday.

So for the last couple days, and for the next couple, it's me, the humidifier and catching up with whatever's on the DVR. And making a brief, exhausting appearance or two at the kids final concerts before they graduate - one to college, one to next year in high school.

I know you've become accustomed to me wrapping up these posts with a snappy little line. And while I hate to disappoint my five readers, I just don't have it in me today. Sure, I know there's a joke somewhere about "nothing to sneeze at..." but I just don't feel up to looking for it right now.

Back to bed.

The in betweens

In the freelance world, there are all types of people and personalities. Most noticeably, there are the ones who shouldn't be freelancers. They simply don't have the finely honed skills to deal with what I like to call the in betweens.

Those periods of time - sometimes long, sometimes short - between gigs where you've finished one job and have no idea where the next one is coming from.

Some call it limbo or purgatory. I call it heaven.

I just finished up working on a national car account at one of my favorite agencies to freelance at. I liked the people I worked with, I enjoyed the work I did and I love the creative services person who brings me in whenever they can.

Here's the thing: that gig is up, and I have no idea what's waiting on deck. But I do know from experience and faith that something is, and it'll get here eventually.

This is the skill I have people who aren't cut out for this don't: I don't go crazy when I'm not working. I don't climb walls or stress out. I learned long ago if all I think about is working when I'm not working, and wanting time off when I am, then it's a lose-lose proposition and I'm not going to be happy either way.

Maybe it's a gift, but I take my in between time off for exactly what it is. Time off. I catch up with things around the house and things I've wanted to do but don't have the time when I'm employed. The garage gets cleaned. Books get read. Screenplays get worked on. Posts get written. Shows on the DVR get watched (I'm particularly good at this one). Dogs get walked. Kids get picked up. Lunches get taken. Laundry gets done (I love doing laundry - one of the long list of reasons I'm a catch).

Sure it's always nice to know where the next check is coming from, but if I don't know now I will when I'm supposed to.

Don't get me wrong, I don't just leave it all up to chance and the universe - I would never be that cavalier with my career (trying to stop laughing cause I used the word "career"). I do make the effort. I send out emails, check in with friends and find out what's going on around town. Like all freelancers, I play dialing for dollars on a regular basis. But I don't play it all day every day. And it's not the only game I know. Besides, a watched pot, well, you get my drift.

Anyway, as much as I'd like to talk more about this, I really have to get going.

After all, Breaking Bad isn't going to binge watch itself.

The back room

A few years ago, for about nine months, I had the good fortune to work at FCB in San Francisco. It was a fun, jet-setting kind of gig because I had to commute back and forth from Santa Monica, where I was living at the time. I’d leave Monday morning, and fly back Friday night. Racked up lots of frequent flyer miles, and also got to know a lot of the airport personnel by name. Thank you for the free upgrades.

That was the good news.

The bad news is it was on Taco Bell.

If you’ve followed this blog for any amount of time – and if you have, thank you, but you really need to spend more time outside – you may remember I wrote here about my time up north. One thing I happened to leave out was the night I went looking for trouble.

Normally, trouble usually has no trouble finding me. But on this night, I decided to act on something I’d heard. I don’t remember if it was in a noir motion picture from the fifties that took place in San Francisco, or whether the concierge at the hotel had mentioned it to me in passing. I'd heard there were all sorts of backroom crap games in Chinatown, and I was setting out to find myself one.

I also don't remember where I heard this little tidbit: the best way to find one was ask one of the many Asian cab drivers.

So, very late in the evening, I hailed a cab and asked the driver to take me to Chinatown. When we got near it, he asked for the exact address, and I told him I didn't have one. I wanted to be taken to a crap game.

He laughed, shook his head and told me there weren’t any. By the way he said it, I could tell I’d struck gold with this driver.

I told him not only did I know there were, but I knew that he knew where they were. I was insistent he take me to one of them. After a lot of back and forth, denial and more denial, he finally said he did know of one. But he wasn’t going to take me there.

When I asked why, he said because the games were closed to outsiders, especially Caucasians, and if I went into one I might not come out.

Even if I didn't hear about them in a movie, it was beginning to sound like one.

You know how seeing a police car in the rear-view mirror after you’ve had a couple beers sobers you right up? That’s how fast I lost my desire to play in a back-room crap game.

He took me back to the hotel, where I tipped him generously and thanked him for being so honest with me.

He said, "I don't know what you're talking about."

Pay as you go

When it comes to credit cards, I like to know I'm at least getting a little reward for my completely undisciplined spending. That's why I have two airline affinity cards I use to help me rack up the miles.

Funny thing about credit card companies - they expect you to pay them. I know, right?

Sometimes, as any freelancer will tell you, the bills get there before the checks do. The cash flow isn't always as prompt as you'd like it to be. It's not that it's not there, it's just not there right now.

A few months ago, I managed to run up one of my cards to a healthy sum. It fact, at that point in time, it was a healthier sum than I had coming in.

Eventually I paid it off, but I'm not a guy who likes to have debt. I'm not comfortable with it, never have been. I used to pay my phone and electric bills a year in advance just so I wouldn't have to think about them (I also used to spend my rent money at the track, but I don't do that anymore either - long story).

Now before you say it, don't say it. I know I could've invested that money instead of letting the phone and power company earn interest on it. But to me, my peace of mind and retaining the ability to breathe knowing those bills were paid was a good investment.

Anyway, as a result of having run up that card - little suckers just sneak up on you don't they? - I now do something I've never done. I pay as I go.

At the end of every day, I go on the credit card site and see how much I've charged. Then I transfer money from my checking account to cover the daily balance. With a keystroke, I'm current on the card.

It also helps because knowing how much is in my checking keeps a tighter rein on my spending since I know I'll have to cover it the next night. At least that's the theory.

But with 467,000 frequent flyer miles, I'm not sure how well it's working.