Showing posts with label Netflix. Show all posts
Showing posts with label Netflix. Show all posts

Monday, November 21, 2022

Cold truth

There are a lot of things I’ve forgotten as I’ve gotten older, not to mention a few I’d like to forget.

Like that spontaneous date I went on with a very attractive temp receptionist I met at an agency I was working at that shall go unnamed. Wells Rich Greene.

Because I thought it’d be an impressive thing to do, we drove the ninety-five miles from L.A. to Santa Barbara for dinner and back. Had I put a little more thought into it, I would've realized just how long a drive that is after a hard day's work, not to mention a whole lot of conversation to fill with someone you don’t know. And the Chart House in Malibu would've worked just as well and had me home a lot earlier.

Live and learn.

I might be getting off topic here. We were on things I’ve forgotten.

One of them is how to be sick.

Last week, for the first time in over two years, I got sick. Really sick. It wasn’t covid, although at first I wasn’t sure. My symptoms — runny nose, sneezing, coughing, aching, mild difficulty catching my breath — were right in line with the dreaded 'rona virus. But come to find out the months and months of masking, keeping my distance from people, tons of hand sanitizer and washing my hands more obsessively than Howard Hughes paid off. After home testing every day for the last five days, I had what I like to call a case of novid.

It wasn’t that nasty flu going around either. Although some symptoms were similar, the telltale flu fever never arrived. It was some killer cold/respiratory/bronchial thing that saw me and decided since my immune system hadn’t had a real workout in a couple years I was an easy target.

Anyway, not being able to focus on much more than breathing and trying to score two-point shots lobbing used Kleenex from my bed to the trash can, I did something I haven’t done in years: I called in sick.

Calling in sick when you’re working a 100% remote is a different experience. In the before days when I had to commute to an office, calling in sick meant sweet relief from having to get ready, fight traffic and slog through the day.

Now it meant I didn’t have to walk from my bed to my desk.

Speaking of getting older, here’s another thing I noticed: I don’t bounce back as quick as I used to. Colds, even bad ones, were always a 24 or 48 hour ordeal tops. As I’m writing this, I’m on my seventh day of it, although it does seem to be easing up.

In between watching The Social Network twice a day on HBO and the third season of Dead To Me and Neal Brennan's comedy special Blocks on Netflix, besides what being sick is like I remembered another thing I'd forgotten.

Business goes on without me.

And it’ll all be there when I get back.

Monday, January 25, 2021

Podcast news

If you’re anything like me—and if you are you really need to set your sights higher—you’re always on the lookout for new ways to entertain yourself. I was like that before the covid, and my search has only intensified since.

Since the lockdown or stay at home or isolating ourselves or whatever this Twilight Zone time we’re living in began, like everyone else I’ve done more than my share of Netflix, Hulu, Amazon Prime Video, Disney+ and AppleTV viewing.

In fact, I’ve been streaming so much my urologist has me on speed dial! BAM! Thanks so much, I’ll be here all week. Tip your waitress. You’ve been a great crowd.

Anyway, having blown through The Crown, The Morning Show, The Queen's Gambit, Jeffrey Epstein Filthy Rich, Servant, The Hunters, Broadchurch, Dead To Me, Ted Lasso, For All Mankind, The Vow, The Last Dance, Defending Jacob, The Rookie, several Dave Chappelle specials, Jim Gaffigan specials, John Mulaney specials, Bruce Springsteen’s Letter To You (surprise!), Breaking Bad (binge 14 if you’re keeping count), American Murder, The Great British Baking Show and several others I can’t even remember, I decided it was time to look for other forms of amusement since covid doesn’t look like it’s wrapping anytime soon.

There was a joke going around last year that if you didn’t start a podcast in 2020 you were never going to start one. I was thinking about that, and thought I’d look and see how I could expand my podcast repertoire.

I sampled a lot of them, and listen to two of them regularly.

First is Wait Wait Don’t Tell Me (WWDTM), the NPR game show that has three different panelists each week, usually comedians or comedy writers, answering questions about current events and playing the game with callers. It’s extremely funny, timely and always enjoyable.

The other one is The Al Franken Podcast. Former comedian and senator, Franken has guests from both the worlds of entertainment and politics, and reminds me every Sunday what a brilliant mind and champion for justice the senate lost.

If you want proof, just listen to the episode of the questions he would’ve asked Amy Coney Barrett had he been at the confirmation hearings.

But my latest podcast binge—because apparently that’s the only way I know how to listen or watch anything—is Smartless.

Here’s the drill: each week, Jason Bateman, Sean Hayes and Will Arnett get together and insult each other. Also, one of them brings along a guest the other two don’t know about, and hilarity ensues. It is a seriously funny, laugh out loud, good time.

So far I’ve listened to the episodes with Bryan Cranston, Martin Short, Sarah Silverman, James Corden, Conan O’Brien, Ron Howard, Kamala Harris, Reese Witherspoon and Ricky Gervais. I’m about to start the one with Stacy Abrams.

I cannot recommend this podcast enough. Give it a listen, thank me later.

If I’m being honest, and of course no one’s under oath here, I was also thinking about starting a podcast of my own. I wouldn’t want to do it by myself though, especially since Smartless has shown me the many benefits and humorous possibilities of having partners to play off of.

Maybe I’ll see if can cajole my pal Rich Siegel over at Round Seventeen to do one with me.

Instead of Smartless, we could call it Smartass.

Tuesday, May 26, 2020

Have a blast off

If you've been following this blog for any length of time, and if you have perhaps you should use the Google to find better ways to kill time during the pandemic, you probably already know I have a somewhat compulsive side to my otherwise sparkling personality.

Breaking Bad. Bruce Springsteen. Sourdough bread. Las Vegas (in the before times).

One other quasi-obsession I have that I don't blog about much is space movies. Specifically ones about the golden age of the space race: the Gemini, Mercury and Apollo programs. There's been a lot of great movies about them: Apollo 13. First Man. The Right Stuff.

Going to change the subject for a sec, but I'll thread the needle on the back end. Here's the thing: we have way too many streaming services. The house is lousy with them: Netflix, Hulu, Amazon Prime. Disney +. So when Apple TV+ rode into town, I wasn't itchin' to sign up and pay yet another monthly fee.

But as they say in the ad biz, nothing beats free. And come to find out that's exactly what Apple TV+ is. Seems they have a promotion going on for a free year's subscription within 90 days of purchasing any Apple device. Like, say, the wife's new MacBook Air.

Truth be told, the original shows on Apple TV+ haven't been getting what you'd call rave reviews. But the one that, predictably, caught my attention was For All Mankind.

Space? Astronauts? 10 hours? Apollo program? I'm in.

So for the past couple of days I've been bingeing it. I know, I'm as shocked as you are. And I"m here to tell ya it's really, seriously great. The premise is simple: what if the Russians had beat us to the moon, and the space race never stopped? It's alternative history fiction built around the space program.

And for all my show biz pals at the studios, listen up. It's also made me decide that, more than anything, I want to have a bit part in a space movie.

I want to be one of the engineers wearing a short sleeve, white shirt, skinny tie and thick frame glasses sitting at one of the rows of those bulky, green, Mission Control computers.

And I'm not looking for a showy, star turn. In fact the only thing I want to say is one line. During the obligatory pre-launch checklist scene, when it's my turn I want to bark out: "It's a go."

Start to finish, like the best series, it's a rollercoaster ride with unexpected twists and turns, surprising revisionist history and characters you can't help care about. It's making you cry and cheer one minute, gutting you the next.

So I'll be counting down until next season launches, and I'm sure I'll happily binge it a few more times before then.

My advice to you? Don't screw the pooch by missing it. Watch and enjoy.

Godspeed.

Monday, April 4, 2016

Getting the hang of Parenthood

Like many shows that've become favorites over the years, I got my first glimpse of Parenthood thanks to my wife. I'd caught a little bit of one episode she was watching, and I decided to binge the entire series with her (I know, so out of character for me).

It's an exceptional series.

If you've been following this blog for any amount of time, I think it's safe to say we know one thing about me: I'm a sap. So the idea of a show that leaves me in a reduced state of blubbering like a baby and searching for the Kleenex every week is right up my alley.

What the show gets so right is everything about what being a parent means - wanting the best for your kids, sharing their frustrations, soaring at their successes, the day-to-day frustrations that come with the job of being a parent. It also speaks to the unending ties of family, which, being an only child, I related to less but found myself wishing I'd had three siblings. That doesn't happen often. Ok, never.

The show's produced by Ron Howard and Brian Grazer, and is based on the Howard's movie of the same name. The cast, writing and direction would be exceptional for a cable network like HBO or Showtime, but they're extraordinary for network television.

Craig T. Nelson, or as I like to call him, Mr. Incredible, is the patriarch of the Braverman family. And he is magnificent. Bonnie Bedalia, or Holly McClane from Die Hard, is his wife. Peter Krause, Lauren Graham, Dax Shepard and Erika Christensen play their adult children. The show's pedigree is remarkable, and the chemistry between all of them is genuine.

Because I'm late to the party on a lot of shows, Netflix is a beautiful thing. Especially when you can find six seasons of a show the caliber Parenthood just waiting to be discovered. Of course, the problem with bingeing six seasons in a row is once it's over, you're hungry to find the next series to commit to.

But like I said, I'm late to a lot of parties. Hello Arrested Development.

Sunday, February 23, 2014

Guilty pleasures Part 5: The Faculty

Last night, while I was up from about 1:30 until 4:30 in the morning, I came out in the living and turned on the picture box. And as luck would have it, one of my favorite guilty pleasures - and part five in my series of the same name (feel free to enjoy parts 1, 2, 3 & 4) was on: The Faculty.

It's yet another variation on one of my all time favorite films, Invasion Of The Body Snatchers (I'm particularly fond of the 1978 Philip Kaufmann-directed remake with Donald Sutherland, Brooke Adams, Jeff Goldblum and Veronica Cartwright - with a hilarious turn by Leonard Nimoy as a psychiatrist).

This time, instead of mysterious pods blooming all over town and taking over everyone who comes in contact with them, an alien life force is taking over the students and faculty at Herrington High School in Ohio.

As a parent of two high school students my own self, there are many times I believe this may have already happened.

The trouble starts when students begin noticing a change in attitude among the teachers. Eventually, the chemistry teacher played by Jon Stewart (yes that Jon Stewart), discovers the alien connection. SPOILER ALERT: It doesn't end well for him.

They quickly realize they have to kill the Queen alien if they're going to put an end to the takeovers. But the trick is finding out who the queen is. Could it be the new student played by Laura Harris? Nurse Salma Hayek? Phys Ed coach Robert Patrick? Student Jordana Brewster? Principal Bebe Newirth? Teacher Famke Janssen?

One of those people I just mentioned has a scene where they're walking naked through the school gym locker room. Not saying which one. I point this out because, you know, it's essential to the story.

Anyway Elijah Wood plays Casey Connor, the student who eventually figures everything out and does something about it. And even though Josh Hartnett is in the film, I still like it.

Keep your peepers peeled for a pre-The Voice Usher (credited as Usher Raymond) in a cameo as one of the football team players.

I should also mention The Faculty was the fourth feature film directed by Robert Rodriguez, which explains why the effects look so good. If only he'd kept the alien threat alive in the Spy Kids series, they would've been a lot more enjoyable.

Anyway, if you like Invasion Of The Body Snatchers-esque films, make it a point to catch The Faculty on-demand or Netflix.

Or my couch at 2 in the morning.

Saturday, October 12, 2013

Breaking Dad

This is a picture of Bryan Cranston as Walter White. It's also pretty much the same position I've been in for the last ten days, minus the stacks of cash and plastic storage containers full of 99.1% pure blue meth. For the record, I also had an open laptop in front of me.

The reason is that after several conversations with extremely insistent friends who wouldn't take no for an answer, and a Twitter feed that was on fire as the series finale approached, I finally jumped on the Breaking Bad train. And it was every bit the wild ride everyone promised it would be.

I'd heard of the show of course, but frankly - what with Homeland, Dexter, Person of Interest, Modern Family (which one of these is not like the other?) - I felt I already had enough tv show commitments.

Besides - FIRST WORLD PROBLEM ALERT! - recording everything in HD only leaves so much room on the DVR.

But once I saw the opening scene from the first episode, I was - pun intended - hooked.

Fortunately I wasn't working the last couple weeks so I had the time to devote to it. I sat in my chair, streaming seasons 1 through 5 on Netflix. Season 5 has 16 episodes, broken into two parts. Netflix has the first 8, and I had to pay to download the rest from iTunes. Money extremely well spent.

I would watch in the day, the night, late at night, middle of the night and early in the morning. My daughter said it should be called Breaking Dad because I was neglecting pretty much everything and everyone to get through this extraordinary show.

A little OCD sometimes? Perhaps. And check again to make sure that door's locked on your way out.

The beauty of it was no commercials, so instead of a full hour each episode was around 45 minutes give or take. I went through all 62 of them, many of them twice because I couldn't believe how great they were.

As far as series endings go, it was genius. Every loose end was tied up, every question answered. And it all made perfect sense and felt right. It was brilliant.

The downside is now, unsurprisingly, I'm experiencing severe withdrawal. Going through all 5 seasons in less than 10 days didn't give me nearly the fix I need. But thanks to iTunes, season 5 is on my laptop and I can revisit it whenever I want.

You should know you can't immerse yourself in the meth world for such a concentrated period of time without lingering after effects. For example, I now recognize every RV on the road as a mobile meth lab. I use the phrases "Tread lightly" "I am the danger" and "Say my name" almost daily. I'm suspicious of fried chicken restaurants.

And worst of all, I like a Badfinger song.