Have a blast off

If you've been following this blog for any length of time, and if you have perhaps you should use the Google to find better ways to kill time during the pandemic, you probably already know I have a somewhat compulsive side to my otherwise sparkling personality.

Breaking Bad. Bruce Springsteen. Sourdough bread. Las Vegas (in the before times).

One other quasi-obsession I have that I don't blog about much is space movies. Specifically ones about the golden age of the space race: the Gemini, Mercury and Apollo programs. There's been a lot of great movies about them: Apollo 13. First Man. The Right Stuff.

Going to change the subject for a sec, but I'll thread the needle on the back end. Here's the thing: we have way too many streaming services. The house is lousy with them: Netflix, Hulu, Amazon Prime. Disney +. So when Apple TV+ rode into town, I wasn't itchin' to sign up and pay yet another monthly fee.

But as they say in the ad biz, nothing beats free. And come to find out that's exactly what Apple TV+ is. Seems they have a promotion going on for a free year's subscription within 90 days of purchasing any Apple device. Like, say, the wife's new MacBook Air.

Truth be told, the original shows on Apple TV+ haven't been getting what you'd call rave reviews. But the one that, predictably, caught my attention was For All Mankind.

Space? Astronauts? 10 hours? Apollo program? I'm in.

So for the past couple of days I've been bingeing it. I know, I'm as shocked as you are. And I"m here to tell ya it's really, seriously great. The premise is simple: what if the Russians had beat us to the moon, and the space race never stopped? It's alternative history fiction built around the space program.

And for all my show biz pals at the studios, listen up. It's also made me decide that, more than anything, I want to have a bit part in a space movie.

I want to be one of the engineers wearing a short sleeve, white shirt, skinny tie and thick frame glasses sitting at one of the rows of those bulky, green, Mission Control computers.

And I'm not looking for a showy, star turn. In fact the only thing I want to say is one line. During the obligatory pre-launch checklist scene, when it's my turn I want to bark out: "It's a go."

Start to finish, like the best series, it's a rollercoaster ride with unexpected twists and turns, surprising revisionist history and characters you can't help care about. It's making you cry and cheer one minute, gutting you the next.

So I'll be counting down until next season launches, and I'm sure I'll happily binge it a few more times before then.

My advice to you? Don't screw the pooch by missing it. Watch and enjoy.

Godspeed.

Encore post: Bowled over

I'm sure you've heard by now this year's season at the Hollywood Bowl has been cancelled due to COVID-19. Not the band, the virus.

Four years ago I wrote this piece about the bowl. Having grown up in Los Angeles, it holds a special place in my heart for a few of the reasons you'll read about here. It makes me sad I won't be going there until at least next year.

But they made the right decision. Because when I go, the only thing I want to worry about is how good the seats are, not how fast the ambulance can get up the hill.

Anyway, I suggest you read this out on your porch or backyard patio, under the night sky just to set the mood.

Shhhh! The lights are going down, and the post is about to start. Please to enjoy.

I've played the Hollywood Bowl.

Ok, not exactly played. I've walked across the stage in front of an audience. My high school graduation was held at the Hollywood Bowl, and it might've been the most awesome part of high school except for the time I talked my Consumer Law and Economics teacher Mr. Blackman into thinking he'd lost my final term paper (if my kids are reading this, don't even think about it). He gave me an A, but I still feel bad about it.

Having grown up an L.A. kid, I've seen plenty of concerts at the Bowl, so many I can't remember them all.

I saw The Eagles take it easy. If you could read my mind you'd know I also saw Gordon Lightfoot. When school was out for summer I saw Alice Cooper.

I've seen Bruce Springsteen and Jackson Browne perform together (I know, I'm as shocked as you are) for Survival Sunday 4, an anti-nuke benefit concert.

It's getting to the point I remember Crosby Stills and Nash belting out Suite: Judy Blue Eyes. I can absolutely confirm the Go-Go's got the beat. I saw Laurie Andersen do whatever the hell it was she was doing. I've seen Steve Martin getting wild and crazy with Edie Brickell while fireworks were going off in the sky.

There have been many, many more, but you get my drift.

Not all my memories are happy ones. There was the night my pal David Weitz and I were driving in my 1965 Plymouth Fury. Highland Avenue was jammed because of the show at the Bowl, so we turned up into the surrounding hills to see if we could find a shortcut around it. Out of nowhere, a police car appeared behind us, lights flashing. The officers told us through the speakers to get out of the car slowly with our hands up. We were young, but we weren't stupid. We knew this was serious.

Once we were out of the car, hands up, they got out of their car with guns drawn and pointed right at us. They told me to open the trunk, which I did slowly and with my hands in sight at all times. They didn't find whatever they were looking for, and after checking our I.D.'s, they let us go. Apparently we fit the description of two guys who'd been robbing the hillside homes recently. I figured the description was brutally handsome and incredibly funny.

Anyway, the reason my mind's on the Bowl is because a week from tonight, I'll be there again, not on stage, but watching the first J.J. Abrams' Star Trek with the Los Angeles Philharmonic playing the score alongside the movie. It should be a great night.

If you've never been there, or it's been awhile, you owe it to yourself to go. It truly is one of the greatest venues, in one of the most beautiful settings, you'll ever see a show at.

Even if you don't get a diploma at the end of it.

Encore: Calling in well

Five years ago I wrote this post about calling in well. Having just reread it, I think in some ways it's a timely article because of what's going on in the world right now.

Maybe, maybe not.

The point is I wanted to put up a post and I didn't want to have to write one.

Is that so wrong? Don't answer that.

Anyone can call in sick. When you’re fighting muscle aches, nausea, diarrhea and a 101-degree fever it’s a no brainer.

Of course, we’ve all been around those people who drag their sorry selves in no matter what, looking like they just finished auditioning for Contagion II. For some inexplicable reason – perhaps an overdeveloped sense of importance, a crippling fear of being fired if they miss a day, or just to get even with everyone they work with who don’t give them the recognition they deserve, they feel it’s their civic duty to keep working until they drop.

But if you ask anyone who’s ever worked with me, after they stop denying it, they’ll tell you in no uncertain terms that’s never been my problem.

Sniffles? Home for three days. That’s the spirit.

I used to work with this guy at an agency who would occasionally call in well to work. He’d wake up in the morning feeling great, optimistic, ready to take on the world. On those days, he’d call the agency, get someone on the line and say, “I won’t be in today. I feel too damn good to come to work.”

I’m all in favor of the concept.

Some shops give you a couple mental days or personal days off a year. I suppose they think you should use those if you’re going to call in well. I think it’s a matter of expanding the definition of sick. As in, it would make me sick to go into work feeling this good.

Which brings me to another point (assuming I had one in the first place): maybe it’s time to reconsider the name “sick days.” If people are going to start calling in well – as they should – the days allotted should reflect that policy.

Maybe a combination of sick and well, a term that would define and describe the days for exactly what they are. Let’s call them Swell Days™.

Although technically, that could be any day you’re not in the office.

With friends like these

Say what you will about advertising…no, really, say what you will. I’ll wait here. Okay, now that you’ve got it out of your system we’ll begin.

Advertising has lots of currencies depending on what time of day it is. Sometimes the currency is liquor. Occasionally it’s pizza. Once in awhile it’s the camaraderie that can only come from sitting in a dark, cold edit bay for 57 hours straight.

But the most valuable, most consistent currency in the biz is, always has been and always will be relationships.

There’s an old idiom (Who’re you calling an idiom? – BAM!) that tells you to be nice to people on the way up cause you’ll see the same ones on the way down.

Funny story. The other day I ran into someone where I’m working who I worked with at another agency. I haven’t seen this person in about three years, but he recognized me and greeted me like we were long lost war buddies, shaking my hand like it was an Arkansas water pump and asking how I was. He could not have been happier to see me.

I actually felt sorry for him, because - even though I'm not a doctor - I could tell immediately he was suffering from an serious case of amnesia. At that other agency, he was a creative director and I was a freelance copywriter. Many times I had occasion to present work to him, only to have it shot down in what I would consider an unnecessarily arrogant and rude manner.

Clearly, his amnesia has made him forget that when we worked together, he treated me like, oh, what’s the word…oh yes. Shit.

My guess, and I'm going out on a limb here, is that his newfound fondness for me is because he was unceremoniously fired from that other agency, and has been forced to take a sudden deep dive into the freelance pool. Waters which I've been swimming in for a long time.

But, and here's an example of how much I've grown and how mature I can be if I really try, I want to give him the same benefit of the doubt I hope anyone would give me. He may be a different person now than when we worked together. Perhaps he's grown as an individual and creative person. He might be more confident in his talents, and therefore has no reason to treat people the way he treated me in the past.

So I'm going to step up, put my big boy pants on, be the bigger man and let bygones be bygones.

I know you're waiting for the zinger put down at the end here. But not today. Today I'm about forgiveness and generosity to someone who treated me badly in the past.

Which is why I'm not telling him my day rate. It would only upset him.

Goodbye Brian Dennehy

I've mentioned before I was a theater arts major. You may have see my work in one of the early Sprint commercials. The director was Robert Lieberman, who used to be married to Mary Lou Henner. To this day, I believe I got the part because, at the time, I looked freakishly like him - so much so that everyone on the shoot thought I was his brother. It's always been a who you know town—or in my case, who you look like.

Even so, it wasn't enough to keep me from being cut from the spot before it aired. What was particularly depressing was I knew the editor who was cutting the spot, and she did everything she could to keep me in it, but no luck.

Showbiz. AmIrite?

Anyway, during those days I used to like to meet friends at The Palm for drinks. One time I arrived early, so I took a seat at the bar and ordered a screwdriver while I was waiting. Next to me, chatting with the bartender, was this big, loud, very funny guy who I heard but wasn't paying much attention to until he told a joke I couldn't help but overhear and laugh at.

He turned to me and said, "You liked that one?" It was Brian Dennehy.

Even before that encounter I was a fan of his. He was what I like to call a money-in-the-bank actor. Meaning you could never go wrong casting him in anything.

The wife and I had the extraordinary pleasure of seeing his towering performance as Willie Loman in Arthur Miller's Death Of A Salesman. I don't remember how many years ago it was, but the performance still haunts me. He won a Tony for it. He should have won all of them.

Brian Dennehy died a few days ago, and it didn't get nearly the press it would have if not for the virus that's taking up the news cycle 24/7. But if you've ever seen him in Cocoon, First Blood, Tommy Boy, Presumed Innocent or many others, you already know how big a talent has been lost.

Thank you for sharing your talent, and for the conversation at the bar. I'll never forget either.

Rest in peace.

Back to bed. Again.

Sometime about three years ago, I posted this piece about my disdain for morning and almost everything related to it. I thought it might be a good time to revisit it because now, in this strange time, I can sleep in as late as I like and I'm able.

I have great admiration for all those working from home and maintaining their morning routines of early to rise, then getting dressed and ready for work so they look sharp and alert for their morning Zoom conference call.

I know we're all in this together, and I want you know I stand with you.

On everything but this part.

I am many things. Funny. Good looking. Talented. Creative. Compassionate. Encouraging. Well read. Kind to children. Nice to the waitstaff. A catch as a husband. Someone who loves doing laundry. And loading a dishwasher. A good friend. A trusted confidante. An excellent driver. A great kisser. And definitely humble.

However one thing I am not now, nor have I ever been, is a morning person.

Mornings are just a cruel tease. Being a late night person, I rarely get to sleep before midnight or one in the morning. I say sleep in the loosest sense of the word. It's been years, literally, since I've slept eight hours straight through. I get up to pee. Or I startle awake from a dream. Sometimes I'm just restless and watch some TV at three in the morning to take the edge off (because nothing takes the edge off like skin care and exercise equipment infomercials). Occasionally my eighty-five pound German Shepherd launches himself up on the bed in the middle of the night.

That gets the old ticker going.

Oddly enough, one thing that never, and I do mean never, keeps me awake is work. I think it comes from so many years as a freelancer. But the second both feet are out of the office, I don't think about anything related to work until I have to be back the next morning.

And we know how I feel about mornings.

The point of all this, and there is one, is that right around the time the faintest sliver of sunlight starts to hit the pitch black night sky is the exact moment I actually manage to get myself back to the deep, still sleep I've been craving all night. It finally arrives just in time for sunrise. Ironically when I'm finally completely out, it's time to wake up.

There's no gradual, gentle, coming-up-from-the-bottom-of-the-pool kind of awakening for me. Because I know how deep asleep I am in the morning, the alarm has to be more than a light bell, chirping birds or a digital alarm. No, my iPhone alarm is Uptown Funk. It comes on loud, and it's a straight up jolt out of bed. In fact, I have to kiss myself I'm so pretty (see what I did there?).

So if you see me at work in the morning around nine, dragging myself around, looking somewhat foggy and I don't return your smile or your hello, don't ask how you're doing or what you're working on, please don't take it personally. I promise I will.

Sometime around eleven.

Roll 'em Roll 'em Roll 'em - again

Here's the thing. In the never ending journey to be productive during the lockdown, I decided to start rolling all the spare change I have cluttering up my dresser top, jean pockets and random dishes around the house.

Then I thought it might be a fun blogpost. That's when I remembered it was a fun blogpost because I wrote about this very subject about five years ago.

And of course, being big on not reinventing the wheel and wanting to get back to bingeing Breaking Bad (again), instead of writing a whole new post I thought you'd enjoy reliving the joy, humor and insight of this one. I know I will.

It's the blogpost that keeps on giving. Don't be surprised if you see it again when we're in month six of self-quarantining. Please to enjoy.

They're everywhere. In jars on the bookshelf, glass bowls on the dresser, the bottom of drawers and jean pockets.

Pennies. The Fredo of the coin world.

I've always been a big proponent of change (SWIDT?). Especially since I drive a car that has a special compartment for it. Armed with quarters, nickels and dimes, I fear no parking meter.

The problem is the thing I use change for the most I can't use pennies for. I know there's a movement to do away with the penny. But I'm not for it.

After all, what will we leave for the next person in that little plastic dish at the car wash and liquor store if we banish the penny? It's a cheap way of feeling like you're doing something good for someone else without actually doing anything good for them.

I know it costs more to make a penny than the penny's worth, but I don't believe that's the issue.I believe it's an organizational problem. So I decided to be an example for my family and the nation by doing something about it.

Today I took all my pennies and dumped them on the bed. Then, counting in two's fifty-cents at a time, I rolled them into bank coin sleeves.

I wound up with $3.50. That's 350 pennies. See how easy math is with pennies?

I even found a relatively rare 1956 D penny in the pile. Depending on which eBay listing you believe, it's worth either $1.60 or $498. I choose to believe the second one.

I'd be curious to know how many people think the same way as I do about pennies.

And I'll bet you know exactly how much I'll pay for your thoughts on it.