The bore is strong with this one

SPOILER ALERT: Ok, I'm required by blogging law to let you know I'll be talking, actually writing (if you can call this writing) about things that happen in the newest Star Wars installment, The Last Jedi. If you don't want to know about them, you might want to skip this post, you know, the same way you blow by most of the other ones.

The fact the Star Wars mythology and its characters are all some people live and breath has not escaped me. In fact, I appreciate and understand it. When it comes to being compulsive about things, we're all on this bus together (for reference, look up posts on Springsteen, Breaking Bad and sushi). So agree or disagree, I fully expect there'll be a lot of blowback. I can take it. And besides, the comments are moderated. Just like Trump's EPA, you don't get to use all your words here.

Alright, you've been warned. Which is more than I was before I walked into the theater. Perhaps I've tipped my hand.

Here we go.

I don't know why, but my son, along with several friends of mine, were somewhat perplexed at the fact I didn't rush out to see Star Wars: The Last Jedi on opening weekend. What can I tell you? On the list of things I had to do for the holidays, it wasn't at the top. But I did get there today, and I left the theater with a few questions.

First and foremost, at what point do the Star Wars movies become parodies of themselves? Answer: this one. It's like that holiday recipe you have every year. You know it's coming, and exactly what to expect. Start with the "long time ago in a galaxy far, far way..." line, a crawl explaining the story you're about to see so you know what you're seeing, add a cup of Skywalker legend, mix in a smattering of Storm Troopers, add a pinch of rebellion, some force whammy-jammy, a surprise appearance for absolutely no reason of a Jedi Master (guess which one you will), nervous, chatty droids, double-bladed lightsabers, a new character for no reason other than they'll sell plenty of plush-toy versions of it next Christmas, a couple cameos from serious actors who don't usually do "these kinds of films", lots of talk about the First Order and Supreme Leader, TIE fighters, X-wing fighters and a casino scene reminiscent of the bar scene in the original film.

Mix thoroughly for two and half hours, and it's done. Just like last year's movie. Just like next year's.

Here's another question: how tall is Oscar Isaac? The Google says he's 5'9", but if that's true it doesn't show on screen. He's supposed to be the next generation Han surrogate, cracking wise, looking handsome and mad pilot skills. But to me all he looks is short. Don't get me wrong, I like Oscar Isaac. I just think in a world of 7' tall wookies and a 6'2" Kylo Ren, maybe taller might've been a way to go.

When did Luke become a stand up comic? The Last Jedi is funny in the way the Terminator movies are funny. There are laugh lines written in, and Luke has a lot of them. Many of them stick the landing, but they also break the tone of the film.

Speaking of the tone of the film, what is it? Serious? Funny? Suspenseful? Is it a love story? A story of redemption? Luke is always tearing up in the close ups, which makes me think he has some issues he's not dealing with—besides that whole father thing and kissing his sister a few films back. Will or won't Kylo Ren and Rey start dating?

Then there's just the overwhelming sadness of Carrie Fisher. Like in the last film, she seems to be in a somewhat enhanced state, giving all her lines a neutral, relatively even, emotionless read. Still, she is the one character you care about, not because of the film but because of real life. There is a moving exchange between Luke and Leia near the end of the movie that takes on much more poignancy in light of her passing.

Why the hell is Adam Driver yelling through the whole thing? What's with the shirtless scene? Never mind, I know.

Why is Snokes chamber a bare stage with a seamless lit in red? My guess is the budget went to the effects, and by the time they shot those scenes that's all they could afford. Seriously, you can see where the curtain hits the stage floor.

Who am I supposed to care about? I suppose the answer would be everyone, but that would be wishful thinking in the extreme. I cared about Rey a bit. I was invested in Luke for a while. Didn't care much about any other characters. Film after film, they're not really growing or doing anything different. Can't mess with the recipe.

Did I mention two and a half hours? The last thirty or forty minutes aren't bad, but the two hours before that are slow. Really slow. The opposite of hyper speed slow.

The movie crawls to its end, only to have us discover what we already knew since The Force Awakens—that Luke is in fact not the last Jedi.

At least not as long as Disney keeps making billions cranking them out.

Christmas, November 2018

I know it's Christmas Eve day right now. But for me, the truth of the matter is no present I get tomorrow morning is going to be better than the one I'm expecting next November. And by the way, it's not just a present for me—it's for the world.

My hope is that the November midterm elections will restore control of the house and senate to the Democrats. Then, from net neutrality to tax cuts for billionaires to eliminating environmental controls to reducing liability for banks to the war on women, gays, minorities, immigrants, Muslims and many, many more, they can start systematically reversing every single awful, destructive, uninformed, self-serving, racist, oppressive, shitty decision the current liar-in-chief and Russian operative has made.

And they can do it the same systematic way he's tried to undo every good thing his predecessor (are you sure he can't run for a third term?) did.

While Republican dipshits who voted for a tax code that lines their pockets at the expense of the middle class will have long cashed out by then, despite what you've heard about those cuts being permanent they're not. It's only legislation, and fortunately, with the right people in office it can all be reversed with the stroke of a pen.

So, a merry Christmas to all today and tomorrow. But my hope is the real present is coming next November, which should also make it a happy new year for all.

Until then, please accept this as my little (emphasis on "little") gift to you. It's sung to the tune of Santa Claus Is Coming To Town. Please to enjoy.

You better watch out

You better not cry

Better not pout

I'm telling you why

Democrats are coming to town

They're making a list

And checking it twice

They already know who's naughty and nice

Democrats are coming to town

They'll start impeachment proceedings

Like all polls say they should

They'll re-write executive orders

So they'll actually do some good

You better watch out

You better not cry

Better not pout

We're not gonna die

Democrats are coming to town

School lunch programs will be funded

Infrastructure will improve

Obamacare will save thousands of lives

Even though Republicans disapprove

They'll be draining the swamp

For real this time

Immigrants won't have any

Stupid walls to climb

Democrats are coming to town

Democrats are coming to town

Democrats are coming to town

Cutting the cards

It's that time of year again.

The one where I'm making last minute runs to the post office for stamps, and can't stop thinking about that Seinfeld episode where George's fiancé dies from licking envelopes.

What you're looking at is this year's crop of Christmas cards. Maybe some of you loyal readers (stops to laugh for thinking anyone's loyal, or for that matter that I have readers) will be receiving one of your own in the mail. The thing is, I can't guarantee that.

There's a master list of friends and family we send cards to. But from year to year, through a series of seemingly and sometimes actually random criteria, people get added and subtracted from the list. It's like getting a home loan, a job, knowing how planes fly or bread rises. You're never exactly sure how it happens, you just know that it does.

Then there's the picture. For years the cards have had a shot of the kids, or what used to be the kids. Now they're like our kids, except bigger and older. And they're not exactly fond of having to sit for the Christmas card picture. Again. They humor us because, after all, there is car insurance, food and college tuition in play. But frankly, they'd rather we just send out cards with a picture of a surfing Santa, a wreath or lights on a tree.

I'm hopeful that doesn't come across in the picture.

Anyway, if you get a card, you're welcome. And if you don't, it's nothing personal. Try to move past the disappointment, enjoy the holiday, have a merry Christmas, and know the odds are 50/50 you'll probably get one from us next year.

Unless you wind up on the naughty list.

Office shuffle

No matter how close you're watching, you still won't know where it winds up.

You don't have to work at an advertising agency long before you go through it. In fact, you'll probably go through it several times if you're there for more than a few months. It starts innocently enough, usually with a casual stroll through reception. Everything seems normal, but then your Spidey sense alerts you to the boxes, bins and packing tape sitting against the wall, trying desperately not to be noticed. And then the realization hits you—it can only mean one thing: you're being moved to another office in the building.

Every once in a while, someone "upstairs" gets an itch that can only be scratched by inconveniencing and relocating dozens of employees who were perfectly happy and productive right where they were. The reasons, like the creation of the universe or how a dipshit like Trump got elected, might never be fully known. But when it comes to educated guesses, there is always the list.

We're putting each group all together.

We're growing and need more room.

We're giving everyone a fresh start.

And the ever popular, we're shaking things up (or in agency speak: disrupting things).

Whatever. Before I was one person in an office of four. After the move, I still am—except the office is virtually half the size of the old one. And since the desks, monitors, chairs, ideas and my stomach haven't gotten any smaller, needless to say it's going to be a tight fit.

But damn it, I'm paid to solve problems day in and day out. So after putting a little of my pricey brainpower against this issue, here's a solution I've come up with.

For starters, maybe instead of wasting everyone's day with a move they don't want they could just leave things the fuck alone since they were working fine before. Even if it wasn't perfect, to paraphrase Jeff Goldblum in Jurassic Park, "Agency life finds a way."

The other thing I'm sure isn't calculated in the bottom line is how much time is wasted while people walk around trying to find where their colleagues are sitting now.

"Oh, you're here now?" There's a seating chart, but so far no one's carrying it with them.

I'll stop my whining now (you're welcome). It's not the worst thing that's happened in my life, and I'm sure eventually I'll get used to the new world order, as I always do. Besides, it'll only be the new world order until they decide to move everyone's office again.

In a month.

Boxing lessons

What you're looking at here isn't actually my garage. It's a representative picture, you know, to give you an idea of what my actual garage looks like. In the same way, for example, a picture of Chris Hemsworth would be a representative picture of me.

You know I can hear you laughing, right?

When we started our kitchen/bathroom/living room remodel almost a year ago, the first thing on our to-do list was pack up everything and get it out of the house before the contractors came in to demo the place. After several runs to Box Bros., daily struggles with the tape dispenser and inhaling more marker fumes than I care or can remember while we were labeling them, we finally got it done.

That was then, and this is now. The remodel is complete, and looks fabulous.

But while the remodel proper is finished, we still have sixteen boxes sitting in the garage that have yet to be unpacked and moved back into the new kitchen.

So what's in the boxes? Who the hell knows.

We labeled them with the main items (Did I mention the markers? I can't remember), but there are lots of little gems also packed into each one just waiting to be rediscovered. The box marked "Mixing bowls" might also have clay sculptures the kids made in second grade. The "dishtowels" box could also have a stack of unpaid bills from last January waiting for us. The "Cups and saucers" box is probably filled with....well, that one is likely cups and saucers.

The thinking is one thing at a time, and do everything in the right order. First, we have to clear some room in our new kitchen cabinets so we can put away whatever is hiding in those sixteen boxes. We have yet to do this. And with the holidays upon us, it's a safe bet the boxes in the garage holding Christmas decorations are going to be unpacked way before the remodel ones. Right after we clear some room for the Christmas tree. Don't get me started.

I imagine we'll hit the year mark—January 26 to be exact—before we even start on the remodel boxes. But we'll get to unpacking them just as soon as we're able. And who knows, once we get motivated and start ripping those suckers open, we may even decide to really surprise ourselves and tackle a box or two that's been there since we moved in.

Twenty years ago.

A glimmer of it

I was a little worried this morning. I was feeling something I hadn't felt in a very long time. Since November 9, 2016 to be exact. At first I thought it might be gas, but that wasn't it. I had my flu shot, so I wasn't coming down with anything.

Then it dawned on me. It was hope.

It crept up on me right after I grabbed the clicker (you heard me) and turned on the TV. On every channel I turned to was the familiar Breaking News banner emblazoned across the screen. Only instead of being the end of a high-speed chase (I wish) or another show biz name being outed for sexual misconduct (Louis C.K., Matt Lauer and Brett Ratner walk into a bar...), it was a ray—well, alright, a glimmer, but still—of hope in the form of Michael Flynn pleading guilty to lying to the FBI.

I haven't cheered out loud for anything like that since Springsteen extended his Broadway show until June.

Of course, Flynn is the disgraced former National Security Advisor in the Trump administration (I just threw up a little writing that) who was fired after just 24 days on the job. Before that, he'd been an integral part of the vile, vulgar, racist, misogynist Trump campaign. In on every meeting and decision at the highest levels, he knows where the bodies are buried.

And he has no intention of letting his become one of them.

So, rather than roll the dice on getting charged with treason for being a spy and agent of the Turkish government, Flynn struck a plea deal with Mueller to the lesser charge of lying.

Wondering about that singing you hear? That's Flynn ratting out everyone from Kushner to Priebus to Bannon to Pence to Miller to Trump to Trump and to the other Trump.

Hope. It's a beautiful thing. Even in small doses.

As we head into the weekend, I can only wish each and every one of those traitorous dipshits is charged, then forcibly removed from the people's house. In orange jumpsuits. Leg irons. And handcuffs.

If Trump really wants to draw a big crowd, that's how he'll get one.

And all the simpering, sniveling, ass-kissing Republican cowards who were supporting him until they got their tax reform that favors millionaires and billionaires at the expense of the middle class—seriously, a deduction for private jets?—your day of reckoning isn't far behind.

Can you say midterms?

The glimmer of hope I have today is we'll be able to get back to and rebuild our democracy while there's still a shred of it left. That we can regain our standing in the world as a beacon of freedom, a nation of laws and eventually elect a leader with character, a firm moral compass, a compassionate sense of decency. Someone who will serve as an accurate and proud representation of all we truly are, and aspire to be.

I also hope he doesn't get us all killed before it happens.

The rafters

I put up a Facebook post recently about my trip back to New York to see Springsteen On Broadway. In the comments, I saw my good friend Shivaun put one up asking me if I saw anything in the rafters. I was startled by it, not because of what it said, but because she remembered. It was a reference very few people in my orbit know about, and an experience I hadn't thought about in many years.

And Shivaun, if you're reading this, I'm grateful to you for reminding me of it.

It begins, as so many of my stories do, at a Bruce Springsteen concert. Bruce was doing a five-night gig at the late, great Los Angeles Sports Arena. My girlfriend at the time—now my wife—would always go with me to the opening and closing shows of his multi-night gigs. So it didn't come as a surprise that she didn't want to go to all five shows this time—two were enough for her.

Yeah, I know, but I married her anyway.

Naturally I wouldn't have missed the shows for any reason, but this tour it was more important than usual that I be there. My dad had died unexpectedly a couple months earlier, six years after my mom had passed away. Being an only child, after I lost my dad, I jokingly (kind of) referred to myself as an orphan. My spirit—sad, defeated, lost and feeling very much alone—was in dire need of the kind of lifting only a Springsteen concert can give me.

I don't remember which show in between the opening and closing one it was, but with me that night was an art director, friend and one-time roommate of mine named Monte Hallis.

Now anyone who knows me knows I'm long past believing there's any concert worth a few hours sitting in the nosebleed seats. Unless of course that concert is Bruce Springsteen. If it means the difference between being in the building and not, I'll sit wherever I can get a seat.

Monte and I sat in the very definition of nosebleed seats: the very last row where you could reach up and touch the ceiling of the arena, at the complete opposite end of the building from the stage (may I direct your attention to the yellow arrow in the top picture).

It was just after intermission, and Bruce came out to start his second half of the show. Because I'd already seen it two or three times, I knew the first song was going to be Cover Me.

My Bruce tramp pals and me have a name for his songs we're not crazy about. We call them bathroom songs, because if we have to go, those are the ones we don't mind missing. And, I know you never thought you'd read these words from me, but there are songs of his I'm just not crazy about.

Working On A Dream is one. So is Outlaw Pete, or as my friend Kim appropriately calls it Outlaw Pee. And at the top of my list, Cover Me.

So the lights dim, Bruce rips into Cover Me, and I'm just removed from it all. I'm watching Monte watching Bruce. I see the entire arena in front of me rocking out.

Then it happened.

It was like a fog set in, figuratively speaking. Movie like, the sound slowly faded way, way down but not out entirely. The crowd jumping up and down and pumping their fists seemed to be doing it in slow motion. Scanning the building, I tilted my head up and peered into the darkness that lay just up above. Moving my eyes along the rafters from one side to the other, my vision landed on a beam above and a little in front of me.

And a smile came across my face, because that's when I saw him. My dad was sitting on the rafter waving to me.

He was sitting on a horizontal beam, legs crossed and dangling below him. His right arm was wrapped around a vertical beam, and he was wearing the new purple plaid bathrobe my girlfriend and I had given him at Christmas—two months before he died. He had his blue striped pajamas on underneath, and his brown slippers with the fleece lining on his feet. His glasses, like always, were sitting askew on top of his nose that'd been broken years ago and never set correctly.

As our eyes locked in what definitely was a moment out of time, I realized he wasn't just waving randomly at me.

He was saying he loved me.

He wanted me to know everything was going to be okay.

He was telling me he was at peace.

He was waving goodbye.

I understood, and I smiled and nodded up at him. Then, I slowly looked away from him and came back to the room. The sound dialed back up again, the fans were moving in real time and Monte was enjoying herself immensely.

I looked back up at the rafter, and he was gone.