Thursday, May 14, 2015

Good grief

This is what I get for trying to do the right thing.

I have a Peanuts cartoon I've had since I was a kid. Somehow, even way back then, I must've been peeking through a keyhole to the future and known I was going to wind up in advertising, because the cartoon is the perfect metaphor for the business.

I wanted to use it in this post, but I figured since it was Peanuts, instead of just barging forward and possibly infringing the copyright of a multi-billion dollar, global cartoon conglomerate, not to mention pissing off Snoopy, I should probably get their permission.

Can you guess how this story ends?

I went on the interwebs and found who I needed to contact to get the rights to post the cartoon. Here's the email I sent them:

To Whom It May Concern:

I write a blog called Rotation and Balance (rotationandbalance.blogspot.com). It covers a wide range of topics, but, since I'm a creative director and copywriter, quite often deals with the advertising industry.

I've saved the attached cartoon for many years from one of my childhood Peanuts books. I'd like to post it on my blog under the title This Is What Advertising Is Like.

The blog is not monetized, and I do not make anything from it. I post links to it on my Facebook page which is only read by friends, and my Twitter feed which isn’t read by nearly as many people as I’d like.

Anyway, I wanted to know if I could have your permission – attributed of course – to use the attached cartoon for the blog. Please let me know.

Thank you so much for the consideration.

Friendly, right? I asked nicely. I was respectful, I let them know I'd been a fan since childhood and that the Peanuts books were treasured items in my house. I said please and thank you. But after reading their reply, I feel like someone pulled the football away just as I was going to kick it. Here it is:

Dear Jeff,

Thank you for your email.

Unfortunately, due to legal restrictions, we cannot grant permission for your request below. We’re sorry to disappoint.

We greatly appreciate your interest in PEANUTS and wish you the best.

Regards,

The Peanuts Team

The first thing I noticed about their response was it's a form letter. And if you've been following along recently, you know how I feel about form letters.

Anyway, I can't show you the cartoon, but I can describe it to you. So here goes.

In the first frame, Charlie Brown is with Lucy and he's getting ready to fly his kite. Lucy says, "I appreciate your letting me help you Charlie Brown...I like to feel needed." In the next frame she says, "I bet this kite will fly clear up to the clouds." Charlie Brown says, "Well we'll see." Then, Lucy is holding the kite as Charlie Brown starts running and says, "Ok! Let go!" The kite soars into the air, and Lucy, filled with pride, says "You got it up with my help. Will you tell everyone I helped you Charlie Brown? Will you? Will you tell everybody we were a team Charlie Brown? That we worked together? Huh? Will you?"

Suddenly, the kite comes crashing down to the ground, the kite string tangled all over Charlie Brown. Lucy, walking away from him, says, "I don't know you."

This, in a nut shell, is advertising. When something is a success, everyone wants to be a part of it, even if that means they were in the bathroom on the other side of the building when you came up with the idea. But if the campaign tanks, they run for cover and deny any involvement.

It's a keen observation by Charles Schulz, and I imagine it applies to any business lousy with glory hogs, scene stealers and outright liars. Although, besides politics, I think agencies have cornered the market on them.

Anyway, I wish you could see it. It'd be a lot more entertaining than reading about it.

When I think about The Peanuts Team refusing my request, I can't help but be reminded of what Snoopy once said.

"I love mankind. It's people I can't stand."

Wednesday, May 13, 2015

What's the attraction

I've always been attracted to a certain theme in art and photography. More than just "That's a nice picture." or "Huh. Interesting." I'm talking about images that draw me in, make me feel something on a visceral level.

Images like this one my friend Ron posted on his Facebook page.

I'm not sure what it says about me that I gravitate mostly to either solitary figures, representations of loneliness or images of disparate people, together and at the same time isolated in their own thoughts like those in much of Edward Hopper's work, especially his classic, essential Nighthawks.

It probably says I need something as a counterpoint to all the happiness and joy I put out into the world. Either that or I need help. Sometimes it's hard to tell.

Maybe I'm attracted to them because of the universality of the emotions. Aren't we all a stuffed teddy bear, cast out to the side of the road?

Okay. Maybe not.

The point is there seems to be more of a reality and truth to these images than ones where people are laughing, just a little too happy despite the reality of the world around them. Like the people who dance in commercials because their detergent gets the clothes brighter, or they're finally free of the constipation that's been plaguing them (hard to dance when you're constipated, so I hear).

Many of my friends find it an interesting contrast that I usually go for the joke at any cost, yet I'm a sucker for a sad image.

I would've been great in a Woody Allen film.

Monday, May 11, 2015

One for the ages

The elderly gentleman to the left, in case you didn't recognize him, is Burt Reynolds. Yes, that Burt Reynolds.

He made a rare public appearance at an east coast Comic Con, and because he's looking like a frail, ghostly version of his former movie star self, the press has had a field day. Let the speculation begin.

Here's what I think happened to Burt. He got old.

Reynolds is turning the corner on eighty. He's had a great life as an actor (at one time the most popular box office draw in the world), director, talk-show staple, star of television and commercials. The FedEx spot he did still makes me laugh.

Despite how hard we deny it, we're all standing on the tracks, and the age train's a comin'. And there are only two choices: board it gracefully, or hop on kicking and screaming. But either way, we're all going for the ride.

A while ago I started making this noise when I got out of my soft, comfy, low-to-the-ground reading chair. Then I realized it was my father's noise. My knees hurt every now and again (it's what kept me out of the 400-meter in Beijing in '08). And my eyesight, which is already corrected with progressive lens that bend walls if you look through them, is getting worse even as you read this.

And, as topping on the cake, I have gray hair. But my dad went gray when he was twenty-five years old, so I never stood a chance. There was this one time a bald colleague of mine started making fun of my gray hair, to which I replied, "You really want to get in a conversation about hair?" That felt good.

While father time waves his wand over all of us, it must be particularly hard on people like Reynolds who've been in the public eye since they were young. There's the line Julia Roberts says in Notting Hill about "becoming some sad, middle-aged woman who looks like somebody who was famous for awhile."

When Burt Reynolds was starting out, his calling card was the fact he looked like a double for Marlon Brando. It was a mixed blessing - it got him jobs and it cost him jobs. But the ones he got, he delivered on.

What with his marriage to and divorce from Loni Anderson, all the bad Smokey movies and the Playgirl centerfold it's understandable that sometimes people dismiss Reynolds' talent.

But then you have to take a minute and think about his performances in Deliverance, The Man Who Loved Cat Dancing, The Longest Yard, Starting Over, Sharky's Machine, Boogie Nights and The Player. Roles that betray his Brando wanna-be, pretty boy reputation.

Burt Reynolds has had several health problems over the years, including the one he's facing now: old age. In our youth driven time, it makes me sad an actor who's been so popular and entertained so many has to endure the speculation, lies and insults of a tabloid culture where vultures are swooping in literally even before the body's cold.

Someday, the paparazzi and hacks who've hounded him for years will be old and frail themselves. And I promise you one of the stories they'll spin over and over, because they can't remember they just told it ten minutes ago, is the one about the time they met Burt Reynolds.

Sunday, May 10, 2015

Remembering Ann on Mother's Day

Every year I re-post this piece I wrote on the 28th anniversary of my mom's passing. It's not to bring down anybody, or dampen the spirit of the day. It's to give a snapshot of my mom, and it can't help but being one of the more powerful ones I have.

For me, every day is Mother's Day. She's always on my mind, even more so this year since her birthday was this past Sunday.

Here's the thing - love 'em while you got 'em and let them know. There's no doubt they'll frustrate you like nobody else. But they're the biggest fans and the best friends you'll ever have.

And I'd have given everything to have had brunch with my best friend and biggest fan today. Or any day.

Happy Mother's Day to all the moms. We never say it enough, but we love you to the moon and back.

It's not like me to get sloppy in my beer. Alright, who're we kidding - I'm a sap. And the fact that today is 28 years since my mom died isn't helping that any.

I'm sad to say I can't remember nearly as much about my mom as I'd like.

I can still hear her laugh. Because my parents had me later in life, I can still hear her almost apologizing to me for being "an old lady."

But I never saw her that way.

She was my old lady. She was my mom. She was there, frightened and strong in the emergency room at Cedars when I'd been thrown forty-five feet out of a car and knocked unconscious in an accident (many people by the way are still waiting for me to regain consciousness).

She was there at the graduation when I walked onstage at the Hollywood Bowl to accept my diploma (yeah, I've played the Bowl).

She held me, and the bucket, after my first real experience with a little too much egg nog and bourbon.

The last meal I had with my mom was at Nibbler's on Wilshire in Beverly Hills. Coke, tuna melt, arguements. The sounds of a generation and a half older clashing with a time and world that had changed in ways they didn't completely understand, and my impatience at their lack of understanding.

Not my finest moment, and probably the first one I'd go back to change.

Three days later, it was my turn to be with her in Cedars emergency room. She had died three times in the ambulance, and had been brought back three times. There was severe brain damage, and ten days later she was gone.

I remember going into her intensive care room (can someone really be hooked up to that many wires?), and talking to her for about an hour. Trying to make my peace. Trying to say goodbye. And then, my mother opened her eyes and looked right at me. It was the first time she'd opened her eyes in ten days.

Her doctors said it was a muscle reflex, similar to a twitch. They said she wasn't really there, wasn't really seeing me.

But after a lifetime with this woman who gave me my sense of humor, sensitivity, temper, and everything I ever wanted (yes, only child), I didn't really care what the doctors said. Because I knew better.

Every day, especially today, I'm the one who's seeing her.

Bye mom. Before you know it.

Saturday, May 9, 2015

Batter up

I've always been an omelette kind of guy. But when push comes to shove, I'll have to admit I enjoy the occasional flapjack.

When I was growing up, my parents used to take me to the International House of Pancakes. That's what it said right on the sign. This was before the texting-friendly abbreviation IHOP cut it down to size.

They were easy restaurants to recognize, what with their powder-blue A-frame buildings. They had bottomless coffee pots (which meant nothing to me then or now), and all kinds of different flavored syrups on the tables, even though maple was the one that was always empty.

My best memory of IHOP - I'll call it that for expediency - wasn't the Half-Dollar pancakes, the sticky tabletops or the orange aprons the waitresses wore. It's the time I had breakfast there with Tommy Smothers.

Bet you didn't see that coming.

I'd met Tommy at a release party for Groucho's album, An Evening With Groucho. It was a star-studded release party in Beverly Hills, and my friend David Weitz and I were hired to dress as Groucho and work the room (if you're wondering how I met Groucho, you can read about it here).

At that party, I'd also met and spoken to Tommy Smothers. He was in fact the nicest person there. Fast forward months later. I walked into the IHOP on Fairfax just north of Wilshire, and sitting at a table by himself was Tommy Smothers. I debated for a second about bothering him. But then I realized this situation would never present itself again, so I went for it.

I introduced myself to him, and reminded him we'd met at the Groucho album release. Tommy invited me to sit and have breakfast with him.

I ordered, and we talked about the party, the Smothers Brothers and the state of comedy and television. It was an extraordinary morning. When the check came, he insisted on paying for my breakfast.

In the years since, I've been lucky enough to see the Smothers Brothers perform at both a private function, as well as the Cerritos Theater of Performing Arts. Sadly, since they're now retired, I won't have the chance again.

Since he joined Twitter, I've actually had a few exchanges with Dick Smothers. I asked Dick one time why Tommy wasn't online, and he told me Tommy is too busy with their vineyard and other things.

Whatever he's up to, I hope he's happy and healthy. I'll never forget my breakfast with him.

I'm not really sure who their mom liked best. But in my book, they're both great.

Thursday, May 7, 2015

Flying with your eyes closed

I was at lunch with one old and one new friend yesterday, and one of the topics that came up was the ability to sleep on planes.

Yet another skill I can add to the list of ones I don't have, along with card counting, lion taming and crowd estimating.

It's an eclectic list.

I have nothing but admiration for people who can do it. It must be nice to fall asleep as the plane is taking off in L.A., and open your eyes just as you're landing in New York.

Of course then you don't get to pick out all the hidden nuclear missile silos in the middle of the country (Here's a hint: the big circles with no crops around them).

My wife is blessed, and not just by being married to me. She has the talent, skill and God-given ability to close her eyes and sleep no matter where she is. When we fly places, she's literally out before the plane pulls out of the gate. Me? I keep busy making sure the in-flight entertainment has Comedy Central and I have enough magazines to get me across country.

On some flights, I can manage to get as far as drowsy. But I just can't go all the way. Which reminds me of something my high school girlfriend used to tell me.

Anyway, kudos to those of you who can dream of clouds while your head's in them. I wish I could do it.

If we're ever flying together and I have the window seat, I'll try not to wake you when I have to crawl over you to get to the bathroom.

And if I do, I'll just say you were dreaming.

Wednesday, May 6, 2015

Anger management

It's hard to know exactly what makes people angry. It's different for everyone. But I have one friend in particular who, because I've known him so well for so long, I know exactly what trips his trigger.

Everything.

It must be a tough place to be. For as long as I've known him, he's been the angriest person I've ever known. It never ends. His rage is like bottomless glasses of lemonade at Islands.

You'd think some ambitious young turk out of Anger University, ready to be royally pissed off at the world, would come along and steal the title. But year after year, he manages to hold on to it as if it were a point of pride.

I've seen the toll it takes on him. I know it takes a toll on those around him. I've offered many times in the past to help him in various ways, but he's never accepted. And I've been at this point for awhile where, in a life that gets more and more demanding, I simply don't have room or desire to be witness and occasional target of his anger and nastiness any longer. It's a negative drain and it's exhausting. And life really is too short.

I'm not sure exactly when it was, but somewhere along the line I asked myself what I was getting out of the friendship at this point. When I couldn't think of anything, I knew it was time to cut ties.

I used to feel bad about it, but I don't any more.

Clearly running his blood pressure up forty points every five minutes at some perceived slight would indicate his survival instincts aren't kicking in. But mine are.

When I used to read his rants about the tiniest, most insignificant things that would normally be a surface nuisance at best, but for some reason set him off completely beyond the pale, it just made me sad.

This is a smart, talented guy in so many ways. He'd be better off showing that side of himself to the world instead of the Mr. Fury side on display at the drop of a hat ("Why the f&%# are you dropping that hat!?")

He's reached out to me a few times with bizarre, sad messages that don't deserve a response. They're anger (and alcohol) fueled, and I'm not taking the bait.

I sincerely wish him well. Maybe somewhere down the road we'll reconnect.

But it sure as hell won't be until he realizes he has a lot less to be angry about than he thinks.