Point of no return

I have a few pet peeves (if you hadn't noticed). But one of the biggest ones of all is not having calls returned. I use the picture of an older rotary-dial phone, because apparently the idea of returning calls in a timely fashion, or at all, is a notion from the past.

I understand we all have busy lives, but I'm just not buying that everyone is so busy they can't return a call. When Sherry Lansing was head of Paramount Pictures, she had every call returned the same day by someone in her office. It wasn't just PR. I know this from personal experience.

By the way, still waiting for my three picture deal.

I supposed there are better and more significant ways to take stock of a person, but for me, returning calls is high on the list. When I held associate creative director and cd positions, I always set aside time at the end of the day to return calls to reps, job seekers, friends and students.

I never forgot what it was like trying to get a call back from someone at an agency. I still haven't.

Some of the people I'm most loyal to in the business, and who I have the highest regard for are people who got back to me when they didn't have to. I know it seems like such an old school idea. But it's a simple gesture. And it speaks volumes about the person making it.

Friends are sometimes bad at calling back. There's a certain take-it-for-grantedness that comes with friendships or relationships of any length of time. For some reason, we're willing to let the unreturned call from a friend slide more often.

Although I find less so as I get older. Tick tock Clarice.

And in case you were wondering, I consider returning a call with an email the coward's way out. But only because it is.

Anyway, if you have any thoughts about this just leave a comment.

I'll get back to you.

Around the block

It's not hard to tell I'm not the world's most prolific writer/blogger. I'm also not the world's thinnest, but hey, who the f#&@ asked you?

I'd like to blame it on writer's block, but that would be too easy an out. Let's just call it for what it is: I've been a slug for the last couple of weeks.

In the time since I last posted, my friend Rich posted eight times to his blog. I'm constantly amazed at not just the quantity, but the quality of his posts. A prolific, thoughtful, humorous writer saying the many things that need to be said. That or a desperate cry for attention. You make the call.

Whichever, I should probably take a page from his book (I'd have to take a page from his book cause obviously I'm not writing any books of my own). I need to post more regularly.

I think if you start a blog, there's a responsibility to keep it fresh and interesting. Give the readers something new almost every time they visit. Of course, that pre-supposes I have readers. And now that I think about it, no one but me seems particularly upset there hasn't been a post in two weeks. Crap. That's motivating.

And the pisser is it's not like there aren't things to talk about. Penn State. Ashton and Demi. Iranian nuclear facilities that Israel is going to take out. Herman "No that's not a cigar, I am happy to see you" Cain. iPad 3. iPhone 5. Chinese spacecraft (launch one capsule and in a half hour you want to launch another one). The reopened Natalie Wood death investigation. That guy who took a shot at the White House. Justin Bieber.

Okay. Maybe not Justin Bieber.

Anyway, even if it's just for my own well-being, even if supply exceeds demand, I'm going to post more often.

It's like Lawrence Kasdan said, "Being a writer is like having homework every night for the rest of your life."

I was never very good at homework either.

I'll have what he's having

Apparently there's saving face, then there's saving your face. That's what I learned last week from my dinner at Circo.

The occasion was my annual pilgrimage to the SEMA (Specialty Equipment Market Association) automotive convention with my friend Pete (which I've written about here). It'd be safe to say we probably look forward to our dinner at Circo as much if not more than the actual convention. That was especially true this year since my good friend Kathryn, who works for Kia and was also there for SEMA, made the excellent decision to join us for dinner.

We didn't know it at the time, but come to find out she couldn't have picked a more perfect year to do it.

For those who haven't been, Circo is an Italian restaurant located lakeside at the Bellagio. Our table had a spectacular view of the dancing waters in front of the hotel. It always reminds me of the end of Ocean's Eleven, where George Clooney, Brad Pitt, Matt Damon and the rest of the gang are watching the fountains shoot 240 ft. into the air.

You know what else reminds me Ocean's Eleven? Every time I look in the mirror. If I had a dollar for every time I get mistaken for Clooney, I'd have - well, never mind.

The other thing we had a ringside view of were the two tables behind us.

Seated at them was a rather large Chinese contingent. That was the first thing we noticed. The second was the fact the drinks were flowing non-stop to their tables. Each person was standing behind their chair, not so much talking as screaming towards each other. The drunker they got, the more they'd bump into our chairs and the more they'd apologize for it.

At one point the decibel level and chair bumps got to be too much, so Pete turned around and let them know it. When he was done reminding them they weren't the only ones out to enjoy a nice meal that night, a gentleman in their party who was apparently working on his Foster Brooks impression staggered up to us and apologized profusely. He told us that the Chinese were a very loud culture. Loud and drinking (his words, not mine). He apologized again, we thanked him for his understanding and we raised our glasses and told him to enjoy his evening. Frankly it didn't seem like advice he needed.

Eventually the gentleman in their party pictured above had enough to drink. We could tell because he went face first into the table, and remained that way until the rest of his party had finished (apologizing) eating their meals and decided to leave.

Luckily he managed to save his face by not landing on any silverware (fork tines make such uneven piercings).

Just as two of his friends started to prop him up under each arm to drag him out, I quickly paid our bill and we started to walk out. My thinking was I wanted to get us out of there before he passed by our table. I was worried that just as he was being carried next to us, it would suddenly turn into the scene from Monty Python's The Meaning Of Life.

On our way out, the maitré d' apologized for the noise and the inconvenience. While he was genuinely sorry, apparently he wasn't sorry enough to make it right by taking something off the bill. I guess he figured if he did it for us, he'd have to do it for every table in the room that was being bothered by the group.

Which would've been all of them.

Afterwards the three of us agreed it had been a great night. Plus we got to do what a lot of people come to Vegas for.

Dinner. And a show.

The Wind

A few times on here, I've compared and contrasted different artists doing the same song. I did it for Secret Heart, Stand By Me and not that long ago, Tracks Of My Tears.

But I don't think I've ever contrasted an artist against himself (On Tracks Of My Tears, I counted the Smokey Robinson & The Miracles performance as a separate entity from Smokey Robinson singing solo).

As you could have guessed from my post about break-ups, I'm a Cat Stevens fan. I am now, and I was back then.

It's interesting to me that for so long, his religious conversion overshadowed his music. I guess it was to be expected given the political climate, and the fact that he walked away from his former success for so long. But somewhere along the way, he decided to come back to music and performing.

It's a very good thing.

And while age has slowed the songs down a bit, it's done nothing to make them any less heartfelt.

It's also interesting to note that while he's gotten visibly older over the years, I haven't changed at all. At least that's what I like to tell myself (Note to self: get rid of all the mirrors).

So, please to enjoy The Wind as sung by Cat Stevens then. And Yusuf Islam now.

The weight is over

I've written a few weight related posts on here. Like this one. And this one. Or this one. Maybe this one.

I know what you're thinking, because I'm thinking the same thing. "Why doesn't he get off his fat ass (literally) and just lose the weight and quit talking about it?"

Okay. That's what I'll do.

I'll do it because I'm tired. I'm tired of the running joke I have with my daughter every time we see a morbidly obese person (the joke is "Look it's my new best friend." because by comparison, well, you get the idea). I'm tired of the other joke which is "I have to ask him where he gets his shirts." Tired of the vast wardrobe choices I have between my remaining two pairs of jeans that fit. Shopping knowing nothing is going to fit? Really tired of it. I'll do it because I'm tired of reading about my copywriter friends like Rich doing things like this.

Most of all I'm tired of being tired from carting all this lard around.

Hey, you know what I'm not tired of? That joke about Oprah sitting "around the house." Still gets me every time.

I think about organizations like Fat & Proud and Fat Liberation and the propaganda they spread about how you can live a happy life if you're overweight, and still be just as healthy as if you weren't. I imagine it's easier to spread that philosophy than lose the weight. A low-fat spread if you will (I know, but it was right there).

It would be easier to believe their company line if it wasn't being drown out by their hearts screaming bloody murder and their scales yelling at them to make it stop.

By the way, just for the record, I'm not grossly overweight. But I do need to lose a significant amount. The problem, besides constantly shoving food down my piehole, is that I can carry a lot of weight and not look like I'm carrying as much as I am.

But it's a numbers game. And I know the numbers.

So, once again, I'm writing a post about losing weight. The difference this time is I'm on it. This year, unlike too many years past, I'm not waiting for New Year's to make the resolution. I'm putting it out there for the world and my friends to see, and hopefully hold me to.

Weight gain is a slippery slope, and I don't want to wind up like Orson Welles in his later years, weighing over four hundred pounds and dressing in black all the time.

Although I wouldn't mind knowing where he got his shirts.

Uncle Pete

I didn't get to choose my first family. But I did get to choose my second.

And Pete Caubisens, who passed away a few days ago, was a huge part of it.

Many years ago my pal Richard introduced me to a friend of his named Rémi Aubuchon. I knew fairly quickly this Rémi character was going to fast become a new best friend. What I didn't know was how important Remi's family would become in my life. In some ways, with absolutely no disrespect to my own beautiful parents who had their hands more than full with me, Rémi's would often be my family of choice.

Living first in Brentwood then in Santa Monica when we met, I'd always look forward to driving (willing) my orange Super Beetle over the hill to the valley, then up the hill to Remi's house in Woodland Hills. It was always a welcoming, safe place, giving me many things I couldn't get in my own home.

Family, in the bigger sense of the word, was one of them.

Rémi's father Jacques was an accomplished actor. I was a theater arts major. Jacques didn't like flying. At the time I had a huge fear of flying. We'd sit for hours, talking about acting and how flight was still just a theory.

While we're here, one more thing about my major.

My parents were older when they had me, and like many parents of their era they had some old school thinking on what was a real job and what wasn't. Let's just say there wasn't a lot of love in my house for being a theater arts major (they were Jewish - doctor and lawyer were genetically programmed to be at the top of their list).

Where was I? Okay. Rémi's mom Denise, who looks like Ellen Burstyn, was an artistic, warm and welcoming presence. In my eyes she was always accepting and non-judgemental. It was like a breath of fresh air (perhaps I've revealed too much).

I was also close to his sister Danielle (the birthday girl in the picture above), and while his brother Philippe always marched to his own drummer, I constantly enjoyed his company and humor, and always loved hearing his take on things.

It was just good being around them. It felt like what a home should feel like.

Because of how I felt about Rémi's family, and the way I felt about my own at the time, for many years I spent Thanksgiving and Christmas at his house.

On one of those holidays early on, Denise's brother Pete was out from New York. Pete was an attorney for the airlines, so naturally with my fears I had all sorts of questions for him. I'd never met someone who knew so much about wind shear and bird ingestion (not the Thanksgiving kind, the jet engine kind).

Pete and I hit it off right from the get-go. He had a gentle brilliance and a sharp wit about him. He was funny as hell. He was worldly and sophisticated. He had a smile that lit up a room. And a laugh that let you know how much he was enjoying life.

He was New York cool.

I know what you're thinking: that he was also somewhat of a father figure to me. Is it that obvious?

The conversation turned to New York. Pete said I was welcome to stay at his place on the upper east side anytime I wanted. So I took him up on it. I was there about a week, using his place as my base camp.

I remember meeting him for lunch one day. He took me to my first real French restaurant. Escargot, rude waiters, the whole neuf yards. It was awesome.

Afterwards, as we were walking down 5th Avenue, it started to snow. It was the first time in my life I'd ever seen falling snow. It was magical. It's a feeling I'll always associate with Pete.

Time marches on and everyone's life gets busier. And while I talked to Pete less and less over the years, ironically I thought about him more and more.

When Rémi (here with the coolest uncle ever) let me know Pete was gone, he said one of the reasons he wanted me to know was because he knew how much I enjoyed him and his company.

But I don't think he really did. In fact, I don't think I did until I heard he'd died.

I don't know many things for sure, but I do know that Rémi's family, New York and my life are all better for Pete having been a part of them.

The other thing I know is, as of last week, heaven is a much more welcoming place.

Case of the blues

I only own one real piece of art. You're looking at it. Well, you're kind of looking at it.

The original painting, the family seated at the table, is called The Aioli Dinner by George Rodrigue. But when he added Tiffany (his corgi who passed on only to be reincarnated as the Blue Dog) to the painting, it was retitled Eat, Drink and Forget The Blues.

Despite the fact there are several of these paintings around, each one is unique. Rodrigue created a limited number of direct image transfers from the original and mounted them on masonite. Then he repainted the entire work again over them, adding nuance and variance to the colors, contrast and shadings each time. In every one, Tiffany is in a slightly different position with subtle differences in her expression.

As you can see, on the one we own she's sitting more to the right, just in front of the older blonde man looking to the left at the head of the table. And in case you were wondering, yes that is the frame the picture came in (they can't all be adman black now can they?).

This picture of the picture was taken with my iPhone 3GS. I can't believe I'm still using that relic - I need a new one if for no other reason than the 8 megapixel camera. I'm going to wait for the iPhone 5 though since it's only six months away. And I know I'd hate myself for not having the bigger screen.

But I digress.

I fell in love with the Blue Dog a year before I actually bought it. The wife and I were visiting her family (don't get me started) in Carmel. As we were strolling the quaint blocks of the seaside town, looking for Mayor Clint Eastwood and seeing if we could find a restaurant open after 9PM, we found the Blue Dog Gallery.

Among all the Blue Dog paintings on display, I couldn't stop looking at the Aioli Dinner.

We spoke with the curator of the gallery, Wendy, who wound up years later being the next Mrs. Rodrigue and the subject of many of his paintings like this one to the left. (She also has a wonderful blog called Musing's of an Artist's Wife). I asked her how much it cost, and she told me. It's probably worth noting that at this point in my life, the only things hanging on my walls were my Springsteen posters. And the Blue Dog cost way more than those.

I told her we'd think about it. So we thought about it. For a year.

When we walked in a year later, two great things happened. One was that Wendy remembered us. The other was that George Rodrigue happened to be at the gallery. Wendy introduced us and we all talked for a bit.

Then the discussion turned from art to commerce. She broke the bad news to us as gently as she could: the price of the painting had doubled in the course of a year. But because she recalled how much we'd loved it and how badly we'd wanted it, she generously offered to split the difference between the prices.

Rodrigue also happened to be in a particularly good mood, so he threw in this Blue Dog lithograph.

He put it on the counter, picked up a silver marker, and started drawing on it (I particularly like the Groucho glasses). My wife went into a panic, leaning over to me saying, "He's ruining it!" To which I replied, "Are you serious? He's just made it even more valuable. Now it's really one of a kind."

He signed it and gave it to us.

I don't know if it's still there, but at the time the Blue Dog Gallery had a layaway plan called the Kennel Club. They held onto the painting until it was paid for. No minimum payments. No time limit. I was extremely diligent about sending a check up whenever I could spare it.

I couldn't wait to see it in my home.

I waited four years to see it in my home.

But that's not the point. The point is it's here and we love it. Just like my wife, I still feel the same way about it as when I first saw it (can you say "marriage points").

One thing I particularly love is how much it's appreciated (the painting and the wife). The other thing I love is just how damn happy it makes me.

Especially when I'm the one who's blue.