Blade runner

It's not easy being devastatingly handsome. Oh, I know, I make it look easy - and thanks for noticing. But really, it isn't.

The sly smile, the deep, inviting brown eyes you can get lost in. The imperfect nose, that used to be perfect until Eddie Petroff broke it in junior high (whole other post). The distinguished, full and luxurious silver mane. The proudly displayed crow's feet around those knowing brown eyes that say, "Yes, I've lived a life, I know things you don't and I'm ready for more."

When you take all that into consideration, the question really becomes why would I ever want to hide a face like that? The answer would be so I don't have to shave it.

A long time ago, in a life far, far away, I sported a full beard. It was a popular look at the time, and while I thought it made me look serious and intense like Al Pacino in Serpico, or compassionate and magnetic like Jesus, the truth is it was probably closer to Hagrid or Carlos the Jackal.

Still, it served the purpose. I didn't have to drag a razor across my sensitive skin every morning, or afternoon or whenever the hell I woke up. I'm freelance. Sometimes it's all a blur.

Over the years I tried various versions of the beard: A goatee. A mustache. A soul patch. The full Amish. But the problem with all of them was that I had to do some degree of shaving. And not just shaving, precision shaving to keep the lines straight.

I finally settled on a goatee for a number of years.

Fast forward to one of our annual trips to the Hotel Del Coronado. I was out by the pool, and between the Bloody Mary's and banana smoothies (I never was much of a swimmer), I had an epiphany.

An epiphany is three parts tequila and one part pineapple juice.

Then, I had a realization. I couldn't deny the world this face any longer. That, and I didn't want the weird sunburn lines I was getting. So with my rusty seventy-nine cent plastic Bic blade, scalding water and a lot of effort, I was off to the races.

When I got back from the races, I shaved the goatee.

Even though I didn't like the process, I did like what I saw. So for a few years now I've endured the unpleasantness of shaving every morning. Nothing good comes easy.

Then, Father's Day rolled around. And instead of another ten black t-shirts, gift certificates to AMC Theaters and dinner at Walt's Wharf, my son got me one of the best gifts ever: a membership in the Dollar Shave Club.

The initial kit comes with a tube of Dr. Carver's easy Shave Butter, Dr. Carver's magnanimous Post Shave Daily All-In-One Moisturizer and one of three mighty razors - in my case, The Executive, with six stubble-hating stainless steel blades of fury. I get four cartridges a month, so the blades never have the chance to get, how you say, unusable.

For a guy who was used to speed shaving with a Bic in the shower while racing to get to work, taking a little extra time to do it right took some getting used to. But well worth it.

The feeling is extraordinary. It's a closer shave than I ever thought possible, and once you've experienced the silky smoothness of Shave Butter you'll never go back to foam (or hot water) again. I can see my skin glow, and not just from my years at the nuclear plant. I now look forward to shaving every day.

It also doesn't hurt that the DSC website is one of the funniest, best written sites on the interwebs. Here's just a little sample of what you'll find when you click:

I don't usually endorse products or services on this blog. After all, I want to maintain what little integrity I have left. I try to stay impartial. I feel I owe that to my ten readers.

Nonetheless, I'd strongly recommend you give DSC a try. If not for the best shave of your life, then at least for the comic relief.

By the way, DSC also has a product called One Wipe Charlies. I'm still working my way up, er, down to those.

Goodbye Robin

O Captain! My Captain!BY WALT WHITMAN

O Captain! my Captain! our fearful trip is done,
The ship has weather’d every rack, the prize we sought is won,
The port is near, the bells I hear, the people all exulting,
While follow eyes the steady keel, the vessel grim and daring;
But O heart! heart! heart!
O the bleeding drops of red,
Where on the deck my Captain lies,
Fallen cold and dead.

O Captain! my Captain! rise up and hear the bells;
Rise up—for you the flag is flung—for you the bugle trills,
For you bouquets and ribbon’d wreaths—for you the shores a-crowding,
For you they call, the swaying mass, their eager faces turning;
Here Captain! dear father!
This arm beneath your head!
It is some dream that on the deck,
You’ve fallen cold and dead.

My Captain does not answer,his lips are pale and still,
My father does not feel my arm, he has no pulse nor will,
The ship is anchor’d safe and sound, its voyage closed and done,
From fearful trip the victor ship comes in with object won;
Exult O shores, and ring O bells!
But I with mournful tread,
Walk the deck my Captain lies,
Fallen cold and dead.

Trigger happy

Back in the day, before I could roll out of bed and be at Jet Blue, when I wanted to go to Vegas - and it was fairly often - I'd just hop on the 15, crank up Springsteen, put my lead-lined shoe on the gas and go.

But before I stopped for a Quarter Pounder at the water tower McDonald's in Barstow, and before I pulled over to buy a lotto ticket at the Country Store in Baker, I'd drive past Apple Valley, the small town just after Victorville in the high desert.

Home of the Roy Rogers Museum.

Thanks to the giant statue of Roy's golden palomino Trigger on the roof of the museum, you could see it from the freeway. Every time I went screaming past it I always thought someday I should make some time and stop in there. Not exactly a bucket list item, but more to satisfy my curiosity about exactly what good 'ole Roy had that could fill a museum.

When I was growing up, Roy Rogers was the King of the Cowboys, starring in many musical westerns. Co-starring in all of them was his trusty horse Trigger. Famously, the big draw at the museum was the fact that when Trigger died, Roy had him stuffed. He was now living at the museum, posed rearing up, just like he used to do in the movies and on Roy Rogers television show.

It could've gone worse for Trigger. At one point, Roy Rogers had a chain of roast beef restaurants.

Finally, on one of my Vegas runs, I stopped in the museum. Though it'd been open a couple hours by the time I got there, I was literally the only person in the place.

I came to two conclusions right off the bat: first, Roy and Dale Rogers were hoarders. And second, seeing Trigger stuffed and posed like that was more sad than anything else. It wasn't so much a museum as a garage packed with souvenirs from a lifetime in cowboy show biz.

Like seeing Elvis at the International Hotel in Vegas, hearing Sinatra and Sammy Davis Jr. at the Greek Theater, and meeting Groucho Marx, I can now wear the badge and say I've seen Trigger in his eternity pose.

Given the low attendance at the museum, probably due to the fact there weren't that many hardcore Roy Rogers fans still walking the earth (at least they weren't stuffed and posed), the museum closed. It moved to Branson, Missouri for a bit, but it eventually closed there too.

Trigger still lives on however, although now it's in the lobby of RFD-TV in Omaha, Nebraska. When the museum closed, he was auctioned off to the station for $266,000, along with Roy's dog Bullet who went for $35,000.

Just like my childhood, Roy and Dale are long gone now. But they're a fond memory from that time, even if their museum wasn't the thrilling experience I'd hoped it would be.

Still, I like thinking that wherever they are, they're still singing', ridin', roping' and wearing the white hats.

Happy trails Roy.

Face the music

I have a lot of sympathy for actors, especially women, who feel they need to have a nip and tuck just to stay competitive in an industry that worships youth, and tosses anyone over thirty to the curb.

But as Joan Rivers, Jocelyn Wildenstein (the cat lady in New York) and Priscilla Presley would be the first to tell you, sometimes the results are less than what you hoped for.

I feel particularly sad for Lara Flynn Boyle.

I know she made the decision to do it, and I know she has to live with the consequences. But you have to wonder what she saw when she looked in the mirror that drove her to such extremes. It obviously wasn't the beautiful, talented actor the rest of the world saw.

I'm not a doctor. I don't even play one on TV. It's just my opinion that sometimes there's a thin line between doing what you have to do and mental illness.

LFB was in one of my favorite films ever, John Dahl's Red Rock West with Nic Cage. She also displayed her comedy chops in Wayne's World, and her very sinister side in The Temp. Sadly every time I see one of her films now, it's overlaid with a veneer of pity and sadness for her each time she's on screen.

Rumor has it she's had some corrective surgery to regain some semblance of her former self. But unless she has a DeLorean that goes 88 mph, I don't think her former looks are coming back any time soon.

I hear people joke about celebrities that have plastic surgery, but I get it. No one is harder and more critical of our physical looks than we are. Times a thousand for people who make a living being looked at by millions of people.

While it's obvious LFB won't get the roles she used to, I hope she's able to continue working in the industry. On her IMDB page, she's just completed a low-budget family film directed by the same person who did Gabe The Cupid Dog and Unstable.

Be that as it may, I'm grateful at least someone in town looks past the surface, and still sees a talented actor looking back.

Snow balls

I'm going to cop to a little bait-and-switch on this particular post. It's not about snow balls. Well, it is - just not the kind pictured here.

I'll try to be delicate.

I'm lucky enough to have a nice Japanese luxury car. It has many features designed to make the driver, and the ride, as comfortable as possible. One of those features happens to be perforated leather seats, which come that way from the factory - although with a dog and kids, they'd eventually wind up that way anyway.

The seats are perforated because they're both heated and cooled, depending on which makes you more comfortable on a hot or cold day. I've used the seat heater many times. Since I've owned the car, I've never used the seat cooler. Until today.

Now, I'm not the only one who drives my car. My wife drives it, and so does my son. Both of them have a habit of leaving the seat heater on when I get the car back.

Today, I was driving up to Marmalade Cafe to meet my good friend Carrie for lunch. As I was flying up the 405, riding on rails and listening to Tony Bennett singing For Once In My Life, it suddenly dawned on me that, how shall I put this, the jewels were a little chilly.

Not knowing the seat cooler had been left on high, and never having used it, I wasn't familiar with the sensation. And frankly, it wasn't my first thought.

My first thought was that something was terribly wrong with the boys.

After a quick investigation - which must've been very entertaining for the cars next to me - I finally figured out the seat cooler had been left on.

Oddly enough, once I knew nothing was wrong, it just felt right.

The Con is on. Again.

I don't usually repost pieces on here. But it's the Comic Con time of year again, and I was going to write a post about going. Again. But then I reread this little gem and realized it said exactly what I wanted to say. Again. We don't have to re-invent the wheel each time out people. Let's just take tonight's post at face value, and enjoy the writing for what it is - an excuse not to think of something new to write. Wait? Did I say that out loud?

Don't say you haven't been warned. For four and a half days this week, my son and I will be living amongst 'em (well, actually we'll be living at the Hilton and walking amongst 'em, but no one's under oath here): the Stormtroopers, Wolverines, Lara Crofts, Jokers, Iron Men, Darth Vaders, Zombies, Batmen, Supermen and other assorted, costumed inhabitants of Comic Con.

As you can see here and here, this isn't the first time I've written about the Con. And it won't be the last.

Don't get the wrong idea. I'm not saying it's the only subject I'll post about for the next few days. But if you happen to notice my writing in the Thursday through Sunday posts have a nerdist, geekesque, maybe-I-ought-to-get-a-life, gee-he-sounds-REALLY-tired quality to them, then I've done my job and you'll know we're having a fine time.

For those who've never been - and really, like the Rolling Stones or Rick Perry trying to complete a sentence, it's something you need to see at least once in your life - please to enjoy this little taste of my next four days.

Welcome to my world.

What time does the bus get here?

There are all kinds of signs to help us navigate the roads: Stop. Yield. Merge. Slow. Pedestrian Crossing. Deer crossing. Falling rocks. Lane ends.

So how come there aren't warning signs like this one to help navigate the business world?

It's not like it doesn't happen. It happens on a daily basis. If you're in advertising and it happens to you, all it means is you showed up one day.

Like getting laid off, losing a client, not getting a bonus, canceling a vacation or listening to agency pep talks, it's inevitable at some point someone's going to figuratively throw you under the bus.

It'd be nice to at least get a warning.

Maybe it’s like that team of brainiacs at Cal Tech who've spent the last twenty years of their lives working on an advanced earthquake warning system. They still haven't perfected it, and probably for the same reason agencies don't post signs like this.

There's no way to be a hundred per cent accurate. And they can't predict when it'll happen.

What's interesting to me about this particular sign is how you can’t tell which figure has what job. I can’t tell who’s the thrower and who's the throwee.

For instance, I'd be hard pressed to tell you if it's the account person tossing the creative under the bus. Or the creative director kicking one of his team under, just after he trashed their storyboard in a client meeting in favor of one he did that no one saw until two minutes ago.

Maybe it’s the client kicking the agency under after seeing that crap storyboard the creative director pulled out of his ass at the last minute.

Who’s to say.

All I know is even though there aren't actual, physical signs warning you when a colleague is going to boot you under the Metro, there are signs nonetheless.

Watch for them.