Showing posts with label pea soup. Show all posts
Showing posts with label pea soup. Show all posts

Monday, November 19, 2012

Good vs. Evil

It’s not so much a movie as a direct assault on the nervous system. The first time I ever saw The Exorcist was at the late, great National Theater in Westwood. It was also the last time. Well, the last time I saw it in its entirety.

I can say without hesitation I’ve never been so terrified at a movie, any movie, before or since. There was more than one time I had to close my eyes because I didn't want any one of a number of horrifying images burned into my memory.

So when I saw The Exorcist on my cable channel listings, I thought maybe it’s time to get past my fear and see if I could get through it start to finish a second time, although I use the term “start-to-finish” in the loosest sense of the words.

I knew I had to lay down a few ground rules for myself. First, as I implied a second ago, I wasn’t going to watch it literally start to finish. I’d take breaks, maybe watch a little bit every morning before I went to work – which is what I wound up doing. And that brings me to my second point: I wasn’t going to watch it at night.

It’s not that I’m afraid of things that go bump in the night. I’m afraid of things that levitate, vomit pea soup, spin their heads around and sound like Mercedes McCambridge in the night. No, this was going to be a daytime viewing so I’d have plenty of hours to make sure it wasn’t top of mind just as I was drifting off to dreamland.

Or attempting to.

Now that I’ve seen it again and had a chance to think about it, it wasn’t nearly as scary as the first time. At least not in the same way. I can see now the effects, which while still great, were limited by the technology of the time. The head spinning doesn’t look quite as real as it did. The levitating looks like a magic trick. The blood, hers and others, looks a little too red to be real.

What is even better than I remember is the caliber of acting from the entire cast. The subtlety and nuance in each actor's performance is nothing short of remarkable. It would've been easy to drift into the expected horror film hamminess, but no one in the movie treats the material as anything other than real.

But what's as scary to me now as it was then is the idea of good versus evil. I’m a believer there's evil in the world, and there's a constant battle going on. Don't believe me? Pick up a newspaper (or an iPad).

The scene where Father Karras says to Father Merrin, “I believe there are three distinct personalities.” And Father Merrin replies, “There is only one.” rings true to me.

The tricks the devil uses in the movie to deceive - a combination of lies with just enough truth mixed in - seem eerily similar to what goes on in the world around us every day.

I think that's the power of the film, reminding us that the battle between good and evil is ongoing and real. And if we let our guard down for a second, the wrong side wins.

Which makes The Exorcist a film worth watching with your eyes open.